How I Got Over
The Roots Show Hip-Hop the Way
1. Bang Bang |
2. I Can't Hear The Music featuring Fabolous |
3. She's Gone |
4. Set It Off |
5. Like This |
6. Afraid of Love |
7. Ghost |
8. What If |
9. Just Being Honest |
10. Make You Love It |
November 29, 2010
Before The Dawn
Buju Gets Personal On Before The Dawn
Before the Dawn is a short dose of positivity from the incarcerated deejay Buju Banton. The 10-track work is the ninth studio album from the 'Gargamel' released during his ongoing drug trial.
In an interview, Banton explained that the 10 tracks, which were released in Europe on October 1, were written before he found himself in his current situation with the law. He told Hip-Hop Weekly magazine: "All the songs on this album were written before I and I found I self in this current situation, yet they all speak profoundly to what I and I am going through right now ... You might can lock up the flesh but you can never lock up the spirit of Rasta."
'United States of Africa'
Luciano's Powerful 'United States of Africa'
It has been many years since I’ve been motivated or moved to review anything that Luciano has done. Life circumstances and disappointments made me step away from his works, until a couple months ago when I was fortunate to receive this most precious Jewel ever “United States of Africa”.
Although I received the CD in the mail a couple months ago; I really did not actually open it until October of this year and I was so floored by what I was hearing.
Waiting for "Superman"
Waiting for "Superman"
WAITING FOR “SUPERMAN”, which opened nationwide in October to rave reviews, has triggered an intense national debate about the state of public education in the U.S. The film exposes the failings of the American school system as it depicts five intertwined stories of students struggling to get an education. Several initiatives have been launched in support of the film, including a national “Take the Pledge” campaign, which provides a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools.
source: thinktankmkgt
June 23, 2010
Michelle Alexander’s ‘The New Jim Crow
Michelle Alexander’s ‘The New Jim Crow: Mass Incarceration in the Age of Colorblindness’
Review by Lenore Jean Daniels, Ph.D.
“This book is not for everyone. I have a specific audience in mind – people who care deeply about racial justice but who, for any number of reasons, do not yet appreciate the magnitude of the crisis faced by communities of color as a result of mass incarceration.” – Michelle Alexander in the preface to “The New Jim Crow: Mass Incarceration in the Age of Colorblindness”
Cover design by Jamaal Bell
On Aug. 3, 1980, in Philadelphia, Mississippi, the U.S. government officially declared war against Black people residing in its borders. Long live the Southern strategy! Sniper shots and dynamite blasts had efficiently terrorized these people into abject numbness. A pogrom could do the trick! Troops, weaponry, ammunition! Call it the War on Drugs. And the beauty of the pogrom – the American public wouldn’t notice the war underway right on its homeland!
Michelle Alexander’s “The New Jim Crow: Mass Incarceration in the Age of Colorblindness” (published by The New Press, 2010) looks at the invisible people and the invisible birdcage that keeps the masses of Black people locked in and alienated from society – the targets of the War on Drugs. She asks questions: How could a government wage a war to practice genocide against Black people after the passage of the Civil Rights Act and the Voting Rights bill – after everyone recognized the hatred of a Bull Connors and a KKK pogrom? How could a government conciliatory to civil rights leaders be accused of engaging in war against the same people the government agreed to protect against discrimination? How are we to understand and confront a racial caste system in the age of colorblindness?
May 24, 2010
The Disney Reggae Club
Walt Disney Records Presents – The Disney Reggae Club
The magic of Disney meets the magical isle of Jamaica, as Walt Disney Records readies an album of classic Disney songs newly recorded by a cross-section of top reggae musicians. The Disney Reggae Club features songs from immortal Disney animated films – from “The Little Mermaid” to “Jungle Book” – recorded by such esteemed artists as Grammy winning reggae legend Toots (of Toots & the Maytals fame), five time Grammy winner Ziggy Marley, reggae’s most prolific and long lasting production team Sly & Robbie, multiple Grammy winner Cedella Marley, Grammy winner Burning Spear, legendary British band UB40 and Hasidic rapper Matisyahu. The album is set to arrive in stores and at online retailers June 8.
Diary Of A Tired Black Man
Diary Of A TIRED BLACK MAN
Diary Of A Tired Black Man is a simple story about the complex relationships between Black Men and Black Women. It follows the life and relationships of a successful black man as he tries to find a happy place to rest his heart.
He is constantly challenged by the anger he finds in the black women he gets involved with. From his wife, whom he divorces, to the other women he tries to date after her nothing but Drama Drama Drama!
So what's a black man to do? He tries dating outside of his race, which brings up a different set of issues for him to deal with.
It's an interesting ride into the reality of black relationships that a lot of people will relate to, and a lot of people will learn from.
The Official "Diary of a Tired Black Man" LogoFilm Credits:
Production Company
Screentime Films, Inc.
Executive Producers
Mohsen Saeedy & Tim Alexander
Written, Produced & Directed
by Tim Alexander
Starring
Jimmy Jean-Louis, Paula Lema,
Natasha M. Dixon, Shavsha Israel & Little Cierra Lockett
April 29, 2010
Perfect Combination
Perfect Combination – DVD
Rick (Christian Keyes, Madea Goes to Jail) has got it allexcept a steady woman. As his 30th birthday approaches, he decides to enlist the help of a matchmaking service called Perfect Combination, launching a hilarious dating journey of one catastrophic date after another. With his luck and the “help” of an over-opinionated group of friends with their own romantic problems, will Rick ever find true love? With an irresistible cast that includes Angell Conwell (Baby Boy), Tiffany Hines (Beyond the Break) and Kareem Grimes (The Shield), Perfect Combination adds up to sexy, laugh-out-loud fun!
Source: thinktankmktg
December 15, 2009
2 Turntables And A Microphone
The Life and Death of Jam Master Jay
Legendary hip-hop DJ Jason Mizell, aka Jam Master Jay, is gunned down in his Queens studio. Security tapes of the incident mysteriously disappear, the five witnesses are uncooperative and no one is talking...until now. 2 TURNTABLES AND A MICROPHONE documents the investigation of the unsolved murder of Jam Master Jay, RUN- DMC's groundbreaking DJ and producer, deftly revealing the history of hip-hop and mainstream rap along the way. Exclusive, candid interviews with 50 Cent, Ja Rule, Russell Simmons, RUN-DMC and more offer insight into Jam Master Jay's life - including information that could finally help police solve the murder that shook the music world to its core
October 21, 2009
So Far Gone
Drake's "So Far Gone"
So Far Gone - Drake
2009 mixtape from the most anticipated artist to arrive on the music scene in recent memory. The actor, singer, rapper has released three mixtapes since 2006 and his most recent mixtape lead to signing with Young Money Records. This is what the fans have been waiting for. This previously internet-only release has been remixed and remastered. Features include Lil Wayne, Trey Songz and Bun B.
I Look to You
Whitney Houston; "I Look to You"
With over 170 million combined albums, singles, and videos sold worldwide during her career with Arista Records, Whitney Houston has established a benchmark for superstardom that will quite simply never be eclipsed in the modern era. She is a singer's singer who has influenced countless other vocalists, male and female. Houston is triumphed by the Guinness Book of World Records as music's "Most Awarded Female Artist of All Time" with an amazing tally of 411 awards. She holds both the biggest-selling U.S. single of all-time (her career defining rendition of Dolly Parton's "I Will Always Love You") and one of the top 10 best-selling albums of all time (The Bodyguard soundtrack) to her many credits. She's also the only artist to chart seven consecutive #1 Billboard Hot 100 hits, hold seven consecutive multi-platinum albums. She reigns as the first female artist to have entered the Billboard 200 album chart at #1. Whitney's highly anticipated new studio album features a wide array of A-list producers including Stargate, R Kelly, Akon, Eric Hudson & Johnta Austin, Fernando Garabay & Harvey Mason Jr., Tricky Stewart, Swizz Beatz, David Foster and Diane Warren. On September 1, 2009, the Legend, the Icon, the Worldwide Superstar returns with her best work yet.
Our World
T.O.K. - Our World
Awesome, By
V.J. Gotastory
T.O.K. - Our World
Our World CD by T.O.K. proves again their versatility in the music world. Traditional Reggae beats, and dancehall vibes makes this one CD that should be playing in everyone's cd player. To name a few of my personal favorites, Guardian Angel, Couple Up, Gansgers Never Die, I Wanna Love you, Me and My Dawgs and Ms. World. If you haven't experienced T.O.K. or any form of Dancehall/Reggae music, then T.O.K.'s new CD is a great way to break you in. I love this CD as well as the handsome group of young brotha's that have such a great range of voices. Big ups and much respect to T.O.K.
Dancehall Lover
By
V.J. Gotastory
T.O.K. - Our World
Dancehall Lover
Jealous One's Still Envy
Fat Joe - J.O.S.E
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Jealous One's Still Envy (J.O.S.E.) |
Fat Joe - as one of the best MCs in the world during the past decade, very few MCs have matched his longevity, especially within the last five years. Throughout his career, Joe has obviously been cut from the cloth of supreme mic holders. He's held his own on songs with modern day legends such as Big Pun and Big L, the Wu-Tang Clan, Nas, Grand Puba and one of the greatest collection of Masters of Ceremonies to ever assemble, D.I.T.C. Fat Joe has discovered some of the best artist in the rap game (Big Pun, Remy Ma, etc.), been nominated for two Grammy awards, and has achieved commercial and critical success.
Jealous Ones Still Envy (J.O.S.E.) will have the usual supporting cast of A-level producers and guest artists including Lil Wayne, Akon and Ron Browz. Fat Joe's prophetic quote, "2008 going into 2009, when we say `Happy New Year', we're gonna really celebrate. I'm going for all the marbles. Its gonna be my biggest year." J.O.S.E. 2 will take Fat Joe to the next level and make the world stand up and recognize the era of "Crillz Mania" has finally arrived.
The G-Files
Warren G "The G-Files"
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The G-Files - Warren G |
Warren G exploded out of the burgeoning Long Beach rap scene in 1994 with the smash single "Regulate". This debut release quickly became a massive hit, peaking at #2 on the Billboard charts and pushing his debut "Regulate....G-Funk Era" album up to the same position. The album eventually went triple platinum as Warren's laid-back raps and funk-based grooves quickly became his trademark style..... the ""G-Funk" style. Warren followed up this success with multiple chart topping releases including the 2004 union with Snoop Dog and Nate Dog--213. 213's the "Hard Way" release quickly went gold further establishing Warren as a hip-hop legend. His 2005 release "In The Mid-Nite Hour" created an underground frenzy and debuted at a robust #15 on Billboard's R&B/Rap Albums Chart. With over 5 million records sold, Warren G. is an icon whose public eagerly awaits what he brings next with the much anticipated "The G Files".
October 07, 2009
Katt Williams Presents 'Pimpadelic'
Katt Williams Pimpadelic (2009)
Katt Williams Pimpadelic (2009)
But what is never shown is the real Katt. Pimpadelic features Katt performing some of his funniest material in front of a sold-out crowd in Washington D.C. and an extensive rare and never-before-seen interview where Katt talks intimately about his family, career, god, his future and the state of the comedy business. This is a must see for every true Katt fan! Also included is a 15 minute never-before-seen bonus performance unearthed from Katt's personal vault. This DVD is jam packed with funny!
Codeblack Enterprises LLC is the first African American-owned new media & entertainment company. Codeblack Enterprises' reach is all-encompassing, from production and national distribution of feature films to its innovative e-commerce arm. The company's portfolio consists of Codeblack Entertainment and Codeblack Interactive. Codeblack Entertainment is the first African American-owned film studio, engaged in the business of producing, acquiring, marketing and distributing quality content to today's urban consumer across a variety of traditional and digital platforms. The studio, which is both independent and vertically integrated, was created out of the necessity for the positive representation of African Americans in film. Codeblack Interactive focuses on distributing content across digitally interactive platforms, including global distribution to mobile and digital carriers such as Codeblack TV, a broadband on-demand channel, by which viewers can download, stream and deliver Codeblack properties over the internet. The company's home on the Web is http://www.codeblackentertainment.com
http://www.codeblackentertainment.com
RZA "The Tao of Wu"
RZA Of The Wu Presents; "The Tao O Wu"
A unique book of wisdom and experience that reaches from the most violent slums of New York City to the highest planes of spiritual thought by the RZA, hip-hop's most exalted wise man.
The Tao of Wu
"RZA is a towering artist and deep thinker who has much to teach us. I salute his courageous vision and compassionate witness-as manifest in this book and his life!"
-Cornel West
"I congratulate the world for this beautiful gift, wisdom from the life and travels of RZA, wisdom I truly believe draws from the deepest pools of human thought and spirit...When a wise monk passes away, the monastery builds a pagoda in his memory. Some pagodas get one floor, some get two or three. But if the man was known as the wisest and most enlightened of all monks, his pagoda gets seven. I believe the seven pillars of wisdom in this book are like the seven floors of an exalted monk's pagoda. They represent the wisdom, knowledge, and enlightenment of a soul that has never stopped training, never stopped learning."
-Sifu Shi Yan Ming, thirty-fourth generation Shaolin Temple warrior monk
A unique book of wisdom and experience that reaches from the most violent slums of New York City to the highest planes of spiritual thought by the RZA, hip-hop's most exalted wise man.
The RZA, the Abbot of the Wu-Tang Clan and hip-hop culture's most dynamic genius, imparts the lessons he's learned on the journey that's taken him from the Staten Island projects to international superstar, all along the way a devout student of knowledge in every form he's found it-on the streets, in religion, in martial arts, in chess, in popular culture. Part chronicle of an extraordinary life and part spiritual and philosophical discourse, The Tao of Wu is a nonfiction Siddhartha for the hip-hop generation -an engaging, seeking book that will enlighten, entertain, and inspire.
The legions of Wu-Tang fans are accustomed to this heady mix-their obsession with the band's puzzlelike lyrics and elaborate mythology has propelled the group through fifteen years of dazzling, multiplatform success. In his 2005 bestseller The Wu-Tang Manual, the RZA provided the barest glimpse of how that mythology worked. In The Tao of Wu, he takes us deep inside the complex sense of wisdom and spirituality that has been at the core of his commercial and creative success.
The book is built around major moments in the RZA's life when he was faced with a dramatic turning point, either bad (a potential prison sentence) or good (a record deal that could pull his family out of poverty), and the lessons he took from each experience. His points of view are always surprising and provocative, and reveal a profound, genuine, and abiding wisdom-consistently tempered with humor and peppered with unique, colloquial phraseology. It is a spiritual memoir as the world has never seen before, and will never see again.
The RZA is most famous as the founder and leader of the Wu-Tang Clan, the platinum-selling hip-hop group that is widely considered one of the most important of all time, and has also spanned multiplatinum solo careers for many of its members, including RZA. Originally from Staten Island, he is currently based in Los Angeles, where he has continued his music career while successfully branching out into lecturing, television, and film.
Serena Williams's "On the Line"
Serina Williams's "On The Line"
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On the Line |
"From the first time I met her, to watching her capture the US Open, Serena has always amazed me with her ability on the court, her curiosity away from it and her overall love for life. Serena Williams is taking her life to an all new level." (Billie Jean King )
"On the court, Serena is the most challenging opponent I've come up against, and off the court, she is a loving sister and a true friend. Serena has been a role model for me and an inspiration. It is difficult to imagine how I would have achieved many of my greatest accomplishments without her in my life." (Venus Williams )
"Serena has dredged deeply into her emotions and those of the First Family of tennis-hopes and fears, aches and triumphs-to craft an exceptional memoir. Ascending from nowhere to the top of the world, she has run an exciting zig-zag course transforming darkest days into bright victories on her way to the International Tennis Hall of Fame." (Bud Collins )
One of the biggest stars in tennis, Serena Williams has captured every major title. Her 2009 Australia Open championship earned her the #1 world ranking for the third time in her illustrious career - and marked only the latest exclamation point on a life well and purposefully lived. As a young girl, Serena began training with an adult-sized racquet that was almost as big as her. Rather than dropping the racquet, Serena saw it as a challenge to overcome-and she has confronted every obstacle on her path to success with the same unflagging spirit. From growing up in the tough, hardscrabble neighborhood of Compton, California, to being trained by her father on public tennis courts littered with broken glass and drug paraphernalia, to becoming the top women's player in the world, Serena has proven to be an inspiration to her legions of fans both young and old. Her accomplishments have not been without struggle: being derailed by injury, devastated by the tragic shooting of her older sister, and criticized for her unorthodox approach to tennis. Yet somehow, Serena always manages to prevail. Both on the court and off, she's applied the strength and determination that helped her to become a champion to successful pursuits in philanthropy, fashion, television and film. In this compelling and poignant memoir, Serena takes an empowering look at her extraordinary life and what is still to come.
Skyzoo - The Salvation
"The Salvation" of Skyzoo
The Salvation - Sky Zoo
"If you're looking for mixtape tracks, you may have to look elsewhere. But if you're looking for music that tells a story (possibly yours), music that is the most honest of its kind, music that makes sense when you play it, then this is where your $15 belongs on September 29th. The album is everything I've ever wanted to say."
"In conclusion, this album is my first born. I put my best foot forward (thus leaping instead of walking), and on September 29th you'll see what I mean. Jamla Records, Duck Down, "The Salvation", it's everything that you've ever heard from me was leading up to. Lyrics will never be the same."
-SKYZOO
2009 solo debut from the native of Brooklyn, NY. The album, executive-produced by 9th Wonder, features exciting production from Just Blaze, 9th Wonder, Nottz and Needlz.
Ghostface - Ghostdini
Ghostdini the Wizard of Poetry in Emerald City
Ghostdini the Wizard of Poetry in Emerald City
Dubbed by the New York Times "the most lovable rapper in the world: a wounded warrior with raps to match his speeding heartbeat," Def Jam artist - and Wu-Tang Clan ironman - Ghostdini (aka Ghostface Killah) returns under a new guise in 2009 as THE WIZARD OF POETRY, his 6th Def Jam album (and 10th major label album), in which he attracts an A-list of duet partners including John Legend, Fabolous, Raheem DeVaughn, Lloyd, Estelle, and others. The new album will arrive in the physical and digital marketplace on September 29th. The first single from the new album is "Baby" featuring Raheem DeVaughn.
Leading up to the release of The Wizard Of Poetry, iTunes will be running a "Complete My Album" campaign. The first single "Baby" was released on August 18th. "Forever" was released on September 1st. On September 8th, the John Legend duet "Let's Stop Play'n" will be released, followed by Ghost and Fab's "Guest House" on September 15th. Throughout, Ghost sprinkles his trademark wit and charm over signature sample-based grooves and modern R&B tracks.
A hip-hop icon for more than 15 years, Ghost's legions of fans have been tuning in to The World According to Pretty Toney long enough to know that "he doesn't so much deliver rhymes as narrate graphically detailed scenes, rife with violence, passion and a little humor," as USA Today stated. Along the way, Ghost has made a habit of enlisting duet partners on his singles and album tracks - Mary J. Blige, Missy Elliott, Jadakiss, Ne-Yo, and many others, including his WTC mates Raekwon, Method Man, U-God, and so on.
Capitalist Nigger: The Road to Success
Capitalist Nigger: The Road to Success
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Capitalist Nigger: The Road to Success |
"...definitive book on the Black Race that every Black person would like to have written, but didn't have the courage." -- Andreaus Guilty, TV personality
"This is a book of passionate sense of outrage and collective self-reproach. The beginning of self-reform is self-criticism. -- Ali A. Mazrui, D. Phil., (Oxon), Albert Schweitzer Professor in the Humanities, Director, Institute of Global Cultural Studies, Binghamton University --This text refers to an out of print or unavailable edition of this title.
September 08, 2009
Time Flies When You're Having Fun
"Old School, New Creativity" Time Flies When You're Having Fun - Smokey Robinson
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Time Flies When You're Having Fun |
Motown legend, Smokey Robinson unleashes a new album of original material featuring guests Carlos Santana, Joss Stone and India.Arie lending their estimable musical talents plus famed graphic artist Shepard Fairey's Studio Number One providing the package art. Smokey's newest album will undoubtedly galvanize new fans as well as longtime admirers as this Motown trailblazer and national treasure is sure to dominate in 2009 as he celebrates a dazzling 50 years in the limelight.
Only Built 4 Cuban Linx, Pt. 2
Only Built 4 Cuban Linx, Pt. 2 "CLASSIC SEQUEL".
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Only Built 4 Cuban Linx, Pt. 2 - Raekwon |
With years of working along side some of the most influential figures in the recording industry to date, Raekwon is ready to reemerge his urban flair with the sequel to Only Built 4 Cuban Linx. Only Built 4 Cuban Linx II features cameos from many industry heavyweights such as the Wu-Tang Clan, Jadakiss Styles P, and many others. It also features blazing tracks from the who's who of extraordinary Hip-Hop producers such as the RZA, Eric Sermon, Dr Dre, Scram Jones, Pete Rock, Marley Marl, Allah Mathematics and J-Dilla. Then, it's layered with Raekwon's melodic flows and street oriented delivery. Only Built 4 Cuban Linx II will produce the dish that true Hip Hop Fans have been salivating for many years.
The Blueprint 3
The Blueprint 3 Jay - Z
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The Blueprint 3 - Jay-Z |
International superstar and multi-media mogul, JAY-Z confirms the most highly speculated date in recent music history. Friday, September 11, 2009 is the official release date for the eagerly anticipated BLUEPRINT III. The follow up to JAY-Z's instant classic BLUEPRINT (2001) and the critically acclaimed BLUEPRINT II (2002); BLUEPRINT III is the final installment in the BLUEPRINT series. BLUEPRINT III is a Roc Nation / Live Nation release distributed through Atlantic Records. The album's first single "D.O.A. (Death of Auto-Tune)" has exploded since it's June release. Performed live on the BET Awards on June 28th, the song's video premiered immediately following the show to great acclaim. Second single "Run This Town" with Rihanna and Kanye West was just serviced to radio. Since 1995, Jay-Z has dominated the rap industry and set the trends for a generation. Over his career, he has sold more than 40 million albums and sold out arenas worldwide. Winner of 7 Grammy Awards, his 10 No. 1 albums tie him with Elvis Presley and place him behind only The Beatles for the most of all-time. He is the founder and chairman of Rocawear, co-owner of the NJ Nets, 40/40 Sports Clubs and co-owner of the skin care and beauty line Carol's Daughter. Jay-Z became the first non-athlete to enter into a major footwear coventure with his S. Carter line for Reebok and in addition, continues his philanthropic work through his Water For LIfe initiative and Shawn Carter Scholarship Foundation. In 2008, JAY-Z entered into a partnership with Live Nation forming Roc Nation. This groundbreaking new division, headed by Shawn "JAY-Z" Carter creates unique management, publishing and distribution deals with artists and songwriters.
September 04, 2009
Contagious - Tarrus Riley
Contagious - Tarrus Riley
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Contagious - Tarrus Riley |
This is Tarrus Riley's third album and for all that know his music . He certainly has made his way with this album . The title track is a great take on a classic Marley Riddem . His cover of Michael Jackson's " Human Nature " is excellent . One of the gems on this album is a track called " Mandkind " at times it becomes Beatlesq , it is really amazing . " Good Girl Gone Bad " with Koshens is one of the best modern dancehall tunes of the year . "Young Heart" brings you back to a classic 60's sound , While " Soul Mate "and Sly & Robbie produced " Stop Watch " takes you back to the 70's. Tarrus , brings in the gospel with a little help from Etana on "Let Peace Reign"and takes you to a higher level .
Ready
Ready - Trey Songz
Since making his recording debut in 2005, Trey Songz has patiently and artfully crafted some of the most acclaimed and compelling R&B music of the decade. His first two Songbook Entertainment/Atlantic albums, 'I GOTTA MAKE IT' (2005) and 'TREY DAY' (2007), yielded a trio of top ten singles, 'Girl Tonight,' 'Last Time,' and 'Can't Help But Wait.' And when the latter song garnered Trey a coveted Grammy nomination for Best Male R&B Vocal Performance, it marked the validation of the faith shown in Trey by the late Atlantic Records founder Ahmet Ertegun, who hailed him as one of 'the most promising R&B artists we have had since we started the company 60 years ago.' Now, with the 2009 release of 'READY,' Trey Songz is more than ready to claim his place in the pantheon of R&B greats.
From the street single, 'Brand New,' to his self-described male version of Mary J. Blige's 'Be Without You' in 'One Love,' the Virginian draws on a range of influences to craft an album that will thrill his longtime fans and happily surprise all newcomers to the Trey Songz story. Indeed, with its blend of hip-hop, R&B, and pop - exemplified by tracks like 'Black Roses,' where Trey croons over a distorted guitar - 'READY' demonstrates his growth on every front. The third time around, Trey displays a new vocal maturity combined with his renowned ability to twist notes and keys effortlessly, while presenting an increasing breadth of subject matter.
Persona
Persona - Queen Latifah
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Persona - Queen Latifah |
"It doesn't have a specific theme - each [song] was so different from the next, me being the common denominator. And I realized my different characters were coming through on these [songs]. My acting, singing and rapping identities all came together under one roof as well as my taste in different kinds of music. I'd say it's half rap and half singing. If I had to categorize it, it would be more like hip hop urban alternative". - QUEEN LATIFAH (LA TIMES)
Slaughterhouse
Good Mornin' Hip Hop- Are ya'll listening??,
August 13, 2009
2009 release from the Hip Hop supergroup which consists of lyrical heavyweights Joe Budden , Royce Da 5' 9, Crooked I and Joell Ortiz. In a time where Hip Hop appears to be in a similar recession that our economy is entrenched in, four emcees have banded together to form a Rap supergroup like none other. All four emcees have had their fair share of major label love. All four have also been written off (with the exception of the young Ortiz), after their label mishaps, only to rise like the phoenix and utilize the internet to buld massive cult followings. You probably know them individually, but this is about getting to know Slaughterhouse as a collective.
Hands down the best Hip Hop LP of the year and one of the BEST of the DECADE fam' REAL TALK. I can't even sum it up with words...COPP THE ALBUM, tell your folk to COPP THE ALBUM. Budden been that dude for sometime now but his shine been blocked by weak labels and old head rappers like Jay, 50, Rae, etc etc. Not to mention his squad on here is UNSTOPPABLE in the booth- period I don't need to name names cause you know these kats, they are ARTISTS with precision pen strokes- And if you don't know these dudes then make it happen like ASAP. No BS, Slaughterhouse got the rap game by the ballz right now! oNe
Marcus Garvey [ORIGINAL RECORDING REISSUED]
Real Rebels Cant Die
Nereus Joseph - Real Rebels Cant Die
Real Rebels Cant Die by Nereus Joseph
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Overall, as I said, when you get GOOD Roots Reggae and do it well on an album, the results can be so nice and just satisfying and that's exactly what you get here. Perhaps the best thing I can say about this one is to just simply put it as: Nereus Joseph's Real Rebels Can't Die album MAKES YOU FEEL GOOD! Just like that! The album is recommended to all fans of modern Roots Reggae but especially those with a bit more time listening to the music. Newer fans should also be able to appreciate it but perhaps not now as they may a little while from now as the sound is definitely very MATURE. In a year where so many big name artists are arriving with some equally big material and some more are on the way, perhaps someone flying below their radar has outdone them all. Right now I'm full confident in saying that Nereus Joseph's Real Rebels Can't Die is probably the best Roots Reggae album I've heard in 2009. Period.... (Continue Reading)
July 26, 2009
The Roots
The Roots: True Reggae Anthology
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The Roots: True Reggae Anthology |
The True Reggae Anthology. Lyric DVD Magazine is set to release The Roots: A Lyric DVD Magazine Special Edition. This historic reggae anthology will take you on a mystical and musical journey through the sweet echoes of reggae's past. Trod with us to a time when ska ruled; rocksteady made every one happy; when Studio One rhythms rocked the speaker boxes with a deafening thump; when Toyan and Barry G made you tune in till a morning; hear from the Heptones and the Mighty Diamonds as they discuss the good old days. This Lyric DVD special series is filled with a cast of legends such as Sugar Minott, Don Carlos, Lynn Tait, Nana Mclean, Jimmy Riley, Wailing Souls, The Meditations, Derrick Harriott, Tinga Stewart, Leroy Brown, The Tamlins, Tectracks, Lord Sassafrass Ed Robinson, Anthony Johnson, Dennis AlCapone, Anthony Jonhson, Lee Scratch Perry, Carlton Manning Shoes, Wayne Jarrett, Brigadier Jerry, Sista Carol, Muma Nancy, The Abysinians, Al Campbell, U Roy and many more. Potential future legends like: Pressure Buss Pipe, Natural Black, Spanner Banner, Len Hammond, Warrior King, Alborosie, Peter Morgan, Juleen Carnigie tell you why their music stems from the very roots of the music. All this plus a bonus tribute section on the contributions Bob Marley, Hugh Mundell, Peter Tosh, Jack Ruby, Jacky Mittoo, King Tubby, Clement Sir. Coxsone Dodd, Augusto Pablo, Nicodemus, Rita Marley, Freddy Mckay, Tenor Saw and Garnet Silk had on the growth and strength of the music.
Here I Am
Grouundation "Here I Am"
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Here I Am |
Raising the bar yet again, Groundation's 6th studio release Here I Am is guaranteed to push the evolution of roots reggae music forward the only way Groundation can do. Here I Am contains 12 new songs featuring such legendary vocalists as Pablo Moses and the astonishing sounds of the original Congos. Climb aboard and let Groundation take you on another musical journey of serious thought and positive vibes. Groundation will be touring in support of the release during the summer of 2009 throughout Europe and North America.
Jeremih
Jeremih
Not Bad At All,
By | H. D. Espinosa |
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Many people are saying that Jeremih is just more of the same - Chris Brown, Ne-Yo, Akon, and the list goes on - but who really cares about this if what all he does is a great piece of R&B just like the others? If it does it well, then keep it coming.
Chamber Music
Wu - Tang Clan "Chamber Music"
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The Wu-Tang is the most influential and longest running group in Hip Hop. RZA's vision has helped shape an entire generation of music. The group's major return-to-form on "Chamber Music" is the Wu album hardcore fans have always hoped for. The album's sound is classic soul (and Kung Fu imagery) and is a radical departure from the group's recent "8 Diagrams" project. "Chamber Music's" throwback sound features a combination of live instrumentation and new RZA beats shaped in a classic old-school soul type of vibe, reminiscent of the group's classic "36 Chambers" sound but with a completely updated, modern twist. The album includes newly recorded verses from every key member of the group, plus affiliates Cappadonna, Killah priest, Street Life and more.
Chemical Warfare
Alchemist "Chemical Warfare"
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The Alchemist is one of the most sought-after hip-hop producers in the genre today. His hard knocking drums and gritty east coast flavored rhythms have blessed the likes of Mobb Deep, Eminem, Nas, Snoop Dogg, and many others. This album was entirely produced by The Alchemist himself.
Jay Stay Paid
"Jay Stay Paid" J. Dilla
Jay Stay Paid
The quiet, prolific producer collaborated with everyone from Eryka Badu to Common to Janet Jackson to Prince. Dilla was just beginning to capitalize on his cult status when he sadly passed at age 32 due to Lupus-related complications.
Product Description
Jay Stay Paid is a 25 track collection of unreleased Dilla beats mixed and arranged by Pete Rock. While mostly instrumental, "J$P" also offers a few guest vocals from artists that Dilla worked with or admired including Black Thought (The Roots), DOOM, M.O.P., Blu and more. Executive produced by Dilla's mom Maureen "Ma Dukes" Yancey. Musical supervisor, Pete Rock: "This album combines what he did in the beginning of his career, what he did in some of our early hospital stays, which was very deep, and some stuff pulled from old disks & DATs. It's mind blowing...this is like the missing links to Dilla's legacy."
Legendary
AZ's "Legendary"
Music galore for them hip-hop heads! By
Lando
Legendary
Before I get to my review, I have to give mad props to AZ for putting out his 3rd album, 4th if you count last years mixtape, in the past 3 years. How many hip hop artists, let alone regular musicians, do that nowadays and still keep their material fresh. AZ is the man!
By
Lando
Legendary
BLACKsummers'night
BLACKsummers'night
Worth the Wait From the Keeper of the Flame.
| By | K. J. Bryant "peachycream" |
On this sad day, we celebrate the legacy of Michael Jackson as he is laid to rest. But on this day, we also celebrate the return of Maxwell a.k.a the keeper of the R&B flame.
What can be said about Maxwell that has NOT been said? For me (through his music) he made me believe in love and romance. He made me believe that not all young urban men are thugs (or thug wannabes). We made me believe that music can STILL inspire. It took him 8 years to return, but it has been worth the wait.
A Day in the Life
A Day in the Life
Beyond brilliant,
By | Chris Sutton |
I got to see a preview of Sticky Fingaz' directorial debut, A Day in the Life, and it's a must see for any fan of hip hop, action, drama, or movies in general. The movie is unique in that the entire length is rapped. Sort of like Romeo and Juliet being done entirely in poetry, not a single word is spoken in this film unless it rhymes. An old lady rings Sticky Fingaz' door to complain? She raps. Everyone. Every second. And it doesn't get old.
July 03, 2009
Honey I'm Home
Romance Is Back!
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R&B singer, songwriter and producer Al B. Sure! returns with new CD release Honey I'm Home on June 23 on Hidden Beach Recordings.
Honey I'm Home is Sure's first studio-release in over 15 years since he originally made his mark as one of New Jack Swing's most popular
romantic singers and producers.
When was the last time you heard a CD that brought you to a place to experience a love story and where every song put you in the mood
where you had to purchase the whole album and not just a ringtone or single to get that feeling again? GRAMMY® NOMINATED, AMERICAN
MUSIC AWARD WINNER and WORLD RENOWN PLATINUM RECORDING ARTIST AL B. SURE! HONEY I'M HOME brings romance back into the game.
Epiphany
To the left...of her first album.
By | Yasmine Mohamed "R&B-FUNK-SOUL-HIPHOP-THE LOT. |
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I bought the first album having heard her sing the hook on both Jay-Z and Nas records. I was very impressed with that album in the sense of it provided something different to what I was used to with R&B/Soul music. I really love this chick's jazzy feel and her voice is incredible. Songs like "Let's Rock", "Best Of Me" and "Mr Radio" were amongst my favorites.
Epiphany is an album whereby she has completely switched it up, still having that funk and jazz vibe from her previous album but with a more contemporary feel. I actually think this will appeal to a wider range of listeners as its very young, hip and fresh.
Unlike the previous album, I adore every single song on this album, and in my opinion each song has single potential. First and foremost, "On My Own" is sure to give you chills, because of the lyrical content (so many people feel this way) or because of the way she expresses how she feels with her voice. "Mr Right" will have you bopping like your listening to some funk or 80s rap music. I love the vocal harmonies on this song. "Playing Our Song" is a really fun song,for some reason it reminds me very much of the song "WOW" by Brandy...don't ask why it just does. I love this song and I am aware that Claude Kelly had input with this song. Very impressive. "Notebook" gives the old school vibe soul music, very relaxing and her voice really shines here. I can see the video for this being set in the 1920s. "Blame It On Me" is absolutely heart warming, the fact she's singing about wanting a relationship to be over regardless of the reason is touching; the same goes for "I'm Okay". Hands down "Epiphany" will be the reason people buy this album, if it wasn't for this single, I would not be aware of the album's existance (the truth). Working with Ne-Yo was a great decision on Chrisette's behalf. He is a great writer and sometimes his songs go to waste with 'certain' artists. For some reason "Another One" has a type of country vibe going on, I like the hook, but the first verse had my face twisted up because I really do not like country music. I think its just in the way she sings the song. "Porcelain Doll" is a fiesty song, and a lot of women will be singing this gauranteed. "All I Ever Think About" is a good slow jam and the vocals yet again are of a high standard. Finally, a bangin' song on the album has to be "Fragile". The hook on this song is crazy and will definately stick in your head afterwards.
Generally, her voice brings out the emotions of this album extremely well. The songs are very real, her voice is raw which makes the songs believable. I am officially claiming this as the best R&B/Soul album of this year (Hello Grammy's 2010!!). Very consistent throughout, great voice, great songs and great melodies. What more could you ask for.
MY TOP 5:
1. On My Own (I have this on repeat)
2. Epiphany
3. Mr Right
4. Playing Our Song
5. Notebook
Love vs Money
The Dream Love vs Money
looooooveee iiitt!!!,
Amazingly talented he is.. and though he's still an underdog right now, since he hasn't been receiving as much credit as he deserves, I have faith he'll make it way past it all to the Grammy's... album's totally lovable as is his last one... be ready to dance while singing aloud...
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After proving himself throughout 2007-2008 as a masterful hit songwriter for an A-list of stars including Rihanna ("Umbrella"), Mariah Carey ("Touch My Body"), J. Holiday ("The Bed," "Suffocate"), and Beyoncé ("Single Ladies") - to name a few! -The-Dream announces the completion of his second album, LOVE vs. MONEY, which arrived in the physical and digital marketplace on March 10th.
"Rockin' That Thang," the first single from LOVE vs. MONEY, rises to #4 on Billboard's Hot R&B/Hip-Hop Songs chart. Total Mediabase Urban and Rhythmic audience for "Rockin' That Thang" jumped to over 50 million within a week, with over 6,700 spins. A special Rap Remix was released, featuring the `Def Jam All-Stars' lineup of Fabolous, Juelz Santana, Rick Ross and Ludacris. The video for "Rockin' That Thang" was recently shot with Norwegian director Ray Kay, whose credits include The-Dream's debut smash of last year, "Shawty Is A 10" featuring Fabolous.
"My Love" featuring Mariah Carey, the second single from LOVE vs. MONEY, is set to impact at Rhythm and Urban radio formats on March 2nd. Although officially unreleased as yet, the track is already taking off at Top 40. The video for "My Love" was shot in Los Angeles two weeks ago, directed by Nick Cannon.
LOVE vs. MONEY is follows-up The-Dream's RIAA gold Radio Killa/Def Jam debut album Love Hate (released December 2007). The album's back-to-back hits dominated 2008, including "Shawty Is A 10" featuring Fabolous (Top 10 R&B); "Falsetto" (#3 R&B); and "I Luv Your Girl" (#1 Rhythmic, #3 R&B). The-Dream finished out the year by winning Best New Artist honors at the annual BET Awards - in addition to his Grammy Award nomination for Song Of The Year for "Umbrella" (as songwriter), and American Music Award nomination for Breakthrough Artist of the Year.
Executive produced by Island Def Jam chairman Antonio "L.A." Reid and co-produced by The-Dream and Tricky Stewart with Carlos "LOS" McKinney, LOVE vs. MONEY is a futuristic mix of radio bangin' hooks that define this era as much as The-Dream's hero Sam Cooke defined the '60s and Prince defined the '80s. "The LOVE vs. MONEY songs are rife with layered vocals, sensual yet comical lyrics and wall-shaking bass," wrote Billboard last month. "`Sweat It Out' concerns a night of lovemaking, while `Let Me See the Booty' boasts strip club-ready lyrics while Lil' Jon provides his trademark yelling in the background." In addition to Lil' Jon, the only other guests on the album are Kanye West ("Walkin' On The Moon") and Mariah Carey ("My Love").
The final track listing for LOVE vs. MONEY is as follows: 1. Rockin' That Thang * 2. Walkin' On The Moon" featuring Kanye West * 3. My Love featuring Mariah Carey * 4. Put It Down * 5. Sweat It Out * 6. Take U Home 2 My Mama * 7. Love Vs. Money * 8. Love Vs. Money: Part 2 * 9. Fancy * 10. Right Side Of My Brain * 11. Mr. Yeah * 12. Kelly's 12 Play * 13. Let Me See The Booty featuring Lil Jon * 14. Touch & Feel * 15. Nothing But Love.
The-Dream exploded in 2007 as the go-to songwriter behind two of the year's biggest hits, Rihanna's worldwide #1 smash "Umbrella" and J. Holiday's breakout debut "Bed," as well as J's follow-up "Suffocate." The-Dream's streak continued in 2008 with Mariah Carey's "Touch My Body," and several other high-profile tracks: "You" from Chris Brown's album Exclusive; "Skies of L.A.," the climactic closing track of Celine Dion's Taking Chances; "Just Fine," the first single from Mary J. Blige's Growing Pains; and "Moving Mountains" from Usher's Where I Stand.
While The-Dream (Terius Youngdell Nash) seemed like the overnight success story of 2007, he's been at it for the better part of a decade. After meeting and partnering with fellow-Atlantian Tricky Stewart, the two soon achieved notoriety as writer/producers on B2K's Pandemonium! album, and "Me Against The Music," the timely 2003 duet by Britney Spears and Madonna. Four years later, The-Dream and Tricky were "suddenly one of the most in-demand songwriting teams in urban music," according to USA Today.
In March 2008, The-Dream commenced the first major cross-country North American tour of his career, when he joined Mary J. Blige and Jay-Z for their "Heart Of The City" tour. The 22-city U.S. and Canadian tour climaxed in May with three homecoming concerts at Madison Square Garden in New York City.
LOVE vs. MONEY begins the next chapter of The-Dream's odyssey, as he stands ready to surpass the accomplishments of his 2007 debut. "It took me awhile to know that the new album is better than the first one," he says. "But it is. So now we know what you're capable of, we know how many songs you've written for everybody, and you know we're gonna do it again!"
Ryan Leslie
Ryan Leslie - Ryan Leslie
5.0 out of 5 stars To put it simply...Love it!,
By galpickny
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It was long overdue, but I'm glad it finally dropped. I downloaded and burned it before I went to work so I could listen to the final product in my minivan (and I bang my music in the minivan). It's definately a head nodder and the fact that he plays all the instruments and uses no samples is even more awesome. I can easily say that most of the songs are my favorite, but the ones that stand out to me are 'How it was supposed to Be', 'Valentine', 'IRINA', and 'Out of the Blue'. Great job and Ryan is an Inspiration to all the Nerds of the world...you can be cool and smart!
"They try to put me in a box--it's impossible!" Ryan Leslie proclaims as he opens his Top 40 R&B hit "Diamond Girl," the hit debut single from his highly anticipated self-titled U.S. debut. It's impossible to imagine a box expansive enough to contain the singer, songwriter, producer, engineer, Internet visionary and chief executive of NextSelection Lifestyle Group. The Harvard graduate is a performer at heart, a prolific musician with his own infectious brand of R&B pop. While an international following awaits the release, he keeps fans satisfied by documenting his wizardry and the restless road towards his release date on his YouTube channel RyanLeslieTV, which boasts more than 21 million video views! At age nine, Ryan taught himself to play the piano... At 15, Ryan scored 1600 on the SATs and was accepted to Harvard University. After graduation and attempting to follow his own dreams by selling beats in Boston, the hard work paid off when Leslie landed an internship with New York producer Young Lord during which he produced Beyoncé's "Keep Giving Your Love To Me" for the Bad Boys II Soundtrack, which led to a meeting with Sean "Diddy" Combs and a very busy 2003. "Britney Spears, Beyoncé, New Edition, Loon, Cheri Dennis, B5, Danity Kane-- any and everything he threw at me, we did," Leslie says of producing alongside Diddy. "And we sold records." Combs went on to sign Leslie's flagship artist Cassie, the Princess of NextSelection, to Bad Boy in 2006, releasing her No. 1 mega-hit "Me & U," written and produced by Leslie. Leslie's strong core following is a direct result of his talent and communication with fans directly. RyanLeslieTV is a controversial site that takes fans behind the scenes with over 40 videos of Ryan's remarkable creative process. Ryan shares his life with his fans...whether it's on Myspace, Video blogs, or a short film he has shot based on the song "Diamond Girl." Ryan Leslie has two singles, leading up to his current hit "How It Was Supposed To Be."
The Rose Experience
Case - The Rose Experience
5.0 out of 5 stars The Case Has been Solved!!,
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"Murder was the case that they gave me" This album is fire from top to bottom. The single "Lovely" is not getting enough recognition, dudes like myself can def understand this song, we all have seen a pretty woman from time to time and sometimes the only word that comes to mind is lovely. There are def other hits on this album like: "Can I be" and "Betcha Dont Know Y" which really shows Case maturity. This is an album you put on for that special somebody, because at some point in your relationship you will encounter one of these songs (and the meaning behind it).
Other hits include "Smile" where Case suggests to a female that all she needs to do is smile, and he is willing to do whatever it takes to make her smile."Shoulda known better" another hit where Case express that he made a mistake with a female because he did everything right and she didnt appreciate him."Me and you" simply is a song about confusion, Case just doesnt know what to do about his leading lady in his life, We all have had that happen before."Let me down easy" where Case is holding it down but his old lady isnt really feeling him as much and all case wants her to do is let him down easy.
Other notable hits: "Be that man", "can't believe", "Deja Vu", "Turns me On", "I can't" , "Place to stay", Waiting (interlude) now u know the album is fire when the interlude is fire....
But in all honesty this is a real good album, very smooth and def worth buying. If you are really into your spouse or loved one then you will def make a connection with this album. Glad to have case back, its been a long long time........
June 30, 2009
The Ecstatic
Slumdog Millionaire
Slumdog Millionaire - [SOUNDTRACK]
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Sid Ananthakrishnan (San Franicsco, CA).......... |
"If you saw the movie then you know how integral the soundtrack was to the movie. Needless to say the soundtrack is fantastic and just listening to the music will automatically have you relive the movie!
AR Rahman - the music composer is a genius and he's done a spectacular job as usual. A couple of tracks are from other sources - namely Papers Planes and Aaj ki Raat. The rest of the tracks are original productions for the movie."
Kala - M.I.A.
Kala - M.I.A.
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Maya Arulpragasam, the British-based daughter of Sri Lankan refugees, delivered one of 2005's eye-popping debuts, Arular. For an album that proudly flaunted tin-can production, indecipherable South London slang, and lyrical nods to suicide bombers, it brought the woman who records under the name M.I.A. unexpected mainstream success--she followed its release by touring North America with Gwen Stefani and recording with Missy Elliott and Timbaland, while the single "Galang" made its way into a car commercial. Kala (the first release was named after her freedom-fighting father, this one after her mother) throws Arulpragasam's newfound pop credentials into the bustle of Bollywood rhythms, police sirens, 8-bit dancehall beats, Third World car horns, and street singers. Recorded across several continents, it presents a far more dynamic listening experience than her first album, especially with tracks like "Bamboo Banga," "Jimmy," and "Paper Planes." It's no less exhausting, though. What with the New Order sample, Timbaland cameo, and gunshot sound effects, there isn't a moment when it doesn't feel like you've unintentionally invited an entire carnival into your home. --Aidin Vaziri
Product Description
THIS CD FEATURES A FREE RINGTONE AND MOBILE PHONE WALLPAPER (see insert for details)
M.I.A. is hailed as one of the most freshly creative artists to hit the scene, paving the way for fierce and adventurous females to break the mold. With KALA, she pulls even more globe-trekking, and genre bending into her musical mix.
Recorded in India, Trinidad, Australia, London, New York and Baltimore, M.I.A. has crafted an international sound that is as excitingly undefineable as it is infectious.
The first single from KALA, "Boyz" was just listed at #1 Rolling Stone's Hot List, and #1 song of the Month in Blender magazine!
"Electrifying" - The New York Times
Scratch Came, Scratch Saw
Scratch Came, Scratch Saw, Scratch Conquered
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Dub reggae legend Lee Scratch Perry delivers a follow-up to his Grammy-nominated collaboration with multi-instrumentalist Steve Marshall and producer John Saxon. Perry continues to create unique, category-defying music. For the uninitiated, Lee Scratch Perry is one of the most important figures in the history of reggae music. Not only did he help develop the early reggae sound captured in a number of important recordings, but as an engineer, producer, songwriter, and performer he pioneered a number of innovations, including dub reggae and the scratch turntable effect used by DJ s today. Here, Lee Perry draws his narrative from his spirituality and today's global events. Very special guests Keith Richards and George Clinton join Marshall, Reuben White, Tim Hill, Erica Iji, Mark Mason, and Sheridan Tandy.......
Black Magic -
Black Magic - Jimmy Cliff
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You might be tempted to buy Black Magic because it's a big-name affair, bursting at the seams with non-reggae heavy-hitters Annie Lennox, Sting, Wyclef, Kool & the Gang, and Joe Strummer, but pop giants aside, this is strictly Cliff's album--from the scratch- and funk-ified riddims of "Fantastic Plastic People" to the Jah-infused, Marley-reminiscent "Terror (September 11)." That is not to take away from the collaborators--Wyclef and Kool & the Gang bring the party to the streets with steady rockers "Dance" and the '70s band's fringe-of-memory chestnut "(Ooh La, La, La) Let's Go Dancin,'" and Strummer's contribution, one of his last, sticks around for its lyrical substance and light-touch genre fusing. Producer Dave Stewart, Lennox's Eurythmics partner, zigs and zags the album stylistically, but that seems to suit the reggae legend. He's equally at home sending sunny shout-outs home to Jamaica and rejiggering the old get up, stand up sensibility through songs like "War in Jerusalem." Closing track "Good Life" caps the prevailing mood, though: The harder and more varied the music that comes, the better it gets for Cliff. --Tammy La Gorce
Ori. Release '04. Produced by Dave Stewart & includes appearances from Annie Lennox Sting Jools Holland Kool & The Gang Wyclef Jean Yanick Noah & one of the last ever recordings from Joe Strummer.
June 08, 2009
Born Dead With Life
Born Dead With Life - Perfect
perfect perfect rastaman live up!
| By | Paul R. Austill |
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Born Dead With Life |
Yo Ras, dis likkle tune here a spin fi mek I and I feel irie. I wish I could meet Greg Rose or talk to him about this. This is one of the best modern reggae albums (along with Taj Weekes and Adowa) that have come out recently.
There is no secret here, the music that backs up Mr. Perfect is not all electronic, it is a band, and they are a SICK reggae band with the jam to move you inside. The drummer and bassist are bad, the lead guitarist plays some really soulful and jamdown guitar licks, and of course the singjay style is truthfully better than Sizzla. Not to diminish anything from him, but I've seen Sizzla live, and heard Perfect live, and Perfect seems to put more into it because the band finishes their songs, while Sizzla usually cuts in and out of songs in the dancehall style, and in a way, you can do that when you have 100's of songs like Sizzla does.
In any case, I love this concept album idea, and if they don't do another one of those, I hope Perfect and the same band will do a second album of some sort. I heard it on XM radio, their song "Hanging Day," and immediately wanted to check out the album. When I got it at first, I didn't know what to think, because it is truly different. The way it mixes reggae and dancehall, and the subtle but spritually arousing way it makes you feel about the struggle of black people to live together in peace and freedom.
A lot of reggae has that Jamaican, or Caribbean theme, but the one that best describes this album would be a worldly theme. If you like classical reggae with singjay lyrics, some grand piano, a little dancehall and rap, then check this out. It is definately one of the top 5 reggae albums so far in this century.
June 05, 2009
Dopium
U God - Dopium
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Dopium |
Direct from the smoked-out dens of Shaolin, UGOD returns with his third full-length solo album, Dopium. The one and only Golden Arms has packed the pipe with top-to-bottom bangers, delivering high doses of dope on every verse.
Set to release June 23, 2009 on Frank Radio / Babygrande, Dopium features an all-star supporting cast, including Wu-Tang affiliates GZA, Ghostface Killah, Method Man, Raekwon, Cappadonna and Killah Priest, and heavy hitters like Jim Jones, Large Professor, and Sheek Louch of D-Block. The album also includes exclusive bonus tracks by Yuksek and The Bloody Beetroots.
THE E.N.D.
THE E.N.D. (Energy Never Dies)
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THE E.N.D. (Energy Never Dies) |
The new album by The Black Eyed Peas is off to a blazing start! The first single from The E.N.D. (Energy Never Dies), BOOM BOOM POW was also the Peas' very first #1 on the Billboard Hot 100 chart!
With The E.N.D., The Peas are poised to continue with the success of Elephunk and their fourth release Monkey Business - they have had multiple hit anthems, such as "My Humps" "Pump It" and "Let's Get It Started" along with "Don't Phunk With My Heart" "Where is the Love?" and "Don't Lie".
In the midst of the success of the Black Eyed Peas, FERGIE released her debut solo album, The Dutchess, in 2006. To date the album has sold over six million copies worldwide and spanned five Top 5 hits. Moreover, Fergie became the first female artist in history to have four consecutive #1 singles (Billboard).
Will.i.am is also a Grammy nominated producer - nominated for the Producer of The Year Award in 2007 and nominated again at the 2009 Grammy's. He has lent his services to some of the biggest superstars in the business; Fergie, The Pussycat Dolls, John Legend, Mary J. Blige, Ricky Martin, Justin Timberlake, Diddy, Nas, Michael Jackson, Usher, Mariah Carey, Whitney Houston, and U2. Besides his music endeavors, will.i.am is committed to social activism and is an outspoken advocate of progressive political initiatives. His "Yes We Can" video won an EMMY and a Webby Award and has over 19 million views on YouTube to date.
The Black Eyed Peas have sold over 20 million albums worldwide, have won three Grammy awards and have been nominated for 11 total as well as awards won at Teen Choice, MTV, American Music Awards, among many others from around the world!
No Security
D-Block - No Security
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Comprised of LOX members Jadakiss, Styles P, Sheek Louch - D-Block have had the streets on lock for years. "No Security" is the latest in their line of releases. The new album features that trademark sound that LOX fans have come to know and love. This is a brand new studio album, no outtakes, no old songs. This is official new music!!!
Relapse
Eminem - Relapse
Slim Shady's shadiest: how to like the scariest album ever and why | By | Kristin Grace Parker (Mountain View, CA) |
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Okay, here we go with draft #101 of my ever-evolving review of this endlessly enjoyable album. Yep, that's right. Endlessly enjoyable. Sorry to disappoint kind readers who gave me points for feeling an internal struggle over this album in previous drafts, but the more I listen to it, the more I like it. Hence my now one-sided review which gives this album two thumbs up. For the principled and faint-hearted, this album will be too nasty to stomach. But the rest of us are in for a treat: tight raps, catchy beats, and hooks. Long-time Eminem fans, who "get" his signature vile sense of humor will know when to laugh and are surely callous now to disturbing tales of rape, murder, drug abuse, profanity, homophobic fantasies, and all-out lascivious. So if you've already been converted to the dark side, don't worry! You can handle it.
First off, this album is not only catchy, it is packed with a rage and ferocity only Eminem can summon, e.g. songs like "8 Mile," that are bursting with so much intensity they give you goosebumps. That is the vibe (only creepier) of this album and it's Eminem's signature sound; no one else does it quite like him. As a songwriter, I know that it is next to impossible to write material that is so striking; in fact, I've never achieved it, and that's why my hat goes off to Eminem. Eminem invested a lot in this album. Deep beneath all the profanity and sensationalism, all the flinging of every taboo in my face, I sensed an artist who just *had* to get it all out, an artist hell bent on expressing himself, freaking the bejesus out of everyone, and doing it all in the most ear-catching way musically possible.
Some people are criticizing this album as mere pandering to a sensation-starved public, but I disagree. The songs are just too potent. If it were mere mass-produced fluff, the material would sound apathetic and be easier to digest, but it isn't. Eminem keeps you guessing. It sometimes sounds like he's rapping for the masses, but more often it sounds like he's rapping for personal catharsis. Sometimes his raps are alarmingly direct, sometimes camped up and ironic. Lyrics pertaining to the exterior world, (pop culture references and social commentary), are intertwined with twisted, personal tales from deep inside his brain. Misogynistic stories are juxtaposed with statements of concern about his daughter and parenting. Tracks riddled with sleaze, innuendo, and silliness mingle with deep tracks about believing in yourself and finding purpose. At varying points he demands respect, makes fun of himself, or plays the victim. And when he spits a tight rhyme using an incongruently bratty, whiny, juvenile voice . . . yep, that's what I'm talking about. Who in the heck is this guy? Lesser artists are more transparent; you instantly know what they're all about. But with Eminem, his persona and tone are constantly in flux. Offensive as it may be, a riveting personality emerges from the madness.
In conclusion, buy this album to be guided by a mesmerizing MC with some of the best chops in the business who will lead you down a dark path you (hopefully) would never find on your own. Eminem is so good at conjuring up all the ugliness in our society that you feel confronted by it, you stare at it straight in the face. The experiencing is kind of jolting, definitely exhilarating. But Eminem's always been good at that. What I like about this album in particular is that he sounds less bratty going about it. I revisited the Slim Shady LP after listening to Relapse and found it (only slightly) annoying. On Relapse, Eminem tackles the dark tales with more imaginative scope and maturity. Another reviewer, J. Berger, felt that this album was more about "art for art's sake" and I think that sums it up. Eminem tackles the same old topics here, but the effect is more probing and less whiny. His voice even sounds a little deeper. I love it.
Eminem . . . if you read this . . . don't you think I maybe deserve an autographed Relapse for working ever so hard on this review and shining a bright light on the strengths of this, your latest and heavily contested album? Why don't your people call my people, etc. etc. ;)
Be a Father to Your Child
The Father of Black History
Carter G. Woodson: The Father of Black History (Great African Americans Series)
expose your children to this hero!| By | Wyslawa |
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unfortunately, carter g. woodson does not grace the halls of african-american history like the names harriet tubman, fredric douglass or sojourner truth. but he should! this book is a fresh start to those parents and teachers interested in teaching their children about the legacy of Carter G. Woodson - the world-renowned historian and creator of African American history month. the vocabulary section at the end of the book is helpful and can be used as a classroom teaching tool. my only complaint is the "amateurish" format of this book -- perhaps colour pictures or a more refined font would have been a better choice.
My Baby's Father
A Politics of Black Love Novel (Buford, G. Dan. Politics of Black Love Novel, V. 1.
4 years of college in 351 pages, July 2, 1999 | By | E Rob |
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I am not a book devourer; however, I read My Baby's Father in 4 days. I simply could not put it down. That's probably because I knew so many of the characters in the book. Not personally, but they were all too familiar reminders of my college years. G. Dan Buford should be praised for his vivid portrayal of collegiate life and the ever so delicate balance of male-male and male-female relationships. Especially at a time when so many students are just trying to find themselves.
Two thumbs up!!!!
Whatever Happened to Daddy's Little Girl?
Whatever Happened to Daddy's Little Girl?: The Impact of Fatherlessness on Black Women I see myself,
I see myself, By | Gina E Davis |
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This book was given to me by a friend and prior to starting it, I had uttered a few words to a good friend about myself. Then I read this book and the introduction echoed what I had decribed and I was able to give it a name, The Fatherless Woman Syndrome. I am the product of a divorce and it was uplifting, yet sad to see that this had an impact on my life.
My incorrect choices in men, my fears, and my bringing a child into this world alone and my successes. Every factor they decribed I fell into, from the successful woman who can do it alone, to the woman who made sure she ran from every relationship she was in. I saw myself in this book.(I admit I drove myself hard just so I could prove to my father that I was worth his love and that he lost out on a good deal.) This book has given me insight into myself, and I trust, every woman, that had been abandoned, in some way by her father, will learn to understand her plight and work toward healing. I encourage all women to read this book and look inside themselves and discover who they are. Jonneta's book had starting the healing process. Thank you for showing me, why I am me.
May 04, 2009
Awake - Julian Marley
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Though Bob Marley is no longer with us, his legend lives on through the music of his children. One Marley who has been getting a lot of attention lately is Julian with his 3rd career album, AWAKE. Julian Marley has been around music all his life. He has been blessed both by his father's great talent and legacy and by the unique perspective that comes with an upbringing in a multicultural community. Born in London, England, Julian's development as a singer/songwriter began when, at age five, he cut his first demo tape, recording a version of his father's classic composition, "Slave Driver," at the Marley family's Tuff Gong studio in Kingston. Since that auspicious beginning, Julian has devoted himself to a life in music, mastering a variety of instruments and writing songs that reflect his dedication to spiritual upliftment and social change. All of these skills are utilized on AWAKE.
Produced by Julian Marley and his Grammy Award-winning brothers, Stephen Marley and Damian Marley, AWAKE's release comes on the heels of an emotionally charged year. His beloved grandmother, Cedella Marley Booker, who went home to Zion in 2008, inspires the young songwriter.
AWAKE is a call for everyone - youths and elders - to awaken to life's joy and rewards and to do something positive with their lives. The roots-reggae sound that Julian Marley has distinctly made his own is supported by the street-energy infusion of hip-hop, bubbling dancehall, and a smooth combination of R&B and reggae.
The first single from AWAKE is "Boom Draw," an easy roots-dancehall tune that will surely have fans moving to its rock solid rhythm. More great tracks on Awake include "Little to Late" with Stephen Marley on guest vocals, "Violence in the Street" with Damian "Jr. Gong" Marley, and "Oh Girl" featuring American rapper Mr. Cheeks. For Julian Marley, music is life, life is music and both are blessings from above. "From a small age music has been there in my life. It's just natural. And it is with the inspiration of the Most High that I create my songs."
During his career, Julian formed his own band (The Uprising) and has released two critically acclaimed albums, Lion in the Morning (1996) and A Time and Place (2003). He has toured the world, both as a solo performer backed by Uprising and as a member of Ghetto Youths International, a musical collective whose core members are Julian along with his brothers, Stephen and Damian.
Testimony: Vol. 2, Love & Politics
Still super optimistic, February 10, 2009
By | Nse Ette |
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India.Arie turns in another stellar effort of her fourth CD. The follow up to "Testimony Vol. 1" which garnered her first US #1 album. Musically, she sticks to her acoustic Soul style almost Folk-like in places, with deep social conscious lyrics.
Lead-off single is the retro organ-drenched sultry "Chocolate high" with Musiq Soulchild. The Folk-y "Therapy" (featuring Gramps Morgan) is a more upbeat fast strummed number. Keeping up the tempo are the groovy Hip Hop/Jazz-tinged "Psalm 23" (with MC Lyte), the Blues/Rock "Better way" (about the issues unearthed by Hurricane Katrina and other ills), and closing bonus cut "A beautiful day".
Standouts to me are the awesome Latin-tinged "Ghetto" ("To be hungry in LA/is just like starving in Bombay" she sings, telling us poverty and hardship is shared by all humanity), her beautiful West African-tinged take on Sade's sombre lament "Pearls" (featuring Dobet Gnahore, some lovely harmonies, and including a woman in Rwanda in the lyrics), the tender acoustic ballad "He heals me" (a beautiful love song), and the retro sounding "Yellow" (featuring Terrell Carter) which sounds like some lost song from seventies Stevie Wonder.
India's lyrics, as usual, brim with over-positivity and optimism, something that oddly puts some people off. I wonder why, lyrics like this are a welcome escape from the harsh and sad realities of the world. Another solid outing from the talented Ms. Arie, a winner!
Troubadour
5.0 out of 5 stars Aptly titled!, March 19, 2009
| By | Nse Ette |
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Two months into 2009 and we already have a strong contender for album of the year in "Troubadour".
K'Naan is a Somali-born rapper who fled (with his family) to the US, then Canada, and his style can be described as Kanye West meets Bob Marley. "Troubadour" is his second studio CD and lives up to its name as he displays poetic skill right up there with the wisest of sages. His wordplay and subject matter leaves most other rappers (and singers too) trailing in the wake. While they brag about their bling, cars, b**ches and stuff, K'naan's lyrics touch on life in Africa, especially his homeland, but with humour and hope.
Opening cut "T.I.A" is a Ragga-tinged clap-filled groove that M.I.A would kill for. Continuing that Reggae vibe is "I come prepared" (featuring Damian Marley). The bouncy "ABCs" touches on the effect war had on education back in his homeland. "Dreamer" finds him telling us that despite all the problems back home, he too (like everyone esle) had dreams, and they came true.
Next come a pair of Rock-tinged numbers; "Bang bang" (with lyrics about a girl this time, not war :-)) features a catchy chorus sung by Adam Levine, and the groovy "If Rap gets jealous" which features Metallica guitarist Kirk Hammett (especially on the blistering chorus).
A troupe of African-tinged songs follow; "Wavin' flag" is a very Bob Marley-like chant (right down to the harmonies) with K'naan singing "Born to a throne/stronger than Rome/A violent prone/Poor people zone/but it's my home/all I have known". Very heartfelt and catchy. "Somalia" finds him talking about his homeland, "America" features Mos Def and some Afrobeat samples set to some ethnic-sounding percussion and lyrics in English and his native tongue. "Fatima" is an acoustic tinged groovy ode to his neighbour's daughter.
My absolute favourite song is the majestic guitar driven "Fire in Freetown" which finds him singing rather than rapping, and it has a lovely horn break. Indescribably beautiful! The autobiographical "Take a minute" pays tribute to his mother, as well as name checking other heroes of his like Mandela, Ghandi and even Akon.
The comical "15 minutes" vividly takes a look at the anticipation/excitement a needy one back home feels when he/she receives a money transfer. Closing is the sombre string-swathed "People like me", which finds him in the shoes of someone sent to wage war in Iraq, as well as talking about how he fled Somalia but left his favourite cousin behind in the war.
I am so glad this CD made the top 40 (#32 in the US) as intelligent musical efforts like this usually get passed up for commercial sounding crap. Brilliant! A troubadour indeed.
May 03, 2009
Genetic Roulette
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“When I worked at Monsanto, I warned both scientists and executives that our GM foods may cause disease, but no one was even willing to listen, let alone investigate the unpredicted side effects. For them, it was all about profit. Now our whole population is threatened by the serious dangers described in Genetic Roulette.”
—Kirk J. Azevedo, DC
“Congratulations, Jeffrey Smith, for your courage. Thanks to your tireless investigations, we need wonder no longer why corporations spreading GMOs are so secretive, why they’ve spent hundreds of millions to keep us from even knowing which foods contain GMOs. They don’t want us to examine the shoddy science, the suppressed evidence, and, most of all, the real health risks that GMOs present. Read Genetic Roulette not only to protect yourself and your family but to learn through this breath-taking story what all Americans need to do to reclaim our democracy and protect our planet.”
— Frances Moore Lappé, author of Democracy’s Edge and Diet for a Small Planet
“I used to test for soy allergies all the time, but now that soy is genetically engineered, it is so dangerous that I tell people never to eat it—unless it says organic. Genetic Roulette tells you why you must avoid genetically engineered foods to stay healthy.”
—John H. Boyles, MD, ear, nose, and throat, and allergy specialist
“Jeffrey Smith is the leading world expert in the understanding and communication of the health issues surrounding genetically modified foods. Genetic Roulette, which brings in original contributions by eminent scientists worldwide, makes it crystal clear that the American FDA should not be so cavalier about the potential dangers of these procedures.”
—Candace Pert, PhD, author of Molecules of Emotion and Everything You Need to Know to Feel Go(o)d and former Chief of the Section, National Institutes of Health
“The most comprehensive, well-documented, and highly readable exposé on the serious health dangers of GM foods.”
—Samuel S. Epstein, MD, professor emeritus of Environmental Medicine, University of Illinois at Chicago School of Public Health and chairman, Cancer Prevention Coalition
“This is the authentic book on genetic modification that the world has been waiting for. . . . The case presented is absolutely a smoking shotgun that should stop in its tracks any dabbling with GM foods, whether by individual families, food companies, or indeed nations. . . . Jeffrey Smith is one of the great campaigners of our age, a relentless pursuer of the truth, a fearless advocate in the corporate world of secret influence, and a ceaseless promoter of the public interest across the world. He is the modern David against the GM Goliath. This book may well provide the sling-shot to change the global course of events this century.”
—Excerpts from the foreword by Michael Meacher, MP, former UK government environment minister
Eating genetically modified food is gambling with every bite.
The biotech industry’s claim that genetically modified (GM) foods are safe is shattered in this groundbreaking book. Nearly forty health risks of the foods that Americans eat every day are presented in easy-to-read two-page spreads. The left page is designed for the quick scanning reader; it includes bullets, illustrations, and quotes. The right side offers fully referenced text, describing both research studies and theoretical risks. It is presented in the clear, accessible style that made Jeffrey Smith’s Seeds of Deception the world’s best-selling book on genetically engineered foods.
The second half of Genetic Roulette explores why children are most at risk, how to avoid GM foods, false claims by biotech advocates, how industry research is rigged to avoid finding problems, why GM crops are not needed to feed the world, the economic losses associated with these crops, and more.
This book, prepared in collaboration with a team of international scientists, is for anyone wanting to understand GM technology, to learn how to protect themselves, or to share their concerns with others. As the world’s most complete reference on the health risks of GM foods, Genetic Roulette is also ideal for schools and libraries. Consider some findings:
Animals fed genetically modified (GM) foods developed bleeding stomachs, potentially precancerous cell growth, damaged organs and immune systems, kidney inflammation, problems with blood and liver cells, and unexplained deaths.
Soy allergies skyrocketed in the United Kingdom after GM soy was introduced.
Genes from GM crops transfer to human gut bacteria. This might transform our intestinal flora into living pesticide factories.
Glitter & Greed: The Secret World of the Diamond Cartel
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"Janine Roberts is that rare individual who unflinchingly speaks truth to power. She battles her way past all the obstacles and provides us a glimpse of those who are in the innermost circles of global power. But instead of being seduced by their power and wealth, she exposes what they do and how they do it and how it comes to hurt us all.
She has hunted down the shady dealers of the diamond cartel and of DeBeers, itself. She reveals here for the first time the disturbing secrets of the individuals, governments, and corporations that have ruled the diamond world for the past one hundred years.
Read and get ready to defy conventional wisdom that no one really cares enough to challenge business as usual in the diamond world. For after reading 'Glitter and Greed', you will be compelled to act. Africans should mine, cut, polish, market, distribute, manufacture, and export the jewelry that originates upon its shores in much the same way that France controls its wine production and the United States controls its defense technology."
--Former Congresswoman Cynthia McKinney
Rare, romantic, and forever: The diamond industry depends on these myths to reap billions of dollars of profit. This sensational investigation explodes such fallacies and reveals how multimillion-dollar advertising campaigns create the impression of rarity and romance. It reveals a very secret and unromantic world, one that is dominated and controlled by a handful of mighty corporations.
With Leonardo DiCaprio's new movie The Blood Diamond making more people than ever aware of the seamy side of the diamond trade, Janine Roberts' explosive exposé, taking us through seven decades of intrigue and manipulation, is the right book at the right time.
The Ab Rocker
| By | Jeff E. Bigler |
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As a person who, 25 years ago, could do over 2000 sit-ups in 1 1/2 hrs. I now find myself with much less energy and a more sedentary job and 60 years old. I have shunned all the other "hide-under-the-bed" exercise scams. I took a chance on this one and must say that the construction and theory are not bad in practice. For someone who wants to watch TV/listen to music/meditate while springing back-and-forth, I notice positive ab muscle tensioning. It's easy to sit there and rock; and before you know it you're rocking more and more, and easier and easier. Since the abs are the key to lower back muscle strength how can this tiny device, at a mere $100 hurt more than the first few days? This item will NEVER be under my bed. I'll wear it out and ask for one made from stainless steel! I think it's the best ab device available, if you need a device to motivate you to do ab exercises. Apt dwellers, this I recommend for you.
Offering a revolutionary way to work your lower abs, upper abs, middle abs, and even your sides, the Ab Rocket will give you the body you've always wanted. The Ab Rocket works like a real piece of gym equipment, with a back and head apparatus that comfortably supports your head and neck, along with a rolling cushion that gives you a gentle massage while you perform crunches. Whether you want to tone your abdominals, strengthen your core, or melt inches from your waistline, the Ab Rocket's three levels of resistance are up to the task.
As a bonus, the Ab Rocket comes with a free fat-blasting system, which includes a low-calorie meal plan filled with easy-to-make, mouthwatering low-calorie recipes and an instructional DVD with five-minute ab workouts, a cardio workout, and a Pilates assister. The Ab Rocket, which folds away for easy storage, weighs only 10 pounds.
Kindle 2 vs Kindle 1
Kindle 2 vs Kindle 1,
By | Jared Casner |
After 6 months with the first Kindle, I was stoked when I saw gen 2 coming out. After hearing me rave about my Kindle, my wife was more than happy to take the "old" one off my hands so that I could buy the latest gadget. She's nothing if not tolerant of my gadget addiction! :)
Anyhow, I wanted to share my impressions of the old vs. the new.
First of all, the things that the Kindle 2 did better than the original:
1. It's a lot thinner. I travel frequently, so the smaller, the better. This is a noticeable change from the first to the second version and one that I love.
2. The page turn buttons are better. With the Kindle 1, I was constantly at risk of accidentally bumping the next page buttons. They are extremely sensitive and very large. With the Kindle 2, the buttons have been scaled down to a much more manageable size and are a lot less sensitive.
3. I love the 4-way directional button. It took a little getting used to after having used the Kindle 1, especially since the context menus that I was used to in the first gen have changed due to the new directional button, but for any Kindle user, this change is a god send.
4. Power charging via USB. Having a single cord for the Kindle is great. The little USB->Socket converter is great to have, too.
There are a few things that I will miss about my Kindle 1, too.
1. The power buttons. I really liked having control over the power with a simple toggle. Yes, it's great in the Kindle 2 that you can easily put the Kindle to sleep, however, if you want to turn the 2nd Gen off, you have to hold the power slide for 4 seconds. I am going to miss being able to wait until the last second to just flip a switch as I'm putting it away. I'm sure I'll get used to the change, but it will take some time.
2. The location of the headphone jack. In the Kindle 1, the headphone jack was conveniently located on the bottom of the Kindle. This kept the headphone cord out of your way. On the Kindle 2, it's top-center. Now, I don't use audio on my Kindle much, but when I do, it's because I forgot my mp3 player and want to listen to music while I read. Having the cord coming out of the top means I have to adjust it to keep it out of my way when reading. Really, this is just a minor annoyance, but I felt like it was worth sharing.
Finally, the one thing that I still feel like the Kindle is missing (and I knew this going in, so I can't ding the Kindle for it) is global wireless support. It has 3G capabilities, so technology is not the problem, it must just be cost. My hope is that they will allow international access at some point in the future, even if it comes with a small delivery surcharge - although of course we'd all like to see it cost the same! :)
One last thing to mention... I'm an avid reader and was somewhat concerned that losing the feel of true books would take away from my enjoyment of the Kindle. After having used it for 6 months, I went back to a standard paperback book and found myself getting a little frustrated with the more traditional format. I find that it's easy to get lost in the book with the Kindle. The one thing I miss about the traditional format is the ability to peek a page or two ahead to see when the next good stopping point will be.
All in all, I am very pleased with my Kindle(s), and definitely had no hesitation in buying a second.
The Elite Serial Killers of Lincoln, JFK, RFK & MLK
The Elite Serial Killers of Lincoln, JFK, RFK & MLK,
By | James E. Culp |
"RIVETING" Perhaps the most REVEALING book that I have read as to the "powers" that CONTROL politics, creation of wars and the manner in which we live on an everyday basis. JUST FOLLOW THE "BIG" MONEY. Absolutely frighting and educational as to the "conditions that exist TODAY." This book made me realize how totally ignorant that I am and have been, even though I consisered myself well-informed. An absolute MUST READ for those of us who desire to be aware of the "reasons" that events happen. I have never gone out of my way to FULLY recommend a particular book until I read this one.
American Blackout
"American Blackout" A documentary
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The right to vote represents one of the strongest elements of democracy within the United States. With his documentary American Blackout, Ian Inaba shows that while voting is a right many Americans take for granted, it's something that's still not a given for many of America's citizens. With his thought-provoking film--which won the Special Jury Prize at the 2006 Sundance Film Festival--Inaba shows through interviews, documents, and startling images of African Americans waiting in the rain (only to be falsely told they're too late to vote) how districts are systemically trying to exclude blacks from the voting process. By focusing on controversial congresswoman Cynthia McKinney--who has been a vocal opponent of President George W. Bush and his administration--and a few others, Inaba doesn't lose the viewer with too many subjects. Whether or not your political views align with McKinney's, it's difficult not to question some of her opponents' motives for twisting her words, especially pertaining to 9/11. Though no one will be surprised that this film was shot on a low budget, the lack of bells and whistles doesn't take anything away from the production value, which is compelling in its stark reality. --Jae-Ha Kim
Product Description
Most people have heard of the voting irregularities that marred the presidential elections of 2000 and 2004. Some even know of the resulting challenges to the electoral votes by African-American congressional representatives. However, because the mainstream media shies away from reporting cases of imperiled democracy the public is left to believe these stories are at worst insignificant rumors or at best one-off incidents that result from an overburdened election system.
American Blackout chronicles the recurring patterns of disenfranchisement witnessed from 2000 to 2004 while following the story of Georgia Congresswoman Cynthia McKinney, who not only took an active role in investigating these election debacles but also found herself in the middle of one after publicly questioning the Bush Administration about the 9-11 terrorist attacks. Some call Cynthia McKinney a civil rights leader among the ranks of Shirley Chisholm and Malcolm X. Others call her a conspiracy theorist and a "looney." American Blackout gains unprecedented access to one of the most controversial and dangerous politicians in America and examines the contemporary tactics used to control our democratic process and silence political dissent.
Black Seed: Blessed Seed Oil
Blessed Seed Oil,
By | E. Wilson "music lovher |
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If you've done any kind of research at all on Nigella Sativa oil (aka black seed oil, black cumin seed oil, onion seed oil, etc.) then you have to have heard about it's curative and health properties. Well I concur. I mix black seed oil with virgin coconut oil and use it on my skin and hair and it's truly miraculous. As nearly prohibitive as the price is, I'd be a fool NOT to cut it but the black seed oil shines right on through the coconut oil. I put some of my mixture on my son's skin with his eczema and chronic itchy skin and it kept his skin moisturized, healed his scratch marks where he'd scratched his skin up in his sleep and left him with a wonderful glow. I use it on my skin and hair as well and I love it. I also consume the oil on sprouted grain bread. The oil has a peppery/citrusy taste and is quite different from any other oil that I've ever tasted but there is no denying that if you care about your health, you must have this oil.
March 30, 2009
The Big Necessity:
The Unmentionable World of Human Waste, and Why it Matters’ by Rose George.
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Every day, you handle the deadliest substance on earth. It is a Weapon of Mass Destruction sloshing beneath your feet and festering beneath your fingernails. In the past ten years, it has killed more people than all the wars since Adolf Hitler rolled into one; in the next four hours, it will kill the equivalent of two jumbo jets full of kids. It is not anthrax, or plutonium, or uranium. Its name is shit – and we are in the middle of a shit-storm. In the West, our ways of discreetly whisking this weapon away are in danger of breaking down – and a quarter of humanity hasn’t ever stepped into a functioning toilet yet.
The story of civilisation has been the story of separating you from your waste. The British investigative journalist Rose George’s stunning – and nauseating – new book opens by explaining that a single gram of faeces can contain “ten million viruses, one million bacteria, one thousand parasite cysts, and one hundred worm eggs.” Accidentally ingesting this cocktail causes eighty percent of all the sickness on earth.
I had a small taste of how they feel once. One morning a few years ago, I was trudging up a hill in Caracas, Venezuela – through a vast barrio cobbled together from tin and mud and left-over plastic – when I saw a plastic bag filled with feces hurtling towards me. It splattered all over my chest – and into my mouth. This wasn’t an attack on a gringo-intruder. In many of the slums that scar South America, there are no sewers – so the only way to dispose of your excrement is to squat over a bag, and throw. It’s called the “helicopter toilet”.
Today, 2.6 billion people live like this: “Four in ten people have no access to any latrine, toilet, bucket or box. Nothing,” George explains. “Four in ten people live in situations where they are surrounded by excrement.” Since it squats in every crevice and is even flung through the air, on average they ingest ten grams a day – and so millions of them watch their children die of pointless, preventable diseases. In an epic work of reportage – taking her from the shores of Africa to the bowels of China to the sewers of London – George investigates the slow road away from this shit-smeared existence, and why it is at risk of slamming us all into a dead end.
Her journey opens by tramping down at midnight into the place where it all began – the sewers of London, England. This city beneath the city can be deadly: clouds of hydrogen sulphide – the ‘sewer gas’ that forms when sewage decomposes – will suffocate you if you get caught in its stinking clouds. When rain falls, a trickle can become a torrent and drown you. Your path can be blocked by huge stalagmites of congealed fat and grease, poured down drains by restaurants. These fat-barriers are often so sturdy they can only be broken by road drills; one fat blockage below Leicester Square took three months to be demolished. This underground labyrinth is so vast nobody knows how big it really is. But it is manned by just 39 men (no women) who lead her through its filth and its myths.
Before these tunnels were built, London had “on-site sanitation”. This is a polite way of saying people shat in a covered-up set-aside space, and their feces was collected and sold to farmers as manure. But in the early nineteenth century London’s population rapidly doubled, and the city’s build-up of excrement became unsustainable. The cost for having your private cesspool emptied spiked to a shilling, twice the average workers’ daily wage. So people took to emptying their cesspools into the Thames, which soon ran brown. By 1848 cholera outbreaks were killing 14,000 people – and then came the “Great Stink” of 1858. London reeked so badly people were vomiting in the streets. The drapes of the House of Commons were soaked with chloride in a (failed) attempt to disguise the stench.
At last, the order came to find a better way – and one of Rose George’s heroes entered history. Joseph Bazalgette was the chief engineer of the Metropolitan Board of Works, and along with Hamburg’s municipality, he pioneered the great life-saving urban sewers of our time. “His sewers have saved more lives than any other public works,” George notes with pride.
But there is a catch. Much as we want to flush and forget, the excrement does not disappear. No: ninety percent of the world’s sewage ends up untreated in oceans, rivers, and lakes. George writes: “Sanitation in the Western world is built on pipes and on presumption… Even the richest best-equipped humans still don’t know what to do with sewage except move it somewhere else and hope no one notices when it’s poured untreated into drinking water. And they don’t.” The costs of Joseph Bazaglette’s invention – the other end of the pipe – is now becoming inescapable.
Much of our sewage is pumped barely-treated into the oceans – where vast dead zones are emerging, killed by our germs. The rest is kept even closer to home. For example, in 1993, an outbreak of shit-borne cryptosporidium in Milwaukee killed 400 and made 400,000 people sick. It turned out the city was pumping its ‘treated’ sewage – actually only treated for some toxins, not others – into Lake Michigan, and then slurping its drinking water out the other end.
The bridge collapse in Minneapolis has come to be seen as the iconic symbol of the neglect of US infrastructure in the age of Bushonomics, but the country’s faltering sewers are actually more dangerous still. The Environmental Protection Agency in 2000 estimated that a quarter of the nations’ sewer pipes were in “poor or very poor” condition – and by 2020, it will be half of all the pipes. When the people of San Francisco successfully got onto the ballot a proposal to name a large sewer after Bush, they were actually giving him more credit than he deserves.
So as the oceans, lakes and rivers choke on our swill, what can we safely do with our feces? In her search for answers George lyrically dives into the toilet bowl, sloshing about like Gene Kelly singin’ in the rain. “Of all the people of the world, the Chinese are probably most at home with their excrement,” she explains. They defecate openly, chatting away with their friends in toilets with no dividers and no shame. Perhaps for this reason, the Chinese have been more creative than anyone else with their crap. Since the 1930s, they have been turning it into electricity.
Over 15 million rural Chinese homes have been provided with ‘biogas’: a large oxygen-less digester into which they empty their toilet-pans. The organic matter ferments there – and belches out a gas which then fuels electricity. You can defecate then cook with the resulting gases. It may make us retch, but it saves Chinese women from the back-breaking labour of cutting down firewood, and they love it. Is this our future? Alas, its potential spread is limited: if you don’t add ample animal feces too, the machines don’t run for long.
Is there a way to safely use it as fertilizer instead? Some US firms thought so when they began to market “biosolids” – the gunk that is left over after sewage has been treated. It is being smeared over farmland across America today. But George travels to meet people who mysteriously went blind after the sludge was used next to their homes; several deaths have been linked to it. In 1975 the chief of the Environmental Protection Agency’s Technology Board of the Hazardous Waste Division reached a horror-film conclusion. Transforming waste into fertilizer is “the most efficient means – short of eating the sludge – of injecting toxic substances directly into the human body.” There has been a dearth of scientific research into its safety – but the early pointers look bad. Almost all European countries have now banned it.
So we have no answers to where to put the sewage – just as the question becomes even more urgent. Our Western system of sanitation uses vast amounts of water and energy, at the hinge-point in history when they are becoming more precious and pricey. George tells us: “Water is a fixed commodity. At any time in history, the planet will contain about 332 cubic miles of it… We are using the same water the dinosaurs drank, and this same water has to make ice creams in Pasadena and the morning frost in Paris. It is limited, and it is being wasted.” It has become a flat-footed cliché to say the wars of the future will be fought over water – but it is probably true. More people than ever are vying for limited supplies that are ever-harder to access due to global warming.
When water is scarce and costly, will our Western model of washing away our waste remain feasible? George summarizes our current methods tartly: “You take clean drinking water, throw filth into it, and then spend millions to clean it again.” One cubic meter of wastewater can pollute ten cubic metres of water – and on a warming world battling for water supplies, that will soon become a ratio we can’t afford. It is strikingly energy-intensive too: a sewage works uses up to 11.5 watts of energy per head, requiring an entire coal-fired power station to run just four sewage treatment plants.
So we need a safe alternative to plopping and peeing into water – but where is it? George talks to environmentalists who “see a future where instead of controlling pollution after it happens, we prevent it in the first place, by some sort of source separation.” This eco-sewage has two prongs. Firstly, we have to change our toilets – and our sewers – so they have two streams: one for urine, and another for excrement. Although it’s counter-intuitive, urine actually contaminates sewer-water much more severely than feces. “Though it only makes up five percent of the flow, urine contains 80 percent of the nitrogen and 45 percent of the phosphate that has to be removed at treatment works,” George explains. If it ran into a separate system, we would slash water use by an extraordinary 80 percent.
The second prong is harder to imagine. As in pre-sewer London, we would defecate into a tank, and it would sit there waiting for collection. We wouldn’t put it into water and then expensively take it out any more. Imagine “a cleaner new world where people put out their trashcans full of compost to be collected on a Monday, like they do with garbage.” This would be a buttock-clenchingly uncomfortable shift – yet on a finite planet with finite resources, it may be necessary.
But if we are going to deal with the coming shit-crises – or solve the one killing kids in the developing world today – we need to overcome our psychological barrier to discussing it. An aversion to feces is hard-wired into us by our evolution. The ancient primates who were not disgusted by excrement got sick and didn’t live to become our ancestors. We are the descendants of the smart shit-screamers, who got as far away from it as they could. But while this aversion was an evolutionary advantage then, it may be imbuing our species with a terrible disadvantage now.
Feces takes a strange and irrational physical journey – we just want it taken away, so we never have to think about it again – because it takes a strange and irrational journey through our minds. Our fear of feces can make us behave in ways that are cruel or crazy. In a village in rural Gujarat, George meets a middle-aged woman who every morning “walks to her owner’s house, and there she picks up his excrement with her bare hands or a piece of tin, scrapes it into a basket [and] puts the basket on her head… She has no mask, no gloves, and no protection. She is paid a pittance, if at all. She regularly gets dysentery, giardia, brain fever. She does this because a 3000 year old social hierarchy says she has to.” If she tries to quit, nobody else in her region would employ her.
In Hindu eschatology, below even the lowest order on the caste rung, there are the Dalits, or Untouchables – the people who take shit away, and so are considered to be shit. Although Untouchability has been technically outlawed since 1949, there are still between 400,000 and 1.2 million manual scavengers in India whose job is to collect feces from people they call their “owners,” and in turn be abused. George gives a random smattering of recent headlines on the subject: “‘Dalit leader abused to for daring to sit on a chair.’ ‘Dalit lynched while gathering grain.’ ‘Dalit beaten for entering temple.’ ‘Dalit girl resists rape, loses arm as a result.’ ‘Dalit tries to fetch water, beaten to death.’”
If our revulsion at excrement is so strong it can sustain this mad form of apartheid for three thousand years, can we hope to ever deal with it rationally? Are the problems George describes doomed to be forever obscured by our evolutionary retch? Perhaps – but the most encouraging aspect of her book is the revelation that even the aspects of defecating that seem eternal and unchangeable are actually recent innovations. In Japan, sixty years ago everybody squatted communally over a dry pit. Today, nobody does: in private, they use techno-toilets that wash and dry your anus while simultaneously playing music and heating the seat. (Think of it as the i-Toilet, or Toilet 3.0.)
Toilet culture can change, and fast; what seems impossible to one generation can seem essential to the next. Neither of my parents had a toilet in the house when they were children, and thought the idea was vaguely disgusting. (Defecating? Next to the kitchen?). Another toilet-tide shift may happen in my lifetime. Will the drying up of water supplies – and a sewage system with nowhere left to spew its waste – force us to regress to earlier, dirtier worlds? Or will we begin a transition to greener options before the system breaks down and begins to spew our filth back at us?
It’s a sign of how superb George’s book is that I am now excitedly bubbling with these questions about the future of feces. ‘The Big Necessity’ belongs in a rare handful of studies that take a subject that seems fixed and familiar and taboo and makes us understand it is historically contingent and dazzlingly intriguing. Jessica Mitford did it with her classic study ‘The American Way of Death’; Michel Foucault did it with ‘Madness and Civilisation.’ Rose George has produced their equal: a gleaming Toilet Manifesto for Humankind. It could end with an oddly rousing cry, borrowed from another manifesto long ago: Shitters of the world, unite! You have nothing but your diarrhoea and your cholera and your dying oceans to lose. You have new toilet chains to win!
http://www.johannhari.com/archive/article.php?id=1406
Amazon: The Big Necessity: The Unmentionable World of Human Waste and Why It Matters
Emeritus
5.0 out of 5 stars Play this one all the way through -- Perfect last CD for 'Face,
By R. Buley
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Emeritus |
First, I'll just mention I am a huge Scarface fan. And therefore, have high expectations. If you aren't familiar with his classic music, you have to listen to a few songs -- I Seen A Man Die, Now I Feel Ya, Mind Playin' Tricks, Hand of the Dead Body, In Between Us -- and definitely get his album, The Diary.
But back to his latest, and possibly last album. 'Face has nothing left to prove, and I'm alright with him going out on top of his game. This CD is a rare CD in the fact that it is dope from track #2 to track #13 (#1 and #14 are the intro and outro). It was interesting to listen to the raw deal he got during the intro...
My favorite standout tracks are:
Forgot About Me ft. Lil Wayne and Bun B
Can't Get Right
Who Are They
Soldier Story
But really there isn't a single song on this CD that doesn't knock. High Powered, Emeritus, High Note... The whole CD bangs. The beats are really outstanding. As a previous reviewer noted, the beats from each song flow together perfectly. The beats are just classic Scarface.
I would highly recommend this. It's hard to compare to other 'Face albums, I'd have to say I like them all. This is probably one of the best from beginning to end. The only drawback for me, there isn't a song on here that I just go 'WOW!' from. No really big hit song, like 'I Seen a Man Die' or 'Mind Playin Tricks' like the old 'Face.
But this is really one of the rare CD's that you can just pop in and let it play all the way through. Thanks for the memories 'Face, I'll miss you.
Amazon: Emeritus
Terror's Advocate
5.0 out of 5 stars Fiat justitia ruat cælum,
By Anil Batti "AB"
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Terror's Advocate
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Here is a man who transcends all political divisions. And peace is not what he brings; he brings a sword. The majority cannot be allowed to sit back in self-satisifaction.
It must forever be told that complacency and provincialism are all too common diseases of the human soul. Says Vergès, "I cannot tolerate to see a man being humiliated [by a self-righteous lynch mob] - not even an enemy." This is magnanimity speaking. He glorifies subversion. He speaks out in the name of the dregs of the society. He defends the victims of perpetual ostracism.
Every man, no matter what his crime may be, deserves to have his story heard. And if this man cannot tell the story himself, Vergès will tell the story for him. This is the oft-asked question nowadays: "Why do they hate us?"
Everything in this world has a cause, and our enemies have countless legitimate reasons for hating us. Indeed, every society gets the malcontents and criminals it deserves. Vergès wants us to see this. This movie is a punch in the face. It is your face and Vergès' fist.
Amazon: Terror's Advocate
The Angola 3: Black Panthers and the Last Slave Plantation
Good story with deep background, December 15, 2008 | By | maple syrup "F.H." |
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The Angola 3: Black Panthers and the Last Slave Plantation |
The Angola 3: Black Panthers and the Last Slave Plantation tells the gripping story of Robert King , Herman Wallace and Albert Woodfox, men who have endured solitary confinement longer then any known living prisoner in the United States. Politicized through contact with the Black Panther Party while inside Louisiana s prisons, they formed one of the only prison Panther chapters in history and worked to organize other prisoners into a movement for the right to live like human beings. This feature length movie explores their extraordinary struggle for justice while incarcerated in Angola, a former slave plantation where institutionalized rape and murder made it known as one of the most brutal and racist prisons in the United States. The analysis of the Angola 3 s political work, and the criminal cases used to isolate and silence them, occurs within the context of the widespread COINTELPRO being carried out in the 1960 s and 70 s by the FBI and state law enforcement against militant voices for change.
In a partial victory, the courts exonerated Robert King of the original charges and released him in 2001; he continues the fight for the freedom of his two brothers. The ongoing campaign, which includes a civil case soon to come before the Supreme Court, is supported by people and organizations such as Amnesty International, the A.C.L.U., Harry Belafonte, Ben Cohen and Jerry Greenfield of Ben and Jerry s Ice Cream, Ramsey Clark, Sen. John Conyers, Sister Helen Prejean, (the late) Anita Roddick, Bishop Desmond Tutu and the ANC. Herman Wallace and Albert Woodfox have now endured as political prisoners in solitary confinement for over thirty-five years.
Narrated by Mumia Abu-Jamal, The Angola 3features interviews with former Panthers, political prisoners and revolutionaries, including the Angola 3 themselves, and Bo Brown, Geronimo (ji Jaga) Pratt, Malik Rahim, Yuri Kochiyama, David Hilliard, Rod Coronado, Noelle Hanrahan, Kiilu Nyasha, Marion Brown, Luis Talamantez, Gail Shaw and many others. Portions of the proceeds go to support the Angola 3.
This documentary tells a complicated story of three prisoners and their plights in Louisiana prison.
Their stories are very complicated and much background detail is covered in this film. It looks like some (or all of it) was shot before Hurricane Katrina in 2005.
The film definitely shows extensive evidence of some kind of prison or government frame up to solve a brutal crime that happened behind prison walls. I would recommend this film for people interested in the Black Panther Party, the American prison system failures, and compelling biographies.
Amazon: The Angola 3: Black Panthers and the Last Slave Plantation
ABC News Primetime Juvenile Corrections - Lost Children Behind Bars
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| ABC News Primetime Juvenile Corrections - Lost Children Behind Bars
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They start out like most kids - innocent, loving and eager to please -- until something goes terribly wrong. Across the country, more than 100,000 troubled teens are locked up in juvenile correction facilities. ABC News goes inside two juvenile facilities near Phoenix, AZ, and meets a group of kids at a critical turning point - they have one last shot to either change their ways or face the prospect of doing time in an adult prison. ABC News was granted unprecedented access in Arizona's system for juveniles and spent nearly six months following these teens' journey in and out of the system. Along the way, they share their shame, their secrets and their dreams. They show their pride and promise. Also in this episode, ABC News checks back with the kids a year later to see what life is like now that they are out.
Amazon: ABC News Primetime Juvenile Corrections - Lost Children Behind Bars
American Drug War: The Last White Hope
5.0 out of 5 stars It's not about morality,
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American Drug War: The Last White Hope |
Understanding the "drug war" is all about understanding profit. Alchohol and tobacco cause problems that folks profit from - drug companies, hospitals, etc. Marijuana on the other hand, which anyone can grow in their backyard, has been shown to be effective in treating a wide range of illnesses that drug companies would like to charge thousands of dollars to treat.
The decriminalization of drugs like pot would cut the profits of large industries by huge amounts. Those industries exert enormous political pressure, hence the drug war.
Don't ever think for an instant the Government has your well-being at heart. It cares only about money, and the drug companies line its pockets, both directly and with tax revenue. That's why there's a drug war. It's a war on competition.
Amazon: American Drug War: The Last White Hope
The Murder of Fred Hampton
THE MURDER OF FRED HAMPTON began as a film portrait of Hampton and the Illinois Black Panther Party, but half way through the shoot, Hampton was murdered by Chicago policeman. In an infamous moment in Chicago history and politics, over a dozen policeman burst into Hampton s apartment while its occupants were sleeping, killing Hampton and fellow Panther Mark Clark and brutalizing the other occupants. Filmmakers Mike Gray and Howard Alk arrived a few hours later to shoot film footage of the crime scene that was later used to contradict news reports and police testimony. Recently restored and reworked by Gray, THE MURDER OF FRED HAMPTON is a chilling slice of American history.
Also included is a short film, CICERO MARCH, which chronicled a group who defied Mayor Richard J. Daley s order to march into predominantly white Cicero to protest racism and injustice.
A Grave Injustice, July 18, 2008 | By | Adalberto Vaughn-McFarlane "Neteru Amun Ra Pt... |
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This film displays the evil attitudes and destructive power of the Chicago police department in murdering a shining light named Fred Hampton.
"Chairman Fred" as he was known to those who worked and knew him, as displayed in this DVD, is a very committed person in the struggle to uplift his people in his community through education, free clinics, and free breakfast and lunch programs (most of these programs, started by the Black Panther Party was taken over by the Federal Government).
If those in power did not fear what Fred and the others in the BPP was doing, who knows what strides we would have made and achievements obtained earlier instead of later.
The Murder of Fred Hampton
THE MURDER OF FRED HAMPTON began as a film portrait of Hampton and the Illinois Black Panther Party, but half way through the shoot, Hampton was murdered by Chicago policeman. In an infamous moment in Chicago history and politics, over a dozen policeman burst into Hampton s apartment while its occupants were sleeping, killing Hampton and fellow Panther Mark Clark and brutalizing the other occupants. Filmmakers Mike Gray and Howard Alk arrived a few hours later to shoot film footage of the crime scene that was later used to contradict news reports and police testimony. Recently restored and reworked by Gray, THE MURDER OF FRED HAMPTON is a chilling slice of American history.
Also included is a short film, CICERO MARCH, which chronicled a group who defied Mayor Richard J. Daley s order to march into predominantly white Cicero to protest racism and injustice.
A Grave Injustice, July 18, 2008 | By | Adalberto Vaughn-McFarlane "Neteru Amun Ra Pt... |
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The Murder of Fred Hampton |
This film displays the evil attitudes and destructive power of the Chicago police department in murdering a shining light named Fred Hampton.
"Chairman Fred" as he was known to those who worked and knew him, as displayed in this DVD, is a very committed person in the struggle to uplift his people in his community through education, free clinics, and free breakfast and lunch programs (most of these programs, started by the Black Panther Party was taken over by the Federal Government).
If those in power did not fear what Fred and the others in the BPP was doing, who knows what strides we would have made and achievements obtained earlier instead of later.
Amazon: The Murder of Fred Hampton
Darfur Diaries: Message From Home
Despite global hand-wringing, accords, agreements, and peace-keeping forces, the Darfur genocide that began in July 2003 continues. Directors Aisha Bain and Jen Marlowe take the viewer on-site to Darfur, and through on-camera interviews with dozens of locals they let the people describe the tragedy in their own words. Their personal anecdotes are heart-breaking and appalling.
The desert landscape, wind-swept and littered with bomb fragments, is stark. Despite its denials, the Sudanese government under president Omar al-Bashir has backed the Janjaweed militias to plunder, pillage, rape women of every age, and liquidate entire villages.
According to the United Nations, 400,000 people have died, and over 2 million have been displaced (many refugees pouring into Chad).
This documentary is only 55 minutes long, but it's a graphic, powerful and informative reminder of how much of the world can ignore the most unimaginable horrors when countries have no self-interest at stake.
Amazon: Darfur Diaries: Message From Home
March 05, 2009
Women of the World Poetry Slam 2008
Women of the World Poetry Slam 2008
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Women of the World Poetry Slam 2008 |
Here are the finals of the first ever all-female international slam held on the planet. This 2008 edition excited audiences in Detroit, Michigan in March. And this finals show is not a disappointment either. This event is going to be a hugely positive influence on the shape of Slam for years to come. Featuring the poetry of Andrea Gibson, Isis, T Miller, Nicole Homer, Sonya Renee, Tara Hardy, Karyna McClynn, Original Woman, Christena B, Amy Madison, D.E.E.P., Ms Wise, Starr and Dee Mathews. All shot in front of a loudly appreciative audience in the sumptuous Fillmore Theater. The poetry slam has never looked so marvelous or sounded so right. Single disc.
To Purchase at Amazon, click here:Women of the World Poetry Slam 2008
Michelle Obama: In Her Own Words
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| Michelle Obama: In Her Own Words |
Michelle Obama - In Her Own Words. The Speeches 2008. Our Nations new First Lady: Michelle LaVaughn Obama (born January 17, 1964) is an American attorney and the wife of the elected President Barack Obama. Michelle is the first African-American to become the First Lady of the United States. Michelle was born and grew up on the South Side of Chicago and graduated from Princeton University and Harvard Law School.
A wonderful and interesting read ..., | By | Monique |
This is a wonderful and interesting read. The book does not only contain Michelle's great speeches but also a long introduction which reads more like a biography. A lot which I did not know about her, but I have to admit that I knew almost nothing about Michelle before I read this book. Very well done.
Amazon: Michelle Obama: In Her Own Words
Putumayo Presents: Women of Africa
An Accessibly Exotic Treat, June 7, 2006
By | FLbeachbum |
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| Putumayo Presents: Women of Africa |
Another primo collection from the "Putumayo Presents" series, "Women of Africa" is a treasure. Unless you're tone deaf or otherwise severely Music Appreciation-Challenged, you're going to love this CD; and in fact, so will your kids and so will your parents. Even your co-workers! There's nothing not to like, and I mean that only in the best possible way, not in a bland "one-size-fits-all" way. There are a variety of sounds and styles, but they follow one another well; this assortment isn't all over the map in a jarring, staccato way. It's suitable for all occasions, from lightening up your commute, to the workplace itself, or as a social lubricant at picnics and parties and other gatherings. Go ahead; conduct an experiment by playing this CD (at a mid-level volume), and watch your formerly uptight friends and colleagues start to loosen up and enjoy themselves.
I'm describing the effect of the music more than the music itself, because that is a visceral experience which you must take part in yourself. But I've already done the weeding; I sample and screen music all the time in search of recordings such as this one, and it involves suffering through a lot of turkeys, believe me. But I've done the work for you, so you don't have to.
But for the record, I will mention that Dorothy Masuka's selection here sounds like the kind of smooth jazz vocal piece one might hear from a Nat Cole or Natalie Cole or Diana Krall ensemble. That's one example only; this collection features a whole potpourri of tuneful sounds and they're all delightful (hard as that might be to believe).
Purchace at Amazon: Putumayo Presents: Women of Africa
March 04, 2009
Gracious Mama Africa Dezarie
Conscious Party in the Caribbean...pass a glass of soul,| By | Marcus Johns |
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Gracious Mama Africa Dezarie |
OMG! This is an absolute Masterpiece!!! I bought this directly from Dezarie's website (14 bucks-free shp) and I had high expectations. Wow! This cd blew me & my expectations away! The legendary Midnite band provides the sweet papaya beats for Dezarie's rich soulful voice & penetrating conscious lyrics. Yes, every song is produced by the Midnite band so the music feels deliciously mellow! Her lyrics are powerful and her voice is so sweet and mesmirizing that she almost outshines the Midnite band! But instead they balance each other like "the scale of Justice" on the Papyrus of Hunefer... I'll let her tell it! Give Thanks, Mu Love...liquidlovesoul.com
Amazon: Gracious Mama Africa Dezarie
Culture and Change: Ethiopian Women Challenging the Future
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| Culture and Change: Ethiopian Women Challenging the Future |
Culture and Change: Ethiopian Women Challenging the Future takes an unusual look at women’s issue in Ethiopia. Instead of focusing on the many difficulties that women face in this largely traditional society, it highlights the positives. It releases rays of sunshine rather than fogs of gloom. It describes how customs in various cultures in Ethiopia support and protect women, rather than oppress and harm them. It describes how organizations are fighting to overcome ignorance, change attitudes and better the lot of women. And it tells how a few admirable individual women have struggled against odds, and how they succeeded. The book contains five parts. Part 1, Becoming a woman, describes the ceremonies and rituals that a woman goes through from her girlhood through to motherhood and old age. Part 2, Social and Economic Empowerment, shows how Ethiopian women work together to empower themselves socially and economically. Part 3, Education and Media, looks at the status of girls in the education system, tells how certain women have managed to overcome barriers facing them to get schooling, and describes how the media is being used to change attitudes. Part 4, The Law, shows how national and traditional laws affect women, and how women are trying to change the law. Part 5, Challenging Roles, tells the stories of some individual women who have fought against the odds to achieve something for themselves or for others. The Resources section lists websites, publications and organizations relevant to gender and women’s issues in Ethiopia. This book will be a valuable source of ideas and inspiration for schools, non-government organizations, community organizations and government departments involved in extension, training, development work and policy formulation.
Amazon:Culture and Change: Ethiopian Women Challenging the Future
March 01, 2009
Rethinking Globalization: Teaching for Justice in an Unjust World
AWESOME RESOURCE FOR TEACHERS!!!, June 28, 2005 | By | Mish (Australia) - See all my reviews |
This book is something that all teachers should invest in. It is such a wonderful book. It's full of great lessons that integrate writing, history, modern-day history, government, reading, and math. It makes students and teachers more aware of the current and pressing world issues in regrads to poverty, colonialism, child labor laws/workers/working conditions, food shortages, and media. The acitivities can be modified for all age ranges and ability levels. The lessons are clearly outlined, all resources are provided, and everything is so well-thought out. I love the integration of poetry--written by students---throughout the book. It really helps when teaching to bring to life and show by example what is expected from students.
This book is a breath of fresh-air when coupled with district assigned text books. It will be one of the investments you can make as a teacher. Also look out for their other books--because they have wonderful articles on classroom discipline, sexual harrasment, creating effective classrooms, diversity tranining, and additional wonderful lessons.
Rethinking schools is a wonderful organiziation and I am so thankful there are people out there doing such wonderful things for teachers and students!!!!!
Find it at Amazon: Rethinking Globalization: Teaching for Justice in an Unjust World
Let It Shine: Stories of Black Women Freedom Fighters
Continuing the Legacy, February 6, 2001
By | Lisa Heath |
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| Let It Shine: Stories of Black Women Freedom Fighters |
"Let It Shine: The Stories of Ten Black Women Freedom Fighters" is an amazing, entertaining, and educational journey back through time for both children and adults alike. The stories accurately depict the changing face of America for all people. The author, Andrea Davis Pinkney, uses a combination of oral stories and historical facts to re-create the lives of ten African American women "freedom fighters" (a.k.a. civil rights activists.) The descriptive language Pinkney uses keeps the style of the text upbeat and enjoyable. Among the list of women are Harriet Tubman and Rosa Parks. However, there is also a presence of many unknown women, such as Shirley Chisholm, an inspirational politician, and Biddy Mason, a one-time slave with never ending generosity. The stories are quite diverse, spanning a history of nearly the entire 20th century. Some of these historical references include the signing of the emancipation proclamation, the peaceful demonstrations of the civil rights movement, and the Democratic Convention of 1968. There is one common, underlying goal of each story- inspiration. From Harriet Tubman's Underground Railroad to Rosa Parks' refusal to give up her seat, there is a sublte undertone that promotes and requires action. These women learned that justice comes from not only speaking, but doing. Their stories and successes encourage people of all ages to get up and fight against inequality. The combination of descriptive oral stories and historical facts, along with the colorful illustrations, keep readers of any age interested in this text.
Find it at Amazon: Let It Shine: Stories of Black Women Freedom Fighters
The Power Of Community: How Cuba Survived Peak Oil
Perhaps a useful blueprint for others in the future.
By | Robin G. Sowton "rsowton" |
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When the Soviet Union collapsed in 1990, Cuba became the first country faced with the peak oil crisis. Suddenly a supply of 13 million tons of oil a year dropped to 1 million. The change was seen almost immediately-within weeks. There were power outages, no air conditioning, and no elevators running. People would try to get to work with whatever transportation was available only to discover that there was no electricity at their jobs. The Cuban government had to import 2 million bicycles for transportation. Even construction was very limited because cement production requires high levels of fuel.
However, the biggest and most immediate problem became food scarcity. There was no fuel to transfer food and no electricity to refrigerate it, and the massive use of oil-based fossil fuel for pesticides and farm machinery had disappeared. Within the first few years of this crisis, these constraints, coupled with the continued U.S. blockade on food, resulted with most Cubans losing an average of 20 lbs per person.
With hunger spreading, people were left with no other choice and resorted to growing food wherever they could, and this led to widespread urban gardening. Famine was prevented by converting every open space in the city into gardening. Because they could no longer get access to oil-based pesticides, farmers had to resort to growing food organically.
Farmers also began the practice of crop-mixing to reduce pests, and scientists began making and exporting bio-pesticides. Changes resulted in smaller farms and more privately-owned cooperatives. Decision making became localized with fewer state regulations. Even schools became more decentralized.
Despite the many problems that Cuba continues to face, the Cubans have managed to find a way to use less energy. Today, the average Cuban uses 1/8 the energy of the average American.
Whether you view peak oil as real and inevitable, or as just a `market creation,' I think that you will still find this film interesting and insightful--and perhaps, inspiring.
Find it at Amazon: The Power Of Community: How Cuba Survived Peak Oil
500 Years of Chicana Women's History/ Anos de Historia de las Chicanans
The history of Mexican Americans spans more than five centuries and varies from region to region across the United States. Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas.
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| 500 Years of Chicana Women's History/ Anos de Historia de las Chicanans |
500 Years of Chicana Women's History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others. With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal.
In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the "repatriation" campaigns" of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.-born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground.
From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor's previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women's history promises to become a classic.
About the Author
Elizabeth (Betita) MartÃnez is a widely known Chicana writer, activist, and lecturer. Now director of the Institute for Multiracial Justice in San Franciso, she has published six books, most recently De Colores Means All of Us: Latina Views for a Multi-Colored Century.
Find It at Amazon: 500 Years of Chicana Women's History/ Anos de Historia de las Chicanans
Wonderful Ethiopians of the Ancient Cushite Empire, Book 1
By | wooten@aloha.com(Honolulu(Honolulu, South U.S.A.) |
Western civilization has grudgingly recognized that homo sapiens evolved in Africa, within the last 40 years through the work of Richard and Louis Leakey and the discovery of the "Lucy" skelital evidence in Ethiopia.
However, Drusilla Huston's book copiously documents legends of of African culture before the dessication of the Sahara and the Egyto-Nubian desserts. She continued with ancient references to the ancient Kushite and Ethiopian civilizations and Kings refered to by Homer, Heroditus, Diodorus, Massey Champoleon and others to flesh out the stories of the Nubian, Nahesey, Napatan, Meroic, Alumic, Egyptian, Summarian and Ethiopean nations over 75 years ago.
It is therefore, a prophetic and profound example of pioneering African-American scholarship operating in a bleak and hostile environment over many decades. It's veracity is only enhanced and fortified with the passage of time and recent production of books such as "Black Athena" by Martin Bernal, "Civilization or Barbarism" by Cheik Anta Diop and the 1996 "African Exodus" by Chris Skinner and "Egypt Revisited" edited by Ivan Van Sertima and numerous others.
Find it at AMAZON: Wonderful Ethiopians of the Ancient Cushite Empire, Book 1
January 29, 2009
The Ultimate - Peter Tosh - Experience
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Experience the reggae superstar Peter Tosh from all angles with this amazing live collection, featuring rare footage from the "No Nukes" concert, the "One Love Peace Concert," "The 1983 Roxy Show," and many more.
In addition to Tosh's classic performances, this set includes STEPPING RAZOR: RED X, a feature-length documentary that examines the artist's music, spirituality, and the tragic events surrounding his untimely death.
This 2 DVD, CD and booklet set explores the life of international superstar Peter Tosh, one of the greatest reggae artists ever, founding member along with Bob Marley of The Wailers, and creator of such anthems as "Legalize It," "Get Up Stand Up" and "Equal Rights."
Included in this set is "Stepping Razor: Red X," the complete documentary which gives an inside look at Peter's psyche, spiritual beliefs and music, and looks at the circumstances of his shocking murder. It also includes a second DVD which features a selection of rare and classic performance footage including performances from various concerts as well as Peter's last concert in Kingston. There is also a CD featuring 14 classic tracks and rarities including several previously unreleased tracks. Lastly, this set features a 30-page booklet with rare photos by Marley photographer, Adrian Boot and reminiscences of Peter by people who knew him: long-time manager Herbie Miller, Roger Steffens and Randall Grass.
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Lutan Fyah - Africa
One For The Ages.
By | Achis |
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I often find it quite interesting, just as I'm sure it has always been for fans from other eras, to think about just how well or poorly the reggae artists of today will stand the test of time. While, undoubtedly and perhaps forever more, the name Marley will dominate and be the face of the genre, years from now, definitely at least some of our artists will be regarded as legends and as highly as just about anyone to have ever blessed the game. Through all the various changes of reggae music (like how the music is made, the greater attention paid to the music and the absence of BANDS as opposed to solo artists) you have a bit of a historical question mark as to how exactly some of our finest artists will be remembered and how some of their most lauded material will be regarded years and decades down the line. In particular, I'm wondering how people years from now will examine to the prolific nature of the artists of this era. The answer of such condition could ABSOLUTELY determine a great deal of this current era is defined from a historical perspective, given the almost OVER-active recording schedules from many of our artists today. How will the future look back at Sizzla Kalonji? Undeniably one of the (if not THE) greatest lyricists reggae music has ever seen, Sizzla has also, unfortunately been one of this era's most controversial and polarizing figures as well, given his penchant for not putting his best material forth CONSISTENTLY while given fans occasional glimpses that indeed, the once and always downright LETHAL ability for making modern roots CLASSICS, still so obviously remains within. On the dancehall side, how will the fans and scholars of reggae music look back at the fire and brimstone battle waged by dancehall aces Beenie Man and Bounty Killer for more than a decade? What is so interesting is (amongst MANY other things of course) that despite trends within dancehall (both musically and culturally speaking) tend to `change just like the weather', the trend which never changed this entire time has been Beenie in one corner with Bounty in the other. Given that even people right now are a bit weathered by the constant on and off again and downright RIDICULOUS warfare between the two, I can't imagine in the future it will look better in retrospect, but who knows. There are figures like Sizzla protégé Turbulence, DEFINITELY Vybz Kartel as well as Lady Saw who I'm very interesting in seeing what the `kids' will think of them, when I'm an old man.
Far more comfortable are the respective places of artists of today such as Luciano, Everton Blender and Junior Kelly. All of whom, while they aren't necessarily amongst the most popular of this era (with the exception of Luciano, who definitely is) make a brand of music which, at their absolute respective bests, brings the type of vibes which simply seem to get better with time and that should continue. And, by comparison, you can look at their peers, such as the aforementioned Turbulence, Jah Mason and even the controversial (but SICKLY talented) Jah Cure and I'm not sure if history will be so kind to them. An artist, however, of whose historical relevance and respect I'm seeing more and more as COMPLETELY secure is Lutan Fyah. I just may be the most biased Sizzla fan that there is on the planet and I'll full on say it nice and clear: I have not been as impressed with ANY artist as Lutan Fyah than since the first time I really began to listen to Sizzla. Period. Lutan Fyah comes armed with some of the most on point and nearly perfect (in terms of their usage, of course) lyrics and it has seriously gotten to the point that despite the fact that I've probably heard well over fifty or so new tunes from him within the last year or so, I haven't heard a single flawed VERSE, much less an entire tune. And I'm not saying that I enjoyed all of the material (that would be impossible) but I think that even that speaks to an artists strength that he can convey his powerful message while not really catching the nerves of the listener. Indeed, what you have when you listen Lutan Fyah is simply one of the most skillful vocal artists that reggae has EVER seen. Lutan Fyah has, over the last few years, kept his name relevant locally, scoring a relatively steady stream of hits of varying degrees and gaining the opportunity to voice with some of the best in production talents as well as opening himself up to being able to perform on the biggest stage shows locally. ALSO, alongside good friend and mentor Jah Mason, Lutan Fyah headlined a European tour in 2008 which was reportedly quite successful (although I have heard different opinions on what happened there, to be completely honest). What definitely will help his case later on down the line (especially to international heads) is dropping top notch ALBUMS for the masses and to date, Fyah has done exceptionally well. By my count, to date Lutan Fyah has released five studio albums for various labels (with at least two in the can waiting to be released), including two Healthy Lifestyle and the EPIC Phantom War, have risen to the levels of highest in the game in terms of reggae coming for the industry's giants in VP Records and Greensleeves Records, respectively. Of them all, Phantom War was definitely his greatest creation. The album, which I called 2006's best reggae album, was a nineteen track MASTERCLASS which, at least to my ears left no doubt that in terms of skill, Fyah was amongst the greatest practitioners in the business, despite not yet (and still not) achieving that level of acclaim. That the Phantom War album didn't quite receive its just due (at least by standards) was just WRONG? However, were you one of the unfortunate souls who didn't (and still haven't) pick up the album, apparently something even better just walked through the door, something which they'll be talking about for a VERY long time.
Of all Lutan Fyah's releases, definitely the most interesting arrived in June of 2008, his first live album, Live In San Francisco from the very solid Californian based label, 2b1Records. Now, as if to finish what they began, the same label releases Lutan Fyah's EXCELLENT double disc release, Africa. This album, produced by Fyah himself arguably tops even the Phantom War album as it features, in its whopping thirty tracks, some of Fyah's biggest hits to date (as the album cover boasts, :4 #1 JA HITS) alongside some nice newer material and some truly interesting combinations. Brilliance runs throughout. Opening disc one is the fine social commentary piece Never Once (In My Life), over Chilla's bubbling Deep Love riddim. While definitely not the finest tune you'll find on this project, you probably couldn't have asked for a more fitting opening as the tune gives a pretty nice example of Lutan Fyah's style overall. Very very nice opening and one where (like most of his music) you REALLY need to pay attention to the lyrics. Up next is the first of several combinations on Africa, the OUTSTANDING Rasta Set Di Trend alongside the Morgan's (Heritage) over Fyah's very own Sledge riddim from his label, Tsahai Productions. I'm not too much a fan of Morgan Heritage, I say it all the time, but I do have to give credit, they make similar type of tunes as this, with other artists and they're generally quite well done, DEFINITELY no exception here! Completing the opening to Africa is a tune perhaps destined to go overlooked, the very nice What A Woe (which bothers me because I KNOW I know that riddim from somewhere but can't quite pinpoint it) is a tune seeking to expose the truth of the corrupt system and does exactly that in Fyah's own wonderful way, over a downright SPARKLING one-drop. The tune is might y powerful, again, one of those tracks likely to not get much attentions, but indeed its one of the better tracks you'll find anywhere on this project. Superb way to get things started.
Had someone packed up JUST disc one here and released it as a full on album, it alone could have been a candidate for reggae album of the year. It features he lion's share of the hits on the project and some VERY nice combinations as well. Check the lineup: (St. Jago) De La Vega, a previous number one tune for Fyah and a tune which has never been on any other of his albums to date. A HUGE tune reliving the cultural history of Fyah's native Spanish Town. Immediately following that is another big tune, Save The Juvenile for Real Lyfe's spotless Foundation riddim. As the title would suggest, the vibes are for the youth, our most important group of people, of course. The tune found struck on so many when it first reached and attracted a nice bit of attention and, again, good luck finding it any other Lutan Fyah album (not happening). The same is to be said for Mightier Than Them, Fyah's DIVINE cut of Danger Zone's big Jam Down riddim (same riddim features Ce'cile's big hit Waiting and Jah Cure's ridiculous Sticky). This one is probably my favourite tune on the entire project as it has been a personal anthem of mine of the past year or so and seems to get better to my ears almost every day. The tune is a HUGE Rastafari affirmation, its vibrant and its beautiful and, of course, landed in the hands of Fyah, its BRILLIANT! EPIC TRACK! Now you run through what is the rest of the tracks on disc one and see all the `featuring'! The second, after Morgan Heritage, is truly a shocker, No Matter What the Crisis, Fyah's second combination alongside Midnite front man, the incomparable Vaughn Benjamin. This one is MUCH better than their (solid) first effort, Stay With His Majesty and is really one of the best tunes you'll find here altogether and DEFINITELY just something which will attract so many eyes, your ears will thank later, trust me! Big tune praising His Majesty between two undeniable masters of the craft over a very nice piece from Al.Ta.Fa.An. HUGE tune. Speaking of Midnite, Move Out which features Fyah alongside literal peers Natural Black and Turbulence over a riddim I only know from Benjamin`s tune Dew on the Infinite Quality album from Lustre Kings. This is an ODD one. But it did grow on me (with that stringy riddim its almost an accapella, a very nice one at that) and it will do the same for you. I will mention that it's Fyah's album and his star does shine the brightest amongst the three although Turbulence does turn up the vocals later on. The title track! The title track is SUPREME, it features Fyah taking his shot over the Taxi Gang's timeless Baltimore riddim. SO many accomplished vocalists have tackled that track and Africa could stand quite well next to any of them! And I'll mention that the vibes step up a bit at the close of disc one as famed Inner Circle joins in on the anti-violence Gun Ting, a wonderful vibes from the Circle's own Miami based Soundbwoy Entertainment with a bit of old school vibes.
Did I mention that was just DISC ONE! Disc two, while lacking the big highlights, is just as consistent as the first. Check the opener, Season Of Love (BKA Four Seasons), a wonderful lover's piece, probably the best on either disc. Too Much Suffering Kids is on a vibes similar to Save The Juvenile (sounds NOTHING like that tune, however) and another tune which I'll say (especially due to the presence of Save The Juvenile) will most likely exist below the radar and do so at the peril of those who don't REALLY dig into it (especially the third verse I believe it is). Is This The Way is Fyah's solid cut of Rootical's LOVELY Cruising Altitude, one of the most beautiful tunes over that beautiful riddim definitely, this tune is just an anti-poverty and violence track which definitely is something the masses need to hear in this day and age. Check the somewhat unusual and dancehall/poppy Rising which is the only combination on the second disc. The two together (for the second time, I THINK) just sound very nice and even though it's a rather unusually paced tune, it still manages to work quite well at the end of things. Trodding Alone really caught my ears as well because I had been listening to it for a bit as it features over Itation Records' very nice Show Love riddim. It was one of the finest tunes on that fine riddim and it remains one of the finest tunes on this more than fine album as, to my opinion, it features what should be one of the signature lines of the album, "Trodding alone, The Most High see us through", HUGE tune! Up In Your face is a nice relation tune which I actually recall buying last year, it grew on me a nice bit and I think it stands as one of the finer examples of the excellent track selection by 2b1 and Lutan Fyah, because it wasn't a big hit at all. Gifted with that addictive one-drop of Black Shine's Weed Seed riddim, Up In Your Face is definitely one of the `dark horses' on Africa altogether. I don't know a thing about the tune really, but I have to mention the very uplifting Its All On You, which is just a nice meditative vibes as well, definitely check that one. It's All On You precedes what is in my opinion the single biggest tune on disc two, the SCATHING Watch Over Me! Amongst the songs I'm not very familiar with, I've probably spun through Watch Over Me more than any other. The tune reminds (and does so HARSHLY) that the most important thing is to know that you walk with His Majesty, because in doing so, no wicked force shall stand in your way. HUGE vibes on that one. I'll also mention the duet, I Love Everything About You which is an unofficial combination (with a nameless singer who I'm sure I'm familiar with from somewhere). As the title would suggest, it's a very nice and STRONG lover's combination and probably has one of the strongest riddims on the entire album. And disc two ends with the dazzling chanting Set The Children Free, another BIG vibes and wonderful message for the people. You could have picked EASILY any of these thirty tunes to end this album and probably none of the other twenty nine would have sounded as fine as Set The Children Free. Big credit goes to the setup, the entire project, VERY well done.
And I didn't mention at all tunes like Red Alert, Be Real (BIG TUNE!), Mek It So Hard and A Dat Mi See, ALL big tunes!
Overall, I hear often someone say something like, "Yeah I rate Lutan Fyah, but I really haven't heard that ONE thing from him that puts him over the top for me". If that's you, then `that one thing' has just arrived (even though you should've gotten the point on Phantom War) and more. Africa is the type of an album I can recommend to seasoned fans merely due to the fact that, although it has that compiled type of situation, it STILL gives you more than enough new material and even the older ones seriously, you probably don't have most of them or even have heard them at all. Big respect goes to 2b1 for placing out the piece and Lutan Fyah himself for delivering his own finest album to date. Africa is one of the best albums you'll hear anywhere in 2008 and beyond. When fans in the future look back for some prime Lutan Fyah, hopefully they'll star t at Africa: One of the best reggae albums of 2008. AMAZING! GO GET IT!
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January 27, 2009
Kill Them Before They Grow: Misdiagnosis of African American Boys in American Classrooms - Michael Porter
Powerfully Enlightning!, November 13, 2000 | By | "nudgey" |
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Where do I begin......this book has been extremely informative. Specifically in regards to the "public" school system. I am a 31 year old single parent of an 11 year old boy. Recently I have been dealing with various issues within the public school system. It alarms me to know that the experiments to "distruction" of our black children still goes on. Moreso, how we continue to allow are children to be "test cases". We can no longer turn a "blinds eye" to our African American children (specifically boys) any longer. This book has encouraged me to continue to be a "visible" advocate for my son as well as other African American boys. It has compelled me to become more pro-active in my childs education. It is imperative that we as African Americans put an end to this "Progressive Genocide" in the school system. We can no longer afford to be complacent! I pray that you recieve the message this book has to offer. It is time we "Rose" to the occassion!
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Why Are So Many Black Men in Prison? A Comprehensive Account of How and Why the Prison Industry Has Become a Predatory Entity in the Lives of African-American Men - Demico Boothe
(RAW Rating: 4.5) - What is happening to black men?, August 3, 2007
| By | The RAWSISTAZ Reviewers (RAWSISTAZ.com and BlackBookReviews.net) |
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Demico Boothe has explored the reasons so many black men are indeed in prison in, WHY ARE SO MANY BLACK MEN IN PRISON? He begins with his own story of a shaky upbringing and his subsequent dabbling in drug dealing. He was caught with a few grams of crack cocaine but because it was the dreaded crack, he was given 10 years in prison. When he left prison after serving his time, he was actually railroaded back into prison by a crooked justice system. He delves deeply into our justice system and the motives behind all the new prisons that are being built. He gives succinct and reasonable views of exactly what is happening now in the United States and how the past has played a role in the present. He uses persuasive statistics regarding the number of black men in prison as compared to the number of white men who are incarcerated.
Demico Boothe has done an excellent job of researching his subject and it is a plus, if unfortunate for him, that he has actually experienced first hand what he's talking about. I knew I was hearing the real story rather than just statistics from an intellectual who had no real idea of what the prison system is really like. I would have liked for Boothe to search a little deeper into the Haiti, Aristide and USA question, maybe even reading Randall Robinson's take on the situation, and then he might see it a bit differently. Otherwise, it is a good book and one every one in America should read. We indeed, have a crisis going on.
Reviewed by Alice Holman
of The RAWSISTAZ Reviewers
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Man Up! Nobody is Coming to Save Us - Steve Perry
Powerful Book! Now, we need action., September 4, 2007 | By | R. hector |
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I confess, I'm not much of a book worm, I tend to do most of my reading on-line -- This book, I read in two days!
The facts are clear; we in the black community are in crisis! My heart aches, wondering how we will correct the many issues that plague us.
Mr. Perry does an expert, incredibly honest job at pointing out both the issues and providing salient solutions.
It truly is up to us in the Black community to help ourselves. No more pointing fingers; no more relying on the same old broken methods of the past.
Well, this was supposed to be a book review. Bottom line, EVERY SINGLE black person
Should read take to heart the simple, but profound methods offered in this book. Well done Mr. Perry, keep up the important efforts.
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Forty Million Dollar Slaves: The Rise, Fall, and Redemption of the Black Athlete
Forty Million Dollar Slaves, July 29, 2007  |
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This book enunciates the problems in graduation from the inner city into the big leagues. Historically, by the late 1890s, black athletes excelled at an ever increasing rate. Despite the progress made, the profile of the black athlete stands at the periphery of power in the sports establishment. This has lead to the loss of an overall mission, although the psychological armor remains in the achievements of the black athletes over the years. The author states that the plantation slaves performed great physical labor. Prior to the 1970s, segregation was a significant limiting factor. Sojourner Truth worked on behalf of the black women of the time.
Today, there are multiple tiers of blacks in America. The book provides some very important historical background; however, the next step is to turn the capital acquired from the sports into personal wealth .
In addition, an athlete's physical stamina remains until the mid-30s or early 40s. What does an athlete do when his/her career has peaked athletically? The book could discuss this aspect in more depth. For instance, black athletes could graduate into their own businesses or attend college/further study to branch out into other careers/ventures. Another important issue regards how the black athlete invests money for the future.
Overall, the book provides an important perspective relevant to the black history of athletes in the various sports. As such, it is a valuable addition to American History in the sports arena.
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January 26, 2009
Guerrilla Warfare
Radical Chic at its Chicest, May 12, 2003  |
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It's all so long ago. I remember sitting under an eucalyptus tree in Ethiopia in 1982 and listening to Marxist-Leninist Internationalism and how peasants who had never seen an industry or a capitalist were being exploited by the forces of imperialism. Reading the classic books of Che Guevara and his obsessive dreams of emancipation by guerillas, it is almost like an exposition on the devine rights of kings or a doctrine of a flat earth. But if you know the rest of the story about this man you expect all the things he says. It all fits in with the battle of Santa Clara, his dreams of turning the Congo into Cuba or inspiring Bolivian farmers to unite in the dream of transforming the old and corrupt into something beautiful and new. I think that this book should be a required part of a liberal education, not because it preaches bloody revolution but rather that Che Guevara is an icon of our times, martyred, mutilated and buried in a field by people who would never understand why he made the sacrifices he did or even what he wanted to say.
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I Write What I Like: Selected - Steve Biko
OUT SPOKEN MARTYRE, | By | Bonita L. Davis |
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Steve Biko will always be remembered as one of the most outspoken leaders in South Africa's liberation movement. Martyred at an early age, Biko's refusal to keep silent about apartheid was a thorn in the side of an oppressive and immoral regime. We are privileged to have in our hands a rare collection of Biko's writings spanning from the years 1970 to 1979. They cover a wide variety of topics but the core of each one expresses the ardent desire to throw off the yoke of oppression in its varied forms. Biko gives us a detailed analysis of racism, its impact on Blacks and whites and its destruction of the moral fabric of the society in which it resides.
He calls for a Black consciousness where Blacks respect one another and break off the yoke of inferiority. Since his death, the apartheid regime is gone but his words are just as relevent today as they were during his time. Ghosts of the past still haunt South Africa but the spirit of Biko's writings and liefe invoke a sense of hope and pride. Savor this young man's work and allow yourself to be guided by his spirit. This text outlines the philosophical, political and spiritual underpinnings of Steve Biko.
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Biko - Cry Freedom - Donald Woods
A must read - highly recommended, | By | Stephen Boord |
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Subjected to 22 hours of interrogation, torture and beating by South African police on September 6, 1977, Steve Biko died six days later. Donald Woods, Biko's close friend and a leading white South African newspaper editor, exposed the murder helping to ignite the black revolution.
Despite the dramatic shift in the political climate of South Africa since his death, Biko's words and beliefs are every bit as relevant today. His Black Consciousness movement was as much a political force against apartheid as it was an indictment of self-inflicted notions of inferiority. This book powerfully tells the story of Biko's life, his beliefs and the circumstances of living in banishment in South Africa. In the absence of any physical memorial for Biko, this book is a powerful rememberance to a man who should not be forgotten, and a tribute to an author who bravely brought us Biko's story.
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Selected Speeches of Haile Selassie
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These speeches portray the breadth of the Emperor's vision. They detail the persistence, the determination and the unflagging drive with which he pursued the application of "modern Ethiopianism," to which history cannot fail to testify. The Emperor's idealism, coupled with his insistence on transforming his country, both on the domestic and international fronts, his courage in the face of adversity, his unchallenged perspicacity, his keen sense in evaluating world events, his unfailing respect for principles, and his abiding faith in humanity should make this volume a ready-reference on the history of modern Ethiopia.
Description by Minasse Haile, Minister of State of Information
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The Philosophy and Opinions of Marcus Garvey, Or, Africa for the Africans
Great advice from the father of Modern Black Nationalism,By A Customer
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Product Description
The Philosophy and Opinions, first published in two volumes in 1923 and 1925, quickly became a celebrated apologia for the leader of the largest Pan-African mass movement of all time. "As we approach the 1987 celebration of the centennial of Marcus Garvey's birth, the time seems appropiate for the United States and Jamaican governments to declare null and void the legal proceedings that unjustly sent him to jail in both countries. Nor should a mere 'pardon' suffice, presupposing as it does, the presence of guilt to begin with." --From the Preface.
About the Author
A man who stands without equal in the history of the worldwide mobilization of African peoples. For Marcus Garvey did not merely organize the most massive Black movement in the history of the United States of America. He also organized the largest and most successful movement among African people in the Caribbean.
This is truly a classic of Black literature. The first half of the book contains very constructive advice on living and self-determination regardless of color. The second half gets into his organization the UNIA with some actual documents. The "Declaration of the Rights of the Negro" (1920) is the blueprint for many of the anti-colonial movements to come. My only problem with the book is the occasionally divisive comments about light-skinned Blacks in his discussion of the destruction of his movement. Other than that, it's great reading.
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The Souls of Black Folk - W. E. B. Du Bois
Du Bois, Race and "The Color Line"| By | Matthew Stelly |
The Souls of Black Folks, as other reviewers have pointed out, is a masterpiece of African-American thought. But it is even more than that when we consider the context and time in which the book was written. Most of what DuBois discusses is still relevant today, and this is a tribute to the man, not only as a scholar, but as someone who was continually adapting his views in the best image and interests of black people.
Some reviewers refer to DuBois as "the Black Emerson" and, as a university instructor, I heard similar references made: 'the Black Dewey" or "the Black Park," referring to the Chicago School scholars. Du Bois was brilliant; indeed, these white men should be being called "the white Du Bois"! Du Bois literally created the scientific method of observation and qualitative research. With the junk being put out today in the name of "dissertations," simply re-read Du Bois' work on the Suppression of the African Slave Trade and his work on the Philadelphia Negro and it is clear that he needs not be compared to any white man of his time or any other: he was a renaissance man who cared about his people and, unlike too many of the scholars of day, he didn't just talk the talk or write the trite; he walked the walk and organized the unorganizable.
White racism suffered because Du Bois raised the consciousness of the black masses. But he did more than that; by renouncing his American citizenship and moving to Ghana, he proved that Pan Africanism is not just something to preach or write about (ala Molefi Asante, Tony Martin, Jeffries and other Africanists); it is a way of life, both a means and an end. Du Bois organized the first ever Pan African Congress and, in doing so, set the stage for Afrocentricity, Black Studies and the Bandung Conference which would be held in 1954 in Bandung, Indonesia. Du Bois not only affected people in this country, he was a true internationalist.
Souls of Black Folk is an important narrative that predates critical race theory. It is an important reading, which predates formal Black Studies. The book calls for elevation of black people by empowering black communities -- today's leadership is so starved for acceptance that I believe that Karenga was correct when he says that these kind of people "often doubt their own humanity."
The book should be read by all.
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Life in Prison - Stanley Williams, Barbara Cottman, D. Stevens
Life in Prison, February 16, 2007 A Kid's Review
Delanie Gilbert
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The life in prison is not like the life out in the world, it's worse. The life we live today Tookie Williams did not live it. He lived life in prison since 1981. he was on death row and that's nothing to mess with.
The death penalty is a cruel and uncivilized matter. More than a thousand death penalties have been issued since the Supreme Court of the U.S. brought back the death penalty in 1976 . Williams, at the age of 41, was convicted on 1979 for killing a man during a robbery and the murders of one couple.
If I had a brother and his name happened to be Tookie Williams and someone told him to commit a murder and he ends up on death row. I think they should punish the person who came up with the bad idea.
The police would have to have a million pieces of evidence to convict Williams.
For the sick and the wounded inmates the two or three day wait to see the doctor is ridiculous.
The smell the inmates can get sick off of it, but if the doctor goes head and takes the inmate there will be a clean environment . but if you leave them in there for more than five days the germs spread. So that's my story of the life in prison, I encourage you to read this wonderful book there is no one out there that would not want to read this book this book taught me a great lesson to stay out of trouble or this bad experience will happen to you.
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Redemption: From Original Gangster to Nobel Prize Nominee - The Extraordinary Life Story of Stanley Tookie Williams
Redemption and Value,| By | Suzanne Robinson |
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Stanley Tookie Williams accepted the consequences of his life as a gangster, and while he wanted to live, he met his death straight on. I do not idolize Williams, but I also do not think the world is better off with him gone. Gang membership and violence has increased tenfold and that will continue long after Tookie's death. There was social value to keeping him alive, and a resource for us to draw from to help combat this terrible problem. That was important. Tookie owed society an incredible debt for the lives that he took, and alive, he could have continued to pay that debt. Dead, he serves no purpose.
There are many many Stanley Tookie Williams on the streets, and many people who will meet them in the dark of the night, and in the light of day. We have to examine the disease, the river of darkness that pulls our children into this lifestyle and costs them their lives and the lives of innocents.
You do not fight anger with anger, nor violence with violence and win. The only outcome of that is more anger and more violence.
There is value in redemption. Remember that.
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Soul on Ice - Eldridge Cleaver
the real deal from an educated black man, | By | L. Rephann |
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Amazon: HIP HOP, Books, Reggae & R&B |
Racism is still alive and well in the USA, despite surface gains by some people of color. this book goes into a theory for black/white tensions: the primeval mitosis, when humanity split into male/female, black/white, etc. and our dichotimies became external rather than held within each human. eldridge has some very serious ideas about why our gender roles are lined up with "race," and how the Body and Mind have become province to certain ethnicities. to heal our world, all humans must become whole: Mind, Body merging instead of blacks being all Body "supermasculine menials" and whites being "omnipotentent administrators." eldridge's glance into inter-racial love are interesting, if not at times confusing since he fell in love with his own (white) lawyer. eldridge's writing is strong and his prose is evocative. i think the best essay in this book is the one on primeval motosis, where he lays out his theory on tensions between the races. but all of them are excellent, especially when cleaver examines the vietnam war and wars against colonionalism the world over and links colonial/liberation struggles to the struggle for equality in the US! deep stuff, seeing as how "liberation" has been "won" because all nations, no matter how squalid and repressed, have the honor of participating in capitalism (aka globalism). blacks and other oppressed people in the USA have also bought into the switcheroo. read cleaver and see that many of the issues happening in the late 60s have not been resolved.
another thing i often found myself thinking: for a man who was incarcerated, and before the advent of the internet, cleaver must have put in so much effort to get the political/social information he did. even prison can not hold the mind/thoughts of someone who will reach out despite constraints.
Amazon: HIP HOP, Books, Reggae & R&B
The Great Debaters
No Debate: This Film Is Great!, | By | Rocky Raccoon |
`The Great Debaters' offers what great movie viewing is all about. Based on a true story, the film takes us to Wiley, an African-American Methodist college in Texas during the Depression in 1935. Inspiring, harrowing, and uplifting, the film gives proper transcendence especially during a time and place that didn't offer many breaks.
We are first introduced to Professor Polson (Denzel Washington), a tenacious idealist and poet. As professor at Wiley and debate coach, he hardly yields on any of his principles. Inspired by the man who is named for the heinous lynching, Polson tells his debate recruits that it was in Lynch's best interests to keep Black people, "Physically strong, but psychologically weak." It is with this explanation that we understand his zealous approach to his debate team, and why he makes their training so rigorous.
Entering the field are forty-five tryouts, of which, only four will be selected: two representatives and two alternates. Of the three who make it, we get to know Henry Lowe (Nate Parker) a charismatic and bright figurehead who is easily distracted by beautiful women and hard liquor. Joining him are Samantha Booke (Jurnee Smollett), the first young woman to join the debate team, and James Farmer, Jr. (Denzel Whitaker) forever young at age 14, but an ever resourceful scholar and son of a minister, James Farmer, Sr. (Forrest Whitaker). [No real life relations.] As he notices a romance start to blossom between his teammates, his resentment grows. As the one who researches many of the arguments Henry and Samantha provide on the podium, he is put on the sidelines both in terms of the limelight and the love light.
As you might guess, Wiley enjoys a certain amount of success, and the price of success is opposition. Polson spends a great deal of his time and rhetorical talent organizing a sharecroppers' union, much to the chagrin of Sheriff Dozier (John Heard) who won't have unrest in his sleepy Texas town. In one scene the Farmer family is making a trek by car on a rural country road as they pass a poor white farm. The children who seem so mischievous run alongside the car as they pass along, unaccustomed to seeing a "Negro" with an automobile. Perhaps distracted by the nearby children, he runs over a pig, and in a quietly intense exchange between Farmer, Sr. and the owner, is extorted of a month's paycheck. This reminded me of a similar scene in the 1980's movie, `Centennial,' and showed the contrast between a good film with a similar theme and a great one.
In another part, the debate team makes their way by night to their debate destination when they come across a truly horrible sight. What they see through the windshield reveals a mob of white men who don't like having their heinous deeds brought to light. Shaken, they each try to come to cope with their discovery as they often lose focus and courage in the face of Polson's opposition and the violence laid before them.
Always kept in check by their unyielding leader, the debate team holds out for all possible opportunity. Audacious but unflinching, Polson invites Harvard to a debate match. One of the master strokes of the movie is how the debates and their topics match the action that goes on all around them. Show and tell is mixed expertly for a meaningful movie experience.
`The Great Debaters' is a top-echelon movie experience. Although it is reminiscent of movies like Mississippi Burning, To Kill a Mockingbird (Collector's Edition), and Akeelah and the Bee it captures a fulfilling true life story in a way that doesn't feel like rehash or contain a wasted scene. (Directed by Denzel Washington and screenplay by Robert Eisele)
Amazon: HIP HOP, Books, Reggae & R&B
PleasureVille - Lizz Fields
Pleasureville , | By | Geminigirl |
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This sophomore offering from Lizz Fields is terrific - it shows improvement in her song writing skills and the overall production of this project. There are definitely more radio-friendly tracks than on her debut which had a more mellow vibe.
Lizz is another under the radar singers who, if given a platform could really draw in fans much like Corinne Bailey Rae whose album I found most comparable to PLEASUREVILLE. It's notable that Lizz co-exec produced the album in addition to co-writing all tracks just as she did on her debut. Lizz has a really pleasant voice and reminds me of Jill Scott in her phrasing of the lyrics - she doesn't scat and one can clearly hear the lyrics of each song. The saddest thing is that because Lizz is on an independent label, there may be no video to support one of the catchier songs and bring her to the attention of a wider audience.
My favorite tracks are:
PLEASUREVILLE - it opens with an interesting almost country/rock musical arrangement then segues into trippy beats
OASIS - beautifully spare production & lyrics which allows her vocals to shine
BROOKLYN FLOWERS - interesting arrangement that reminded me of music I'd hear in a 60's sitcom before moving to the break when she sings staccato - almost rapping the lyrics
SUGAH - toe-tapping doo-wop like track
DADDY'S CADDY - goes the funk route with a groovin bass & uptemo horns
INTERLUDE - wish this was a proper track & therefore LONGER!
DAY DAY DAY - melodic track about living for the moment & seizing the day
IT'S OK TO LOVE ME - interesting lyrics & arrangments power this ballad
RUNNIN ON EMPTY - uptempo track that reminds me a little of the current Alicia Keys' song, TEENAGE LOVE AFFAIR
Overall I am very satisfied with this album (which is offered in cd version from another site) and commend Lizz for successfully avoiding the "sophomore jinx". I truly hope that one of the tracks catches on and helps to set her career on fire.
Amazon: HIP HOP, Books, Reggae & R&B
January 02, 2009
A Different Me - Keyshia Cole
Classic Keyshia Cole! | By Q. Pair "Shaman" |
Does this woman ever disappoint? Seriously, I had to actually look for a bad song in Keyshia Cole's catalog, and thus far I've come up with like three or four I wasn't thrilled with. This chick is quickly becoming my favorite female R&B artist.
This is her third album, A Different Me, and the title is evident in the music. That's not to say the music is all that different, but instead of the consistent heartbreak we are accustomed to in her music, we get to see a more sexier side of Miss Cole, something we know she had but never got to witness until now.
I don't know who does production for her, but every song on this album (and her past ones) is top notch. Combined with Keyshia Cole's dynamite vocals, it call ends up being raw, emotional, beautiful music.
She does most of the CD solo, but the few guest artists she has are very well chosen and compliment the songs well. Nas drops a seductive verse on "Oh-Oh, Yeah-Yea" Amina Harris lays a decent 8 bars on "No Other", and by far my favorite track on the album, the (re)remixed duet with 2pac "Play Ya Cardz Right" hands down most beautifully produced track on this CD. The piano and Keyshia Cole's powerfully smooth voice makes this song so moving.
Overall, this is a great CD, and in my opinion its her best CD. I'll even go as far as to call this a classic, because I can listen to this thing all the way through without skipping. This woman can make some beautiful music. Go cop this ASAP!
5/5 stars
Top 5:
Erotic
Play Ya Cardz Right
Brand New
Thought You Should Know
Where This Love Could End Up Amazon: HIP HOP and R&B
Stronger- Fantan Mojah
Reggae Got Soul
By Achis
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Even given the somewhat unusually prolific nature of roots reggae and it's artists, there are actually not a great deal of artists who you can count on making bonafide HITS on at least a semi-regular basis and it doesn't seem to matter. As opposed to dancehall, which will seemingly open any stages of stardom (from the super stars, to just burgeoning and up and coming names) ONLY upon a given artist delivering at least one hit and doing so with hits of some level or another to maintain their statuses. Roots, on the other hand (and especially Jamaican roots reggae), has quite a strange type of structure of artists providing the genre's balance of hits. For example of what I mean, take the case of the Messenjah, Luciano. If/when the next time Luciano has a TRUE strong hit, it certainly won't surprise anyone given his level of not only abilities, but his accomplishments and experience as well, having been THE roots reggae singer of note now for more than a decade. However, if he NEVER EVER again scores another hit and instead spends his time touring and building albums for predominately international ears, his career won't take a hit, not even a little. Contrast that to the dancehall where artists with names as respected as Mr. Vegas and even Bounty Killer himself get thrown into consideration of `comeback artist' by virtue of going a year (not even) or such without a real dancehall hit tune. Tony Rebel would be a next artist along a similar lines, although he has come across the somewhat ODD hit here and there over the past few years (such as right now with Another Bill Again), but he needn't do that to maintain his levels, Tony Rebel's music will continue to spin and his name will continue to remain alongside the true GIANTS of modern roots music so long as he simply makes himself available. So strange, perhaps, is this roots reggae landscape that it applies to artists even further down the line of popularity and experience than both Luciano and Tony Rebel. Take even the young roots PRINCESS Etana. Having made her name to one of the real big ones in the industry in the last eighteen months or so, Etana could EASILY (and she just might) spend the next two or three years performing and releasing tunes here and there and her name, built on the strength of tunes like Roots, Wrong Address and Warriour Love, MIGHT take only a small hit (if any at all). Given the August Town's genius' proclivity of making good music whenever she really tries to, this is unlikely to happen (THANKFULLY) but we've seen it before, such as even with Gyptian who has scored really just two or three REAL hits in the past two or three years or so and the name Gyptian still and will continue to carry a mighty weight amongst reggae fans. The wonderful thing, however, is when you have artists who prove that they can achieve a certain status and still continue to deliver hits.
Artists such as Sizzla Kalonji, Anthony B, Capleton, Jah Cure, Richie Spice and more recently Tarrus Riley have proven themselves (even in Riley's case over a far less amount of time) capable of maintaining a somewhat regular schedule of not only recording, but scoring with hits as well (although Capleton's time on such a list may be coming to an end) locally and internationally. You could also make the case (and I will) for two of my own personal favourite `newer' artists, Lutan Fyah and Natural Black as well. And, there is, of course, one of the more unusual names who has almost quietly proven, Fantan Mojah. The St. Elizabeth native chanter came into the public reggae spotlight on the strength of a couple of hits dating back to 2004 and has further substantiated himself as one of the simply most consistent artists of the modern era, period, by adding more big tunes which have managed to keep the attentions of masses. Mojah joins the aforementioned artists, definitely, as artists who can, at any given time, be counted upon to push in with a big tune which tops the charts and keeps his name amongst his arguably more popular (generally speaking here) peers. The two tunes on which his name begin growing and basically introduced him to US, Hail The King and Hungry were just two GEMS of modern reggae and they also brought in that very pure chanting style which just isn't very popular these days, yet is virtually perfected by Mojah and allows him an even greater range than that of the typical roots DJ or singer (or even 'singjay' for that matter). They also helped him become a bit of 'blue chip' prospect into 2005 which ultimately led to him aligning himself with the UK based reggae giant Greensleeves (I'm still not sure if he actually signed a contract back then with them) for albums which brought us his debut album, Hail The King late in the year, which was quite well received for the most part and definitely seemed to forecast a bright future for the turban clad chanter. Mojah also appeared on the biggest stage shows on the island and all over the world and since that time, a ridiculously short three years ago (seems like just last year I got that album), has managed to score enough to make himself even more relevant than just the up and coming artist. Thus, for me and many alike I'm sure when it was announced by VP (who bought Greensleeves in early 2008) that Mojah would be returning this year with his sophomore album, that album, Stronger almost IMMEDIATELY went near the top of my most anticipated reggae album of the year. Mojah, like several others, I believe had some problem with the former heads of Greensleeves, which kept him from pushing an album for 2007, which is kind of important in what this album, Stronger, ends up becoming. On its face and this is without ANY bit of exaggeration, Stronger is not only a `stronger' album and a literal step up than the Hail The King piece, but REALLY its one of the best reggae albums you will hear ANYWHERE in 2008 and probably over the past half decade or so. And had they brought it last year, it would have been even better.
December 31, 2008
Freedom - Akon
| By | Alan Huynh "A Concerned Citizen of Rap"
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Human - Brandy
Brutha - Brutha
By | J. A. Oshaughnessy "Thatdamnman" |
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Brutha has had many different label homes since 2004, but nothing had ever come from those labels except two singles that lead to nothing. Until late 2007, they signed a major label deal with Def Jam. While these guys are definetly not Jagged Edge or 112, they still are doing better than other struggling bands like One Chance or Deepside. The band, is formed with five blood brothers who all sing and dance. And surprisingly they all have pretty good voices, especially the primary lead singer Anthony, who has a voice similar to Mike Jack on some songs. These guys should get a decent amount of attention from critics, due to the fact that they have their own reality show on BET right now, called Brothers to Brutha, which should generate a little more record sales. Brutha's first single, "I Can't Hear The Music", has yet to do anything on the charts, but the song is actually a really good club dance track. It has a club vibe, but it still has a grown & sexy vibe. I am actually really surprised that it is doing as bad on the charts as it is, because it sounds like a radio smash. This album actually has a very mature sound to it, which really surprised me, because i thought that the album was going to sound like a B5 album, but it actually has a very grown sound. Especially on emotional tracks like the heartbreaking ballad about a bad break up on "Ghost", and on "Just Being Honest", we get another dance track that sounds very similar to "I Cant Hear The Music". And then on "She's Gone", we get another phenominal break up track that just echo's pain. Overall, I don't think that Brutha, will do anything very spectacular, but they are talented guys none the less, and this is a solid R&B album, and its especially good considering its a debut album.
Track Listings
Live at the BBC - B.B. King
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2008 collection that compiles the best of BB King's BBC recordings onto one CD for the very first time and includes some of his biggest hits such as 'Paying the Cost to Be the Boss' and 'The Thrill Is Gone' as well as 'When Love Comes To Town'. Featuring highlights from his three finest UK performances alongside a session recording made in the BBC's studios, this CD offer an incredible snapshot of an artist at the peak of his career performing some of his greatest material. 14 tracks. Universal.
Afro Samurai Resurrection - RZA [soundtrack]
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The first release on the newly formed Wu Music Group label, run by The RZA and Mitchell Divine Diggs. Afro Samurai Resurrection is the soundtrack to the second season of Spike TV's critically-lauded animated television show and DVD featuring the voice of Samuel L Jackson.
The score, produced entirely by the Wu Tang Clan's The RZA, features some of the biggest names in hip-hop, including Ghostface Killah, The RZA/Bobby Digital, Kool G Rap, Rah Digga, Inspectah Deck, Killah Priest, and special guest vocals by Sly Stone! Comes with deluxe packaging and O-Card.
Track Listings
| 1. Combat (Afro Season II Open Theme)-The RZA & P. Dot |
| 2. You Already Know-Kool G Rap, Inspectah Deck & Suga Bang |
| 3. Blood Thicker Than Mud Family Affair-Reverend William Burks, Sly Stone & Stone Mecca |
| 4. Whar-Kool G Rap, Ghostface Killah, Tash Mahogany & The RZA |
| 5. Girl Samurai Lullaby-Rah Digga & Stone Mecca |
| 6. Fight For You-Thea Van Seijen |
| 7. Bitch Gonna Get Ya-Rah Digga |
| 8. Bloody Days Bloody Nights- Prodigal Sunn &Thea Van Seijen |
| 9. Kill Kill Kill-Rugged Monk |
| 10. Nappy Afro-Boy Jones |
| 11. Bloody Samurai-Black Knights, Dexter Wiggles & Thea Van Seijen |
| 12. Dead Birds-Killa Priest, Prodigal Sunn & Shavo |
| 13. Arch Nemesis-Ace & Moe Rock |
| 14. Brother's Keeper-Reverend William Burks, The RZA & Infinite |
| 15. Yellow Jackets-Ace & Moe Rock |
| 16. Take The Sword Part III-60 Second Assassin, Leggezin, Crisi, Christ Bearer, Rugged Monk, Tre Irie, Kinetic, Reverend William Burks & Bobby Digital |
| 17. Number One Samurai (Afro Season II Outro)-The RZA & 9th Prince |
Playlist: The Very Best of Peter Tosh
Welcome to the Playlist series. We've fished through hundreds of tracks to cherry pick the perfect playlists. Not just the hits, but...the life-changing songs. The out-of-print tracks. The fan favorites everyone loves. The songs that make the artists who they are. You'll no doubt enjoy the sound of the beautifully remastered songs on this CD, unlike the compromised sound of an MP3 file.
You might also like the fact that the packages are environmentally-friendly (no plastic, 100% recycled paper). But we think the thing you'll appreciate most about this Playlist is that even though you didn't make it, you might wish you did. This package has been created with the environment in mind. All of the paperboard is 100% recycled and 100% recyclable. Of course, we would prefer that you not throw this package or CD away. We would prefer that you keep it in your collection to enjoy for many years to come! Full liner notes, photos, and more included as a PDF file on this CD. Enjoy!
Rise Up - Anthony B.
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Anthony B is back with another album for Greensleeves Records. The fourth title ‘Rise Up’ is his fourth collaboration with producer Frenchie, who also brought us 1996’s ‘Real Revolution’, 2005’s ‘Black Star’ and 2007’s ‘Higher Meditation’. ‘Rise Up’ maintains a more Roots vibe than his previous releases. With three duets, with Chezidek, Lukie D and the legendary Horace Andy (who made plenty of hits for Coxone Dodd’s Studio One and more recently collaborated with Massive Attack).
Musicians who appear on the album include the cream of Jamaican talent, from Sly & Robbie, Lenky, Dalton Brownie, Christopher Birch, The Firehouse Crew and Mafia & Fluxy. Tracks were recorded at various studios including Music Works, Maximum Sound Studios and In The Streetz and were mixed at Big Yard Studios by Lynford “Fatta” Marshall, Shane Brown and Frenchie.
With Anthony B set to tour the US and Europe 2009, he is bound to set the stages alight with his new material from ‘Rise Up’.
1. | Anthony B | Rise Up |
2. | Anthony B | Better Hafi Come (feat. Chezidek) |
3. | Anthony B | Nothing But The Highest |
4. | Anthony B | Iley, Iley, Iley Iley Selassie I |
5. | Anthony B | Stop Fight Reggae |
6. | Anthony B | Where Is The Black Man Rights? |
7. | Anthony B | Enter The Kingdom Of Zion (feat. Horace Andy) |
8. | Anthony B | On The Spot Herb Shop |
9. | Anthony B | Rise Again |
10. | Anthony B | The Place Too Red |
11. | Anthony B | Give Thanks For Life |
12. | Anthony B | Be Wise (feat. Lukie D) |
13. | Anthony B | Jah Jah Only |
14. | Anthony B | Weeping Willow |
Anthony Hamilton: The Point of It All
December 30, 2008
"Holistic Parenting From the Pan-Afrikan Perspective"
Pan Afrikanism is the idea that all people of Afrikan descent regardless of whether they reside in the United States, United Kingdom, Puerto Rico, or Ghana, are focused on the advancement and liberation of all Afrikan people. Explored here is parenting for liberation of the Afrikan family. |
There is a saying, “if you heal a woman you heal a nation”. I offer this book as a token of peace and healing. As a group of people, Afrikans hold much sickness, hurt, toxicity, and disease. These ailments are brought on by emotional and physical issues. Women especially hold on to this hurt in their centers, their wombs. All life comes from the womb. Afrikan nations depend on the womb to build and grow. The men have wombs too. Men and women have many relationship issues due to a myriad of factors. Afrikan women have forgotten what it was like to hold the Afrikan man in her womb, sending him love, protection, and healing. The Afrikan man has forgotten the womb from which he came. He has essentially forgotten who his mother is. He has forgotten floating in those sweet peaceful waters. Afrikan men and women were connected through the womb, vibrating on the same degree. This connection established harmony. They both have forgotten about the womb experience. Your subconscious mind remembers the experience, go within and reclaim it. |
The womb is attacked through everyday household chemicals, foods, and emotional issues. The emotional factor is a big component. Water carries emotions. Emotions alone can change the conditions of the womb including the taste of the amniotic fluid. Not only are Afrikans in a dire need of healing, but it must start in the primordial waters. |
Afrikan women and men have to listen to the ancestor’s advice. They are spiritual people with a connection to the universe. The people and the universe are one. The universe provides everything to heal thyself. So live in a state of Maat, balance, truth, and reciprocity.Source:http://www.afrikanparenting.com/about.html |
Notorious (2009 film)
November 25, 2008
Jah guide - Natiran Black
Natural Black is where it's at
By Nyelshulia Lewis "flychild"
I came across Natural Black while listening to my online radio station "Punky Reggae Radio" on Live365.com. He absolutely blew my mind away, and I couldn't stop singing along to his songs. It's just a brilliant album. He's very talented. This album is awesome, and if you want to get into thought provoking, yet feel reggae, then Nature Black's "Jah Guide" is the cd you want to have rotating in your player this year! :)
Challenges - Tarrus Riley
I've Been Expecting You. . . , July 1, 2008 By Achis
I've Been Expecting You. . . , July 1, 2008 | By | Achis |
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While the reggae world shall continue to search and search for an artist who can eventually succeed in replacing the legendary Bob Marley by taking pure roots reggae to the forefront internationally, things on the local level are much much simpler. Names such as Capleton, Luciano, Buju Banton, Anthony B and even the younger Sizzla and Richie Spice will eventually have to vacate their roles and places in the game as the undisputed leading faces and names in Jamaican roots reggae music and exactly who will be there to take up there causes gets clearer and clearer everyday. Someday, names such as Lutan Fyah, Jah Cure, Turbulence and I-Wayne will be every bit as household names in reggae as their aforementioned elder stars (with the possible exception of Buju, who, at least to a certain degree has managed to limit the gap between himself and `mainstream' more so than anyone mentioned here) and roots reggae music will be there's to identify, to promote and to constantly give to the masses (even more than they are all doing now). And while there will surely be newer names there to take their places as well (and we're already seeing those in the form of `neo-roots' artists such as Tyrical, I-Octane and the well WICKED Erup as artists who almost equally combine dancehall and roots in their vibes), that is just the way it has always been. For their parts, the artists currently dominating the scene will take somewhat of a different role in the business (can you really imagine Capleton jumping up and down on stage in his fifties or Sizzla gluing himself to the studio long enough to crank out 4 albums a year in his forties after already having achieved a ridiculously high level of success???) and they will be respected and lauded as the legends they are. The one thing in question, however, is which direction the vibes will go. In dancehall, where the passing of the guard is already more and more pronounced, its already apparent that the dancehall will be an even more violent return of the war zone it was in the days when people like Supercat, Ninjaman and Mad Cobra partially dominated the scene and names such as Bounty Killer and Merciless were at their starts. In the roots arena, if what is going on now is any indication (and it should be) fans of the music can look forward to what may be an even overall MORE talented landscape of artists five to ten years from now dominating the scene.
One such wickedly MORE talented name is that of Tarrus Riley, an individual who has come off of one of the most wonderfully productive spans of time for a young artist in recent memory (incidentally, as comparison, Riley's ultra beautiful and serene rise to prominence in roots can be compared, time-wise, to that of demonically violent dancehall singer Mavado). The chanter/singer is a EXTRAORDINARILY talented and has even had many place the future of roots reggae on his shoulders alone. Riley has had hits of all degrees in nearly all varieties and spectrums in roots music over the past year or so and has rather easily made himself one of Jamaica's most recognizable and prominent reggae artists in the very short span of time. While it remains to be seen whether or not he can continue his good fortunes (I'm willing to bet that he can) what is certain is that the start that he has gotten may give him a `head start' over his younger peers in eventually leading younger fans to his vibes (when the fan who grew listening to tracks like She's Royal becomes the primary consumer, Riley will probably even go higher). At this early stage of his career Riley has made two very fine decisions in who he aligned himself with. As the son of well known reggae singer Jimmy Riley, Tarrus could have very well either put himself in care of his father as he had, of course, well proven himself worthy and competent on how to develop a young artist (having developed himself), instead (perhaps maybe even due to his father's advice) the younger Riley linked up with Dean `Cannon' Fraser which was wonderful move number one. The same Dean Fraser was once (and may actually still be), the musical director for Xterminator Records (which is the same label who brought us Luciano, Sizzla and Turbulence) and along with label head Philip `Fattis' Burrell was in charge of developing several artists who now dominate the roots scene (and still is quite involved with Luciano having produced his last album, Jah Is My Navigator, and touring with the Messenjah at times still these days). Smart move number two for the young Riley was aligning himself with the largest Caribbean music label in the world, VP Records for the release of his (VP) debut album, the shockingly popular Parables. Parables was an album which really took the artist to the next level as many had been unaware of him up until that point and while VP will continue to draw criticisms from many for things which they do, even the label's staunchest and harshest critic would have to admit the job they did with pushing Parables to the masses was nothing short of BRILLIANT. The greatest piece of evidence of the label's excellent moving of the album is that the tunes on it which became hits did so in the way that it normally happens internationally in that they reached Jamaica AFTER they were on the album. You may have heard She's Royal playing somewhere, but it definitely did not BOOM until after Parables reached shelves. Now, perhaps as an even further (unnecessary at this point, but I'm sure they have a plan) push to the Parables album, VP has unsurprisingly dug in the crates and found Riley's seemingly forgotten actual debut album, Challenges, from 2003. The album was originally released for the just as forgotten Yaman Music and was produced by Fraser as well. The move is very similar to VP's 2006 re-release of Richie Spice's big album, the then two years old Spice In Your Life, just after the big singer had signed with the label and before he would make his debut for VP, ultimately with In the Streets to Africa (they should've kept digging and redone both forgotten Spice albums, Living Ain't Easy and his debut Out of the Blue as well). VP, I'm sure, is hoping that the same fans who were hypnotized by Parables return and pick up Challenges in anticipation of Riley's forthcoming third album.
The most interesting thing about Challenges is that, musically speaking, it sounds like the type of album which would have come after Parables sequentially. Meaning it has MUCH more experimental style of vibes than the rather reggae-straight Parables. Challenges was an album which, besides showing Riley's eclectic interests (at least at that time) was also a very solid debut album from an artist who would obviously go on to big success in a relatively short time. Challenges begins with the VERY heavy Larger Than Life which sounds VERY familiar to me (and not just because I've had the original for about three years). Whatever the cause of that notwithstanding, Larger Than Life is an EXCELLENT tune and definitely a tune which could have fit on the all-around more impressive Parables set and the MUSIC, to Fraser's credit is just wonderful, I'd really like an instrumental. The tune also fully displays (in case you weren't paying attention on Parables) Riley's rather clever story-telling style and is really one of Challenges overall best efforts. Next up is the lyrically nice but musically perplexing Jah Will. Jah Will is the first sign on Challenges that you've just picked up something a bit more than your average straight forward one-drop reggae roots album as it flows on a vibes which I THINK I could describe as pop or maybe even alternative (were you to take Riley off the riddim and place. . . Someone like Alanis Morissette on it, she would sound not out of place over it and I hesitate to even call it a `riddim'). While I don't like the tune (musically speaking) I don't grudge Riley for his tastes AT ALL and as I mentioned, speaking strictly from a lyrical standpoint, Jah Will is quite impressive as the young Riley delivers a message that the will of His Majesty must be done and will be done, definitely. Completing the opening is the wholeheartedly more familiar It's Better This Way. The tune isn't actually amongst my favourite on Challenges but it stuck with me because I consider it to be a sign of Riley's overall development as an artist. Were he to re-write the tune and re-vibe it and re-record it, the tune (which isn't BAD) would be SO MUCH better and I can definitely hear that in the vibes of the still very well produced and well backed tune.
For my opinion, much in the same fashion as Parables would, the real strength of Challenges comes down to two very very strong tracks (although in the case of Parables it was surrounded by strong material throughout as well. Check Barber Chair, the `real' closer of this album (more on that in a bit), which is a tune telling about the many difficulties one faces in Jamaica (and probably all over the world) when sighting up Rastafari as his/her destined journey in this life. The song just hit me on so many levels with a story which, while not very close to mine personally, is one which I've seen in person so many times and seen so many people going through. I just all around appreciate and love tunes like Barber Chair and Etana's Roots which (at least in my opinion) are modernized versions or 'descendants' of the legendary Bunny Wailer's peerless class Blackheart Man. Barber Chair is BRILLIANT and the imagery and metaphors he uses are truly top notch. On Challenges, Barber Chair is ONLY topped by the uplifting, soul reassuring high stepper Take Me Higher. Take Me Higher JUST MAKES YOU FEEL GOOD, if you really like reggae music and as you listen a bit of the balance of Challenges you'll see that it is a quality which isn't exactly at a surplus here. And it is definitely worth mentioning that were there ever a tune which lived up to its title, it would be Take Me Higher complete with Riley's wonderful chant throughout of, "Lift me up, lift me up, lift me up!". BEAUTIFUL! I also have to recommend the VERY familiar All Is Vanity which flows over Fraser's lovely Take Up the Cross riddim (which you know from having backed Morgan Heritage's tune of the same name or To-Isis' big hit Ghetto Pain). Riley doesn't hit quite as hard as the Morgans or To-Isis, but he doesn't fall far from that level and that riddim was actually one of my favourite for quite awhile and it was also CRIMINALLY under-recorded as well. As I mentioned, Challenges is an album which encompassed several different styles and I don't really like the tunes that do that, but maybe you will. Such a song is Don't Give Up, which is essentially the title track. Lyrically speaking, again, the tune is well on point as Riley tells all that despite the undoubtedly difficult challenges you may face, it is important to not give up, but its backed by another pop style backing and it in particular is a tune which would have BOOMED on a one-drop in my opinion. The Other Half is another such tune which has somewhat of an R&B style of vibes in it and it is to be the real lover's tune here, but again, its not on my vibes, although in an R&B scope, its actually pretty good. Ego and the downright odd Rasta At the Control are two other songs which contain elements of reggae (or dancehall in Rasta At the Control's case) but also have big vibes from pop and it kind of further steers away from reggae. Oh and I have to mention Who Can Stand It, definitely one of Challenges biggest tunes once it gets going and besides Take Me Higher is probably the tune here I've played most.
In an effort to bolster Challenges a bit, VP has also taken the liberty of adding two newer `bonus' tracks from Riley. And while that word `BONUS' on an album usually doesn't attract me at all, the BONUS here (at least half of it) is quite good. The first of the two tracks, Love Created I is well POWERFUL and easily one of Challenges' biggest tunes altogether (if not one of the biggest for Riley altogether as well) on a tune with which Riley more than casually details where and with whom his allegiances FIRMY lie. B Big big Rastaman tune! The album closes with the solid Save the Children which warns all to do just that in the face of horrible and sneaky `challenges' which may face the youth. The tune is a very nice REGGAE track and a nice way to end Challenges the second time around (speaking of reggae, would have loved if they could have mixed in a little more spice, in the form of Marcus Live, the big combination with Lutan Fyah). And I will say that the two bonus tracks add a nice vibes to the album: Challenges with bonus tracks is better than Challenges without bonus tracks.
Overall, this one is recommended to all of those (and there are so many) who got COMPLETELY caught up and lost in the power express which was Parables. And while it is so obviously an attempt at VP to cash in on Riley's popularity, it also does a great deal of service to his fans as well: You go out and try tracking down a copy of the original version of Challenges nowadays (actually RIGHT NOW, that would be even harder, but say six months ago, it would have even been very hard to find then) and see what a difficult time you'll have. I will say that for the somewhat hardened roots head who wasn't exactly captivated by Riley's work in recent times that this DEFINITELY isn't for you as all the different vibes won't leave you with best feel for the artist. The re-release of Tarrus Riley's debut album, Challenges, is a nice holdover for those finding themselves having a particularly difficult time waiting for Riley's potentially MAMMOTH third album.
Jah Is Real - Burning Spear
A much-needed message not for just Africa, but also the world at large,  |
Reggae artist Burning Spear, who chose his music name in honor of Kenyan freedom fighter and first president Jomo Kenyatta, presents his latest album in a decades-long career promoting peace, unity, and love. Burning Spear has traveled to violence-torn Nairobi at the behest of the United Nations to offer the positive influence of his music; now listeners across the globe can feel his strong, positive message of self-reliance, African unity, and respect for one's fellow man in Jah is Real. After bitter disputes with record labels and distributors, Burning Spear has learned the hard way that the best way to ensure he receives proper compensation for his music is to release it himself; fans of the music and the man can rest assured that buying this CD fully supports the artist. Bass guitar and keyboard music form the rhythmic, captivating background for roughly half of the tracks, in this album conveying a much-needed message not for just Africa, but also the world at large. The tracks are "The Cruise", "Step It", "You Were Wrong", "Run for Your Life", "Jah Is Real", "People in High Places", "One Africa", "Grandfather", "Wickedness", "Stick to the Plan", "No Compromise", "700 Strong", "Grassroot", and "Step It Remix".
808s & HEARTBREAK - Kanye West
Brilliant!!, November 25, 2008
| By | Nse Ette
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At the beginning of 1980, Donna Summer was at the peak of her career. She was the queen of disco and had just had 3 #1 multiplatinum albums in a row and a string of million selling top 10 singles. Then she took a most unexpected turn and released a (critically acclaimed) Rock album "The Wanderer" which sold pretty well, but alienated loads of her fans.
Kanye West is at a smiliar point in his career. After a string of 3 multiplatinum Rap/Hip Hop albums, he relases his fourth album which is a total change in direction for him. It is more of Pop/Electronic music, and instead of rapping, he sings (albeit largely with the help of auto-tune). The album was apparently inspired by the Roland TR-808 drum machine (which dominates the soundscape), as well as both the break up of his engagement this year, and the death late last year of Kanye's mother, hence the title "808s & heartbreak".
Lead-off single "Love lockdown" sets the tone for most of the album. A spare song dominated by electronic drum beats, a staccato of tribal-sounding beats during the chorus, and Kanye's auto-tuned vocals sounding forlorn.
The only nods to Hip Hop are the haunting "Amazing" (with Young Jeezy providing a rap), "See you in my nightmares" (with Lil Wayne providing a rap), and second single "Heartless" (that chorus sounds so much like Akon).
"Paranoid" is the most upbeat song with Kanye half speaking and a nice harmony-filled chorus. "Bad news" is a standout with a bouncy electronic beat, and a James Bond-esque string section. "Street lights" is a lovely piano ballad with electronic flourishes and soothing harmonies, while the ballad "Coldest winter" features intermittent bursts of static and gently pounding beats in the chorus. "Goodbye my friend/will I ever love again?" he laments, apparently an ode to his late mother. I must mention that for both ballads, he sings in his real voice with no auto-tune, allowing us to feel some emotion.
Another standout is "Welcome to heartbreak" which finds Kanye saying "My friend showed me pictures of his kids/And all I could show him were pictures of my cribs/He said his daughter got a brand-new report card/And all I got was a brand-new sportscar" as though deriding the benefits of fame. My absolute favourite though is the opening 6 minute opus, "Say you will", a gently lilting song with haunting Timbaland-like strings and percolating percussion, an electronic tick tock effect, and a 2 minute plus instrumental coda. Sprawling and desolate sounding.
My favourite Kanye West album is still his first, "The college dropout", but I must commend him for constantly pushing boundaries. Let's face it, there were already inklings of his Pop leanings on "Graduation", what with the Daft Punk sample and Coldplay's Chris Martin making an appearance. For those wanting the same old Hip Hop, get Lil Wayne's CD, wait for 50 Cent's new disc, or you can even get Beyoncé's new disc.
"808s & heartbreak" is a bold artistic statement that will either find people applauding it and saying it is one of the best things since sliced bread (some critics are already falling over themselves saying it's his best album ever) or the worst thing he's ever done; "He has lost it!" (I expect loads of reviews here to say that). A masterpiece, for those who are willing to let someone try something new.
Theater of the Mind - Ludacris
Luda Delivers Another Winner
Ludacris is gearing up for a multi-tiered and mutli-faceted plan to introduce his newest release to his fans. There are plans to rollout consecutive new singles and videos leading up to the November 25th release of THEATER OF THE MIND, the most important album ever recorded by Disturbing Tha Peace CEO and DTP/Def Jam recording artist Ludacris.
By | Derrick Dunn "The Realest DJ" |
I've been a fan of Ludacris since the Phat Rabbit & Inconegro days and with his sixth album, Ludacris once again shows how underrated he is. In my opinion, no other southern rapper has the creative aspect of Ludacris when it comes to meatphors. The concept of the album is remiscent of Prince's Paul 1998 album A Prince Among Thieves. While the album is full of the co-stars all of the collabrations work with one of the strongest being the slow jam banger Contagious feat. Jamie Foxx. All in all an excllent album and I look forward to the next one.
The unprecedented schedule got underway last week (Oct. 14th) when the song "Undisputed," went up on iTunes, followed this week by the premiere of the video for "Undisputed," which co-stars boxing champion Floyd "Money" Mayweather. On October 20th, the second new single "One More Drink" co-starring T-Pain impacted radio formats, in advance of going up on iTunes. In between, on Oct. 23rd, Ludacris will perform on the annual syndicated BET's Hip Hop Awards '08 and on October 24th, Ludacris will perform on MTV's Veteran's concert live from Nokia Theater. The "One More Drink" video premiere will then take place on Election Day, Nov. 4th.
One week later (Nov. 11th, Veteran's Day) comes the third new single. The final element, a video podcast on Nov. 18th (details to be announced in the weeks ahead) sets the stage for the eagerly anticipated arrival of THEATER OF THE MIND in the physical and digital marketplace on Nov. 25th.
In between this mind-boggling schedule he has been busy continuing to build on his career as an actor. The new action film Max Payne, based on the popular video game, opened in the # 1 box office spot raking in over 18 million dollars in its weekend debut. Chris Bridges aka Ludacris stars as an internal affairs agent alongside Mark Wahlberg, Mila Kunis and Beau Bridges. Also on the movie front, after a successful limited release in NY, Toronto, LA and the UK (in which it debuted at #1 as well the 1st weekend) RocknRolla, written and directed by Guy Ritchie, will be released throughout the rest of the U.S on October 31st. Chris joins an ensemble cast including Gerard Butler, Thandie Newton, Idris Elba and Oscar nominee Tom Wilkinson for an exciting tale of the Russian mob setting up shop in London.
THEATER OF THE MIND is the long-awaited follow-up to Luda's RIAA platinum Release Therapy (released Sept. 2006), which debuted at #1 on first week sales of 309,000 copies - the same week that its first single, "Money Maker" (featuring Pharrell Williams) hit #1 on the Billboard Hot 100 and R&B charts, Luda's first #1 hit in six years. A rare RIAA platinum single, "Money Maker" was followed at #1 by "Runaway Love" (featuring Mary J. Blige), whose video directed by Chaka Zulu/Jessy Terrero dealt with the issues facing runaway and homeless youth. Luda and Mary J. performed the song live with special guests Earth, Wind & Fire at the 49th annual Grammy Awards worldwide telecast - where Release Therapy won for Best Rap Album. "Runaway Love" went on to win Best Collaboration at the BET Awards '07.
2006 was a landmark year for Chris `Ludacris' Bridges. In addition to the success of Release Therapy - his follow-up to 2004's double-platinum The Red Light District - he also scored rave reviews for his star appearance in Law & Order: Special Victims Unit, the show's highest rated episode ever. His role in the critically acclaimed film, Crash (which opened May 2005) began to reap honors in 2006, including landing Bridges the SAG Award for Best Ensemble, the Critics Choice Awards for Best Ensemble, and the NAACP Image Award for Outstanding Supporter Actor in A Motion Picture.
He teamed up again with Terrence Howard for John Singleton's critically acclaimed Sundance discovery Hustle & Flow. Ludacris also began hosting his own XM satellite radio show, Disturbing Tha Peace Presents Ludacris' Open Mic. Filming also took place in London for Fred Claus - in which "Fred Claus, Santa's bitter older brother, is forced to move to the North Pole" - starring Vince Vaughn and Paul Giamatti, with Chris cast as `the DJ Elf' with issues. After an appearance in the indie film Ball Don't Lie, he went to work on RocknRolla and Max Payne, and finished up his seventh studio album, THEATER OF THE MIND.
THEATER OF THE MIND, Release Therapy and The Red Light District follow-up 2003's double-platinum Chicken-N-Beer, the #1 Pop/#1 R&B, success that gave Ludacris his first across-the-board #1 Rap/#1 R&B/ #1 Pop crossover smash hit single with "Stand Up." Ludacris' mega-selling streak began with his debut, 2000's triple-platinum Incognegro (aka Back For the First Time, with "What's Your Fantasy" and "Southern Hospitality"); followed by 2001's triple-platinum Word Of Mouf (with "Area Codes," "Move B***h," and "Saturday (Oooh Oooh!)").
"THE RENAISSANCE" - Q-TIP
Tip is back in form,
Tip is back in form, By Eric Bailey "Rollercoaster Guru"
| By | Eric Bailey "Rollercoaster Guru" |
Coming into this album, I thought we were going to see a repeat of Amplified, a few good songs that were radio worthy, but nowhere near as indightful as Tip's words with Tribe. I couldn't have been more wrong.The Renaissance from the opening track shows why many revere Q-Tip as a founding father of conscience hip-hop. Though not as buzzworthy as Amplified, Renaissance shows a side of Tip we have not seen since the days of Midnight Marauders. The mellow beats, heavy in rhodes and keyboards delivers the same vibe as the Ummah production that constructed Beats, Rhymes and Life. I would highly recommend this album, with notable songs being "Johhny Is Dead", Offical", "You", and "Believe". If you nodded your head to any Tribe albums, then NOT getting The Renaissance would be a flat out disaster.
Modern hip-hop and R&B music can both arguably be divided into pre- and post-A Tribe Called Quest, and the musical efforts of its lead MC and producer Kamaal Ibn John Fareed--better known to the world as Q-Tip. Consider the jazzy sampling, laid-back tempos and boho-chic vibe he introduced, then mull over the bohemian posturing and sounds of the neo-soul movement, plus any rap music that shies away from hardcore posturing. All roads lead back to ATCQ and the beats, rhymes and life of one man: Q-Tip. And now the time is ripe for The Renaissance, the Abstract MC's first solo album in nine years.
Back when rap production was all about James Brown samples and dense, agitated sonic collages, Q-Tip was digging deeper into the record crates for snatches of stand-up bass and obscure jazz. The influence of that first sonic renaissance is still being heard. "I see the Tribe legacy as one of the strongest in modern music," Q-Tip admits. "From us came so many artists, like Common, Mos Def, Talib Kweli, the Fugees and Kanye West. I feel very honored to have been able to contribute in such a way that, 20 years later, it still is a reference point." Produced primarily by Q-Tip with plenty of live instrumentation and a love fixation, The Renaissance is a stark portrait of the artist as an elder statesman. One listen to the frenetic drumming and strutting live bassline of a track like "ManWomanBoogie" reveals that Q-Tip is on a mission to create original music as timeless as the tracks he used to sample once upon a time. It's also obvious that the title of his latest album is no accident. "The Renaissance is significant because for some time now people have questioned the integrity of hip-hop," he reveals. "I feel like the time is ideal for something that has a revisionist spirit to it." Taking the same type of nonconformist risks as Stevie Wonder, John Lennon and the mavericks of other music genres, Q-Tip has always gone left when it comes to his position in hip-hop culture. People's Instinctive Travels and the Paths of Rhythm, the 1990 debut of A Tribe Called Quest, introduced Q-Tip's iconoclast stance. The 20-year-old emceed about vegetarianism, French expatriates and domestic violence at a time when (then as now) other more standard rappers' topics were marching lockstep in comparison. Yet he always made absolutely sure to charm the Bonita Applebums and practice the art of moving butts. The Renaissance goes to show that the more things change, the more they stay the same. On "Life Is Better," singer Norah Jones helps Q-Tip give a unique spin on the hip-hop love song: a love of hip-hop itself, that is. "The state of hip-hop is in conception now," he says, discussing the regeneration and renaissance of the culture. "Something else is happening to it and there's a new approach, a rebirth that's going on. One of the many cool things about the digital world is that it has grown the appetite for good music. Now people can find an obscure Beatles song or an EPMD remix online, so everyone is becoming more hip." Q-Tip's love of hip-hop only rivals his love for the opposite sex, an adoration that's clear and evident on tracks like "Believe" featuring D'Angelo, or The Renaissance's first single, "Gettin' Up": "I like to watch everybody gravitate towards you/Your magnetic presences make them come through/The same way you got them, you got me too." Love talk is all around The Renaissance, but Q-Tip remains as characteristically diverse as ever. "Fight/Love" with Raphael Saadiq, for example, alludes to the ever-present realities of the Iraq War. The sole track handled by a producer other than Q-Tip himself is "Move," a hyper-kinetic pastiche of diced-up Jackson 5's "Dancing Machine" courtesy of the late, great J. Dilla. "A Tribe Called Quest is no more," says Q-Tip, putting a cap on rumors sparked by their recent reunion shows on the recent Rock the Bells Tour. Yet hardcore fans will still recall J. Dilla's participation in The Ummah, the production team (also including Q-Tip and DJ Ali Shaheed Muhammad) that handled full chores on the final two ATCQ albums. "Move" comes closest to reviving the head-nodding kick of A Tribe Called Quest, a fitting testament to the funky skills of James "J. Dilla" Yancey. Q-Tip is in his own extremely capable hands for the remainder of The Renaissance. Long known as a grand talent behind recording-studio mixing boards, Q-Tip has blessed a number of diverse artists with beats throughout his 20-year career: Nas, Mariah Carey, Mobb Deep, Whitney Houston. Since his start on the Jungle Brothers' 1988 "Black Is Black," music fans have waited on solo Q-Tip in one form or another. His 1999 Amplified debut album--produced largely by J. Dilla and featuring the career-defining hip-pop hits "Vivrant Thing" and "Breathe and Stop"--still left many wondering how Q-Tip would sound without commercial constraints. His nine-year time delay (Kamaal the Abstract was recorded but went unreleased in the interim) may bring to mind other missing-in-action masters of the hip-hop craft, but Q-Tip insists it's all good. "There hasn't been a delay," he says, "and I think I can speak for myself, Lauryn Hill, Erykah Badu and D'Angelo when I say that we make music when the spirit is with us. We are a lot who are very observant as well as introspective. We paint intense, colorful pictures, so it takes time." Some of that time has been spent chasing the acting jones Q-Tip established locking lips with Janet Jackson in director John Singleton's 1993 Poetic Justice. In films like Disappearing Acts (2000), Prison Song (2001) and Spike Lee's She Hate Me (2004), Q-Tip expresses another side of his renaissance-man persona, holding his own against actors like Sanaa Lathan and Anthony Mackie. "When I recorded my first album, I was 19," Q-Tip says. "So I was very much in the moment and did not think about my career past the following year. I knew I loved what I did and had big fun, but I never imagined this." The Renaissance marks the return of one of the most recognizable voices and individualist figures in all of hip-hop. At this moment for change in the hip-hop nation and the nation at large, The Renaissance could not have come at a more appropriate moment. Leave it to Q-Tip to be right on time.
The Story of the Wu -Tang Clan
WU.... The Saga Continues.| By | John M. Rodriguez "Another Wu Banger" |
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On this album are some classic tracks, that take you through the years. It's pretty much singles from each one of their group releases. If you want b-sides or rarities, invest in Mathematics presents, Wu Tang Clan Unreleased album. And yes, there is a dvd version, documenting The Story of the Wu Tang Clan. Sold separately, unfortunately. Wu Tang Forever. R.I.P. Ol'
November 03, 2008
Operation Take Back Hip Hop - Graig G & Marley Marl
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Legendary Juice Crew members Craig G & Marley Marl team up once again to release Operation Take Back Hip-Hip. On the heels of Marley Marl's successful album Hip-Hop Lives from 2007 with KRS-One and the announcement of a major motion picture entitled The Vapors based on the Juice Crew's story, a full fledged renaissance is under way. The albums instantly catchy single "Made The Change" (also available from Traffic on June 17th) has already been lighting radio waves on fire, while "The Day The Music Died" shows why Craig G is still one of the most respected lyricists in the game and why he was chosen to write key portions of Eminem's "8 Mile" and 50 Cent's "Get Rich Or Die Trying" movies. Operation Take Back Hip-Hip features a top notch lineup of guest emcees that includes KRS-One, Cormega, Rakaa of Dilated Peoples and Sadat X. Craig G and Marley Marl first worked together way back in 1985 with the release of the two classic 12" singles "Shout" and "Transformer." In 1988, their undeniable chemistry was cemented with their legendary effort entitled "Droppin' Science", from the Marley Marl In Control album. This led to them working together on Craig G's major label solo albums at the turn of the decade. Today, the two effortlessly prove the magic is still there.
For those of you longing for fun, creative, scientific, and statement-makling hiphop to return...IT'S HERE!
Scratching, MC's trading rhymes back and forth, science-droppin'...It's HERE! Craig G and Marley bring back the magic and they do NOT disappoint. Some real fun tracks and some very powerful stements made. This is a more playful followup to Nas' Hiphop is dead.
Maximum Strength 2008 - KRS One
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KRS-One "Maximum Strength"- 4 Stars, June 11, 2008 | By | Shaun Borowski (Buffalo, NY) |
In the months leading up to this release, the impression was given that this was going to be a rereleased version of KRS's shelved 1998 album that was to be his last for Jive. Original versions of the projected track listing included some of the well known songs that were to be on the original, such as the posse cut 5 Boro's with Redman, Keith Murray, Rev. Run, Buckshot, Killah Priest, Vigilante, Prodigy and Cam'ron, which wound up on the Corrupter soundtrack, as well as a track recorded with Wyclef - before Wyclef made the horrible career decision (considering his vocal abilities) to sing more than MC.
This is not that album. I'm not sure what happened, but when I picked up my copy today it had "2008" tagged at the bottom of the original cover, and i noticed a very different track listing. I'll admit I was disappointed at this turn of events, as I'd always wanted to hear the lost KRS album from the late 90's.
Once you get past the change up, it's hard to be upset about what you actually do get here. Continuing the momentum he built off his Marley Marl collaboration, this is a very strong effort. I've only given it a once through - which was partially interrupted by several distractions during the last few tracks, so I don't really feel qualified at this point to give an ellaborate review breaking down all of the songs.
I just wanted to point out that this is not the original maximum strength, but it is a solid release. Sometimes there is a tendancy among users on Amazon to throw out 1 star ratings and trash something just because it's not exactly what they thought it was. I wanted to offset that and let people what this is, and that even though it might not be what you were expecting, it's definitely worth picking up if your a KRS fan.
October 31, 2008
Busy Signal - Loaded
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REALLY Stepping Out. . ., September 23, 2008 | By | Achis (Kingston, JA/Philipsburg, SxM) |
With the announcement in early 2008 that the world's leading Caribbean music label, the US based VP Records would be acquiring its closest rival, the UK based Greensleeves Records and with it the deepest VAULT of reggae music in the world, it figured to shake up the industry, to say the least. On one hand, the notoriously INCONSISTENT (although they had gotten much better) Greensleeves would definitely take a far more aggressive stance in improving on their shortcomings (namely releases, which happens to be VP's strong point) and, as VP planned to (and has) keep the label running, their artists figured to gain a far greater level of exposure in the mainstream, particular on this side of the pond. Also, what you would eventually have is somewhat of a super group of reggae music, one which becomes WAY more powerful and mobile than the already high riding VP was alone. And with both labels now being under the same distributional umbrella (which is major label Universal), you now, unlike ever before, have a BRAND of reggae music which is entirely more marketable than EVER before in VP/Greensleeves. On the other hand, the action has, at least seemingly, limited options and opportunities at the highest levels of the game for artists and producers alike as VP can take a stance of `our way or the highway' in signing a particular artist or a producer to an exclusive deal, knowing that the option of going to the next best thing has been eliminated (incidentally, the `third' option, the also UK based Jet-Star Records has taken a SHARP decline in the last couple of years and I don't even think they are releasing new albums at all at this time and their catalogue too may be up for sale at some point, if it isn't already) and an inevitable competitor has yet to arrive at the big time (keep an eye out for ANOTHER UK based label, Cousin's Records). From a strictly listener's point of view and a longtime listener and consumer of both labels, it definitely presented a VERY interesting set of circumstances for me. Greensleeves was always known to have a harder edge of vibes than VP. Where VP was the show and dazzle of the Beenie Man's, Sean Paul's and Lady Saw's of the world; Greensleeves had NO problem signing such different talents as Ward 21, Predator (WHO!), Macka Diamond and ultimately culminating with dancehall lyrics demon Vybz Kartel as far more rough around the edges type of characters. The question almost immediately became how would these two styles of approach mesh together and apart from VP naming one its lead executives, Olivier Chastan, President of the `new' Greensleeves, you had to wonder when we would see evidence of a bit of `exchange' in the two labels.
Meet Mr. Exchange. Near the end of Greensleeves' time before it was sold to VP (it was previously ownded by Zest Music Group) it had switched its focus to releasing more cultural artists in place of its dancehall HEAVY focus it had from before. The label did albums for the likes of Lutan Fyah, Ras Shiloh, Jah Mason, Chuck Fender, Anthony B (soon to be twice), Nasio Fontaine (who was retained by Zest actually and Natural Black (twice) amongst others. Yet, in that time (between 2005 and 2007), the one blast from Greensleeves' dancehall past was an artist by the name of Busy Signal who had attracted so much attention here in Jamaica by in such a SHORT time proving himself one of the most talented hardcore dancehall talents to emerge since Vybz Kartel himself. Busy would have DEFINITELY been a fine addition to VP's stable (and it would subsequently go on to acquire the exclusive services of Busy's close friend and constant sparring partner, CRAZY singer Mavado), however, just as in the case with Kartel a few years prior, it was Greensleeves who landed the DJ and released his more than solid debut, Step Out. Also, as part of Bounty Killer's (who VP would also acquire in 2006) notorious Alliance crew, he would have fit nicely in the fact that besides the Killer, also under contract to VP are fellow members Wayne Marshall, the aforementioned Mavado and Elephant Man (via `co-deal' with US major Bad Boy who is also with Universal to my knowledge). Now, VP has essentially TRANSFERRED the contract of Busy Signal (although he may have only actually signed a one album deal), marking the somewhat historical first DIRECT evidence of an artist going from one side to the other under the new label umbrella, with his sophomore release Loaded. Why Busy Signal? If you don't really follow dancehall music too closely then you should just take my word for it: In terms of talents in the dancehall, in my opinion the number of artists with SERIOUS claim to being AS talented than the ST. ANN born DJ is a group ever shrinking and only consisting of the proven champions of the game (and probably Assassin as well and MAYBE Aidonia). At his absolute finest Busy Signal is a whirling dervish of tongue-twisting dancehall brilliance who, besides the flash alone has developed into an artist who can add a great bit of substance apart from the standard dancehall fare of `girls and guns and ganja'. His rise to prominence can definitely be compared to that of Kartel himself and looking at it from as impartial point of view as possible: At a comparable point of the game in their respective careers, talent-wise, Busy Signal is PROBABLY ahead of where Kartel would have been at a similar point of his career (Kartel STILL gets criticized occasionally for having his focus TOO much on the `three G's of dancehall, but not by me). Loaded is an album which, in my opinion, kind of identifies the constant and ever-present differences between what was Greensleeves and what is VP Records. In stark contrast to the GRIMY style of vibes which was the Step Out album (just go and compare the covers!), an album on which the clean cut style of vibes (particularly on the tune I Love You with Alaine) were lauded as SOMETHING DIFFERENT; Loaded is a SHARP and well oiled machine marking Busy Signal's REAL arrival at the top of the game.
Apart from simply being under a new label, Busy Signal himself has, since the release of Step Out, taken his vibes into a different direction adding more and more conscious and socially aware lyrics. He also somewhat `distanced' himself from the Alliance (unlike Kartel and Aidonia, he managed to remain in the group), placing his own personal management into the hands of producer veteran Shane Brown of Juke Boxx (who also signed n with VP/Greensleeves and currently has his Warning Riddim album out on Greensleeves), who co-helms Loaded alongside Busy himself. Beginning the much anticipated Loaded album is the HEAVY People So Evil from Daseca. The tune is just a WICKED piece aimed at the hearts of all envious, greedy and bad minded people waiting for your fall. The tune is one which definitely marks some kind of growth and maturation in the artist, to the point where, were you to lift it and place it just two years ago back on the Step Out album, I may have actually criticized Busy for being a little attempting to be a bit too big for his own shoes. A very nice way to start the album with the BIG and DARK People So Evil. Up next is the INESCAPABLE (Nah Go a) Jail over Jam 2's ridiculously knocking Cry Holy riddim. The tune LOCKED DOWN Jamaica for quite awhile near the end of 2007 and early 2008. I actually have gotten my fill of it, even before getting to Loaded at all, but you still have to give the tune it's respect as, at the end of his career, if we're not calling Jail one of the biggest tunes of Busy's career altogether, then he will have undoubtedly become one of the, if not THE, greatest of all time. Jail is MASSIVE! Completing the opening for Busy Signal's Loaded is the album's first official promotional vehicle, the downright unusual Tic-Toc. Tic Toc is currently receiving the type of interest and spins that VP/Greensleeves can now afford to place on its releases (complete with a BEAUTIFUL video) as the song is literally playing all over the Caribbean and apparently internationally as well. The tune is the biggest and most obvious example of more `glossed' version of the artist as you could NEVER expect to hear such a tune from Busy, before or after his maturation, it almost seems as if it was especially aimed at the crossover market as it (with is WEIRD Asian hip-hop style of riddim) comes on a rapper's cadence (something Busy just doesn't normally do) and hopefully will do some damage amongst that crowd. Its not my favourite tune here (not even close), but still amongst the most interesting without question.
Busy's type of song like that would be more on the insanely popular Wine Pon di Edge which, with a few other tunes here represent the real hierarchy of tunes for the Loaded album. Pon Di Edge is BY FAR a more stereotypical style of dancehall dance tune unlike Tic Toc. The tune spent MONTHS at the top of the local charts (and may STILL be in the general vicinity), and, again, although not my favourite tune, you definitely have to respect it and what it has done. The same has to be said for Real Jamaican, one of but two official combinations alongside reggae legend Mykal Rose. This tune happens to actually be one of my favourites from Loaded and one of Busy's finest over the past couple of years. It actually says a great deal about Busy's progression as an artist that he is now capable of holding a vibes alongside one of the real legends of the game as he and Rose create something MASSIVE strictly for Jamaica, but the international heads are certain to appreciate it as well. You also have to be keen on the current bubbler Unknown Number (if you pick up the single of Tic-Toc, you'll also receive this tune) a VERY clever hit from Busy which is about. . . The Unknown Number. Its better than I'm describing it, definitely check it out. All that being said, Loaded really pinnacles with a tune which is one of the oldest on the album, but the one which is almost CERTAIN to go down as one of the biggest pieces of the era, These Are The Days, for Daseca. The tune was an underground SMASH for quite awhile locally before it even made its way to Jamaican airwaves and ultimately, off the island altogether. The tune actually took quite awhile to grow on me, but you REALLY have to listen to the lyrics here. It was probably the tune which marked Busy's re-arrival on the scene (he had taken a bit of a break for awhile) and his newfound direction in the game and an overhaul of his already LETHAL arsenal. MASSIVE! Also, from the first half of the album, I'll mention Fast, Fast, Fast, Fast, which really snuck up on me. The high-tech new school dance tune is probably the best of its kind on the album for my opinion (yes, better than both Tic Toc and Pon Di Edge), listen to it and relive the type of dance tune the earlier RAW version of Busy Signal would have done. He's still capable of that type of material and the evidence is on Fast, definitely. Check the ridiculous My World (aka Gangsta`s Paradise), Busy's cut of Lefside's HYPNOTICALLY KNOCKING Wild Out riddim. My World is SERIOUS! One of Loaded's real hidden highlights and, for the dancehall heads, having heard a lot of the best material here, it's the tune (if they haven't spun it into oblivion already) which will probably stick out as that riddim just creeps into the brain and hooks itself in, big time! HUGE tune! Speaking of huge. . . Check Cool Baby. Every once in awhile Busy Signal will throw out something of a `gimmick' tune which makes very little actual sense, but almost ALWAYS seems to work for him (check Pon Di Pole, a PURE soca tune from the Step Out album and a next tune name Rasclart, OR just keep listening to Loaded and check the next tune). Cool Baby is no different. The tune is BY FAR one of the COOLEST songs I've heard in a long time. Built over the almost completely absent Freestyle riddim, Cool Baby is pure GENIUS Busy Signal at his absolute best veering all over the place, but not really deviating too far on one of the real highlights of Loaded. There's also Knocking At Your Door which begins (and remains for quite awhile) basically a (VERY) intense discussion over John John's (aka Mr. Lady Saw) epic Shootout riddim. The tune eventually ascends to the heights becoming one of the album's better tunes, but I've again, well had my full of the tune. Loaded ends with the spanking new Murderer alongside the very popular Alborosie. I had LONG marked Murderer as a tune I probably wouldn't like as, for one reason or another, while I respect his undeniable skill, I just don't vibe too well with Alborosie. However, credit is definitely due as I wouldn't call the high profile combination one of my favourites of Loaded, but it still is very good at the end (Alborosie actually does FAR better on the addictive hook than on his verse) and a pretty nice note on which to send out one of the most IMPORTANT albums of the year (and check Busy`s final full verse as he shows just GLIMPSES of that fast chat which made him so popular originally).
Overall, I'll say it flatly, Loaded is NOT as good as Step Out. That album was one which was `loaded' with trips and changes along the way, but all of them seemed to play to Busy Signal's strengths and really made him look better. Loaded is an album, however, which has such a GRAND potential to catch on with the mainstream and, I THINK by design, in the process, not alienate hardcore dancehall heads COMPLETELY by including some of Busy's more recent powerful material which has already proven itself amongst that crowd. Loaded is an album which will have every chance to succeed and will be under the microscope to see if typical reggae promotion at its highest level, notched up several degrees can really generate greater sales. If international heads pay attention, what they'll be getting is one of the most clever, most original and downright most talented names to hit hardcore dancehall in a VERY long time.
View More HIP HOP and R&B
October 29, 2008
Evolver - John Legend
Evolution of a True Artist, October 29, 2008
By | Styleon R. Jones (Irving, TX USA) |
Let me start off by saying that I am totally biased, I love John Legend! He could sing the alphabet and as long as he does so beautifully, I will love it. I will say that this album is not my favorite one but it is good. The album is different, just as his second was different from his first one. This album is not even a mixture of the two: It's Evolution. John has indeed stepped from behind the piano as Andre 3000 suggests and showed us that he could do something a little more up tempo and do it refreshingly well.
Let's see... the album starts with Green Light, which is his single with Andre. When I first heard it on the radio I thought it was nice. Now it's one of my favorite songs to dance to.
It's Over: The song is honest. John is questioning himself on why he keeps calling her when he knows that it is over. He openly admits that he doesn't want to be who she wants him to be. This song features Kanye and that friggin' vocoder machine. The machine I could have done without but Kanye presents his rhyme in his usual fun witty style. Overall a good track.
Everybody Knows: At first not one of my favorites but an easy listen. Then John hit one of the most beautiful notes, made me listen, and now it stays on repeat. The line, "I still can't believe you," turned this song around. Another point of honesty comes when he wishes his best and says "I guess" followed by a beautifully written hook. I forget the name of the girl he works with who does his background vocals but together they always sound great.
Quickly: Definitely has an 80's feel to it. Brandy makes a guest appearance on this track. Nice.
Cross the Line: I like it. Another 80's type of beat. He does his whispering growl (as I call it). It's enticing.
No Other Love: Another banger for me. The reggae rhythm makes me sway my hips. Estelle sounds wonderful. This Time: John sits back behind the piano and gives us what he does best, a beautiful honest ballad that tells of what he would do different if he could get that one more chance. I would take a man back if he came to me with this type of honesty.
Satisfaction: Another nice song to groove to.
Take Me Away: Not my favorite but I am sure it will grow on me.
Good Morning: I heard this on his Green Light video and I wanted more. John speaks of saying that one last "Good Morning" in a special way. Oh what a way to wake up!
I Love, You Love: This song is different. One of those off beat type of tracks where John just croons and expresses his love. I like it. The guitar is really nice on this one.
If You're Out There: You all know John is good for that one inspirational song. Sure it's a little cheesy but I get his point.
My favorites: Everybody Knows, This Time, No Other Love, It' Over, and Good Morning
Overall the album is strong. I wouldn't skip over any song. But some songs definitely carry more weight than the others.
Amazon: HIP HOP and R&B Fearless - Jazmine Sullivan
One of 2008's Best R&B Albums Easily, October 2, 2008
By
Musac Critic
Jazmine Sullivan caught my ear for the first time when I heard the exceptional first single from FEARLESS, "Need U Bad". The voice for me resurrected Lauryn Hill, who is one of my very favorite singers. Jazmine possesses soul in every song that she sings on FEARLESS, whether it is contemporary R&B or full on neo-/retro- soul favoring say Amy Winehouse. Face it, Jazmine can blow! This exceptionally consistent debut album that will probably be underrated as far as commercial sales ultimately is one of my favorite urban releases of 2008. Jazmine has successfully blended a plethora of styles and maintained sultry alto vocals all in the mix. There isn't a "flat" or bad song on FEARLESS in my mind.
"Bust Your Windows" opens the album brilliantly given and old school vibe the Mark Ronson could've easily produced for an Amy Winehouse album. In fact, here I believe Sullivan somewhat tries to embody that Etta James, Winehouse sound with her "extravagant" vocals. She sounds killer here that for sure. On "Need U Bad", Missy, as much as I hate to say it, isn't necessary at all as far as appearing on the track (yes she helped to write that brilliant song). Jazmine sounds fantastic with the tropical inspired beat supporting her. With that aside though, the track still sounds as if it could've easily appeared on a 70s soul album. "My Foolish Heart" keeps the momentum going with its great production work and with Jazmine's phenomenal vocal performance. "Lions, Tigers & Bears" keeps up the pace putting production absent of drums behind Ms. Sullivan. The result is vintage soul.
"Call Me Guilty" is great also, while "One Night Stand" is absolutely one of the best of FEARLESS. "After The Hurricane" is one of the best R&B ballads I've heard for sometime, while "Dream Big" is vintage Missy Elliott songwriting genius. Sure, it's a big clunky compared to some of the tracks, but it is still "great". "Live A Lie" is also strong, mostly because it is one of those R&B tunes where it is "out there" as far as the music theory behind it (for all the music nerds like me). "Fear" floats on by, though it is the soulful "In Love With Another Man" that steals the who as perhaps the VERY best ballad of FEARLESS. "Switch!" ends the album on a soulful, 70s pop-inspired high note.
This is nearly the perfect debut. The production doesn't sound cheap, even if it does sound like say, an Usher album. This album lays very well and vocally, Sullivan is phenomenal. Fantastic home run for Sullivan!
Amazon: HIP HOP and R&B
One of 2008's Best R&B Albums Easily, October 2, 2008
By | Musac Critic |
Jazmine Sullivan caught my ear for the first time when I heard the exceptional first single from FEARLESS, "Need U Bad". The voice for me resurrected Lauryn Hill, who is one of my very favorite singers. Jazmine possesses soul in every song that she sings on FEARLESS, whether it is contemporary R&B or full on neo-/retro- soul favoring say Amy Winehouse. Face it, Jazmine can blow! This exceptionally consistent debut album that will probably be underrated as far as commercial sales ultimately is one of my favorite urban releases of 2008. Jazmine has successfully blended a plethora of styles and maintained sultry alto vocals all in the mix. There isn't a "flat" or bad song on FEARLESS in my mind.
"Bust Your Windows" opens the album brilliantly given and old school vibe the Mark Ronson could've easily produced for an Amy Winehouse album. In fact, here I believe Sullivan somewhat tries to embody that Etta James, Winehouse sound with her "extravagant" vocals. She sounds killer here that for sure. On "Need U Bad", Missy, as much as I hate to say it, isn't necessary at all as far as appearing on the track (yes she helped to write that brilliant song). Jazmine sounds fantastic with the tropical inspired beat supporting her. With that aside though, the track still sounds as if it could've easily appeared on a 70s soul album. "My Foolish Heart" keeps the momentum going with its great production work and with Jazmine's phenomenal vocal performance. "Lions, Tigers & Bears" keeps up the pace putting production absent of drums behind Ms. Sullivan. The result is vintage soul.
"Call Me Guilty" is great also, while "One Night Stand" is absolutely one of the best of FEARLESS. "After The Hurricane" is one of the best R&B ballads I've heard for sometime, while "Dream Big" is vintage Missy Elliott songwriting genius. Sure, it's a big clunky compared to some of the tracks, but it is still "great". "Live A Lie" is also strong, mostly because it is one of those R&B tunes where it is "out there" as far as the music theory behind it (for all the music nerds like me). "Fear" floats on by, though it is the soulful "In Love With Another Man" that steals the who as perhaps the VERY best ballad of FEARLESS. "Switch!" ends the album on a soulful, 70s pop-inspired high note.
This is nearly the perfect debut. The production doesn't sound cheap, even if it does sound like say, an Usher album. This album lays very well and vocally, Sullivan is phenomenal. Fantastic home run for Sullivan!
Amazon: HIP HOP and R&B
Lucky Dube - Retrospective
Lucky Dube (1964 2007)
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South African born and globally revered, Lucky Dube is one of Africa s most beloved artists and one of reggae s most powerful voices. His music reached millions through his astonishing 22 albums recorded in English, Zulu and Afrikaans many of which have been record breakers with phenomenal sales from around the globe.
Retrospective is a tribute to the life and career of Lucky Dube who was tragically killed on October 18, 2007 in a Johannesburg carjacking. While its release marks the anniversary of his death, it more importantly celebrates the life work of a groundbreaking artist who helped effect profound social and political change in South Africa.
Curated by Tom Schnabel (KCRW), Retrospective features a faithful chronology that represents the different phases of Lucky Dube s career from his first release in 1981 to his last in 2007. It captures the genius, profound hope and the enduring truth of Lucky s message and the beauty in his music. Includes the bonus DVD Lucky Dube Live In Concert from 1992.
Amazon: HIP HOP, REGGAE and R&B Gyptian - I Can Feel Your Pain
| By | Achis (Kingston, JA/Philipsburg, SxM) |
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Whenever you're able to catch a potentially BIG artist at close to the start of their career its always a very interesting thing to see exactly how they and their backers go about developing their skills. In reggae music is specific its even more interesting as, sans a particularly HUGE and life-altering event or set of circumstances, you know that when a very talented new artist comes around, you may very well be `stuck' with that artist for the rest of their lives! Also in reggae, the learning curve or the gestation period is very different than other forms of music because when a young artist reaches (ESPECIALLY if they prove themselves to be very talented) the level of prolificacy and their overall release schedule will have to be very high to keep the attention of the public. And that music will be ALL that they are expected as, unlike in the states, a musical artist isn't exactly going to disappear to Hollywood for a few years to work on their acting career. Some of the recent artists who we're now REALLY getting to experience them entering their respective primes are very interesting. Take Portmore singer I-Wayne for example (very fitting here). When I-Wayne initially reached on the strength of his MASSIVE (One Man) Can't Satisfy Her tune, there were people proclaiming him (myself included) (myself STILL included) as the second coming of the late and great Garnet Silk. I-Wayne has more or less lived up to the initial hype and now probably nearing in or even surpassing one hundred released tunes and two albums deep into his still young career, he has shown himself to be a HARSH roots singer with hidden and twisting levels underneath the exterior (REALLY listen to an I-Wayne tune and you'll see just how HARSH the high pitched voiced singer can get). There has also been the case of Warrior King who before I-Wayne burst onto the scene with a BIG tune, in his case the SWEET Virtuous Woman hit. Warrior King, although these days isn't as extremely popular as one might have imagined, to my ears remains one of the most all around talented young artists in the game and he has rather willingly scribed his name within the top fifteen or twenty top roots talents in Jamaica. We've also had more typical cases such as Turbulence who, although WELL within a bad stretch in terms of vibes these days, at any given moment is capable of pulling a hit out of his bag of tricks and has proven himself capable of being one of the most active (both recording and touring) reggae artists altogether; and Fantan Mojah, who really made his name on the strength of producing multiple hits. He's still doing just that. ALL of these names are virtually household names to reggae heads all over the world and they'll be with us for a VERY long and exciting time to come.
An even younger and potentially BIGGER entrant amongst that group has been young Gyptian. You could argue (and I'm not) and many have that out of all of the young reggae artists today, Gyptian has THE MOST potential. The singer initially caught a hold of the public's ears and imagination much in the same fashion as Mojah in producing several hits and having them run virtually at the same time. Gyptian attracted two way attention definitely, speaking in terms of groups not necessarily available ALL the time to artists like the aforementioned group unless they're doing a particular tune; but the ladies have REALLY taken an interest in the young lover's rock/roots singer, thus making his audience very diverse and seemingly very eager and willing to support him. VP Records tested that eagerness and willingness of Gyptian's fan base and they didn't disappoint as in the middle of 2006, having signed up the singer's services (just as they did with Warrior King and I-Wayne in the preceding years) to a multiple album deal, VP Records released My Name Is Gyptian, his official full length album debut. While it received what can definitely be called MISXED reviews from most critics, it was still apparently quite commercially successful and went to help establish his international name more and more, while also exposing some more tunes to the local heads which would prove also to catch on a bit (such as the album's biggest tune, Beng Beng) as well. My Name Is Gyptian also received quite a bit of mainstream attention as well; I saw and heard of the album being mentioned in several international publications and, for a reggae album, as is to be expected when dealing with VP Records, it was promoted as well as one could possibly hope. Earlier this year after announcing their purchase of chief rival Greensleeves Records, VP also announced the resigning of Gyptian (and Busy Signal) and announced his forthcoming sophomore album, to be released in later in the year. Well, its later in the year and VP/Greensleeves now brings forth Gyptian's second full length album, I Can Feel Your Pain, named after one of the singer's bigger singles in the two years between. In that two years he has pretty much remained consistent, there was quite a bit of time away from the studio (which is to be expected, on the road touring for the album), but he has scored with hits along the way, perhaps most notably the WICKED My Fadah Seh, which VP apparently loved so much as to include it on their annually big compilation, Reggae Gold last year. There were also some nice tunes in the interim like Too Late and the very nice Higher which caught on just a bit (okay maybe not so much, but I LOVED them both), and likewise, through other releases young Gyptian has still shown himself to be quite YOUNG and still well within the scope of needing to be brought along carefully and developed as an artist. To my ears, I Can Feel Your Pain STILL finds him in that mode of developing, although what has changed is that he (and VP) has DEFINITELY found what they intend to make his style become as he has well become the marketable `ladies' man' of modern now. In a career marked by different, unusual and interesting things, in I Can Feel Your Pain, Gyptian drops what is easily it's most interesting creation to date.
Earlier this year, VP Records released the album Be Prepared from another potential young superstar in Trini upstart singer Jamelody. Be Prepared was VERY uneven as, although it definitely went a far way in showing off the pipes of Jamelody, it was also an album which left the scope of reggae and went to R&B, pop, even alternative and especially Gospel. While it doesn't go in all of those directions (THANKFULLY) I Can Feel Your Pain well reminds me of Be Prepared. Getting things started for Gyptian's second album is one of the real highlights of I Can Feel Your Pain, the LOVELY Keep Your Calm. The tune is one of the conscious selections on the album and is definitely a style which Gyptian has spent the most time cultivating throughout his young career. The tune is one which speaks to the masses not to lose our collective in the face of the HORRIBLE injustices that the system and some of our own brothers and sisters are committing against us. It has a VERY heavy vibes and for the first few spins it really sounded (lyrically speaking) like something you would hear I-Wayne singing as it definitely has a few lyrical twists here and there. Very nice way to get things going here. You could very well make the argument that the second tune is even stronger than Keep Your Calm as Nobody No Cry has a WONDERFUL and LUSH big uplifting vibes and sound to it and it really catches the senses quite immediately. I wouldn't have expected VP to have placed two of the bigger roots tunes at the beginning of the album (I actually expected the second song to be either the first or second on the final tracklist) considering where it ends up going in by its end and while I can argue track placement, you can't argue with Nobody No Cry the song AT ALL. The tune is just a big vibes and really the type of tune which keeps Gyptian's head high amongst the roots crowd (myself included). Completing the A+ start of I Can Feel Your Pain the album, is the album's finest tune overall, I Can Feel Your Pain, the song. What was most interesting to me way back when I first heard it was that the tune comes over the same Cloud Nine riddim which last year (oddly enough) backed I-Wayne's tune Book Of Life which also happened to be the title tune for his very own sophomore album. It's anyone's guess who outdoes the other as both tunes are absolutely SPARKLING. As the first (and the best) lover's tune on the album, Gyptian fires a very romantic tune for the ladies and for the guys if you happen to have a special lady, it'll work just as high for you (as it did for me). The vibes are just SWEET as Gyptian show is in his arsenal which perhaps no other young artist can do at this point: Deliver a showstopping lover's tune, almost at will. MAMMOTH tune.
Get into the middle of I Can Feel Your Pain and see the oddities begin to come forth before (thankfully) righting itself at its end. The tune Love Against The Wall virtually lost me when I saw its title printed! The tune itself isn't much at all and it comes across something which I THINK might qualify as alternative and Gyptian has a bit of a vocodered style going on as well. Its just an odd tune to my ears. Continuing the strangeness is the tune which immediately follows Love Against The Wall, World Caving In. The one area of Gyptian's game which I think needs the most developing is his lyrical ability. World Caving in, although we get the point (not too hard to get) you almost wish you didn't get it because it just has a very kind of incomplete feel to it (despite the fact the I have to admit the chorus is VERY nice). I'd like to hear Gyptian rewrite and re-record World Caving In in a couple of years, it could be MAGIC. I Can Feel Your Pain's one official combination is another very poppy/alternative sounding tune featuring (unknown to me) New York based singer Yanique Sasha. Sasha's vocals are nice and of course Gyptian's vocals are nice, but the tune is like a digital duet. With Gyptian (in case you haven't figured it out by now) `the simpler, the better'. The tune may receive quite a push at some point and I'd definitely love to hear more from Sasha, but definitely further within a reggae scope. Although the title would suggest otherwise Thanks & Praise is another downer for me. The tune almost isn't even there! Its like a big instrumentals with Gyptian mumbling through! With a techno kind of sound which develops into something in itself which isn't bad at all , the tune just never really gets going for me at all. Too Badmind was absolute GOLD for my ears which by that time were in desperate search of anything resembling a one-drop and it gave me EXACTLY what I was needing. The tune speaks of all those who give you a fight when you're doing well (especially in Gyptian's case) and it has a very nice and bouncing vibes and it had me wondering why I couldn't get at least a few more of these. Well I could, check the next tune as Gyptian goes Dennis Brown to open the very strong herbalist anthem, Sensi. This song has a dubbed out kind of old school vibes. it's a changeup in the positive way (aside from that STUFF that happened in the middle), but its not actually a very strong tune and the lyrics DEFINITELY need a bit of work (especially the first verse) on a tune Eek-a-Mouse would be proud of. I had taken it upon myself to all but dismiss BOTH More Money and More Love by virtue of the back to back similar titles but both ultimately prove to be amongst the very best I Can Feel Your Pain has to offer. For its part, More Money is BEAUTIFUL social tune over an outstanding nyah backed riddim which really slowed down the vibes and presented Gyptian in much the same fashion as some of his earlier hits like Mama and Serious Times. It isn't on that level, but a nice tune still. More Love is a nice call for love in the world over a downright sensational one-drop and I was just wondering if I was the only one noticing just how strong the tune was again. This album and Gyptian as a whole can be so much better when he is allowed to create himself around a more straight forward reggae style and I'm not try to just categorize him and dismiss mixing in other vibes but when you see which tunes he scores hits normally with and what the people appreciate, they USUALLY come in this form. More Love is excellent. Closing the album is another very piece and probably my second favourite tune overall, Guide Me. On the song Gyptian calls for help from His Majesty in both good times and bad. Couldn't think of a better sentiment to end the album on and luckily Gyptian pulls it together at the end .
Overall, I'm very inclined to (and I'm going to) call My Name Is Gyptian a stronger album than I Can Feel Your Pain. Now this definitely comes with a bit of a condition: You may very well like poppish and R&B-ish and alternative-ishness mixed within your tastes of reggae music. I just don't. Particularly when it comes to the lessening of a more straight forward type of tune, at which the artist so clearly excels. But, with a young artist (Gyptian actually turns twenty-five years old in four days of this album's release date), you can expect some uneven times. VP Records seems to want to make young Gyptian the next Beres Hammond and while he may have that type of POTENTIAL, he's miles away from that at this point. I Can Feel Your Pain is an album still fairly close to first gear for an artist whom when he reaches his absolute peak, will be traveling at the speed of light.
Amazon: HIP HOP and R&B Halfpint - Essential Roots Anthology
The man who changed the face of Reggae music with his melodic, laid back approach, finally gets his due on this much anticipated career spanning anthology.
The first collection of its kind to provide an extensive, comprehensive overview of his impressive catalog of hits, Essential Roots Anthology features 32 of Half Pint's best loved songs, jam packed into an impressive 2 disc set.
All the groundbreaking hits are here, including Too Rude and Loving (covered by the Rolling
Stones and Sublime, respectively) and Substitute Lover - currently redone by the new rising star Estelle as No Substitute Love, which is rapidly burning up the charts and becoming a world-wide smash further proof of the lasting genius of this Reggae giant with the diminutive name.
Amazon: HIP HOP and R&B Shinehead - Unity
The leading ragamuffin hip-hop exponent--loosely defined as reggae deejay style meets its hip-hop cousin--works his considerable musical imagination for this 1988 LP. Digging deep into his African and Jamaican roots, drawing on the funky sounds of his adopted U.S., and scanning contemporary news headlines for pertinent lyrical material, Unity reveals Shinehead in his finest hour, before his patchwork style of music-making became formulaic. Spin-off hit singles, including the title track, "Chain Gang Rap," "The Truth," "Gimme No Crack," and "Who the Cap Fits," stitch together a dizzying array of sounds: a bit of churchical reggae hymn to a short stretch of B-Boy rap, a speed toasting rush, a sweet R&B classic riff, or a verse from "We Shall Overcome." --Elena Oumano
Track Listings
| 1. Unity |
| 2. Chain Gang -- Rap - Shinehead, Cooke, Sam |
| 3. The Truth |
| 4. Hello Y'All |
| 5. Do It With Ease |
| 6. Gimme No Crack |
| 7. Raggamuffin |
| 8. Know How Fe Chat |
| 9. Who the Cap Fits |
| 10. Golden Touch - Shinehead, Downing, Walter |
Void Union - Void Union
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"The VOID UNION is a collective of like-minded musicians and friends worldwide, brought together by their love of traditional Jamaican musical styles, jazz, and groove-oriented music. This project was conceptualized and created as a musical outlet and way for them to strengthen relationships both personally and musically." This band consists of former Westbound Train drummer, Jesse Hayes, who is currently drumming for The Toasters as well! This album is truly a throw back to the spirit of original Jamaican recordings and just a refreshing atmosphere change to the cold and dry studio recording of today's musical ventures. "Their idea was to capture the essence of a live studio recording (in the style of those early Jamaican records!). The solution, to record the five core members live in one room, while leaving open spaces in the arrangements, for guest musicians to add their parts in the future. We spent the past year setting up shop and recording our friends in houses, greenrooms and empty clubs throughout the country." You be the judge of their accomplishments, with guests like Lynval Golding of The Specials, Rick Johnson of Mustard Plug, Tom Riley of The Drastics, Mike Brown and Jim Conti of Streetlight Manifesto, Craig Akira Fujita of Pressure Cooker, Hayley Jane of Hayley Jane And The Primates, Chris Rhodes of The Toasters and The Mighty Mighty Bosstones Dan Regan of Reel Big Fish, this album is sure to "fill the void" in today's ska music! Track List Glass House Mr. Big The Rub The Long Road Plain Jane Chippewa Man Nicer Every Time Johnnys Rocksteady Blues For Willie Tell Me Future 86 Atlas Strange Manor.
Amazon: HIP HOP, REGGAE and R&B
"In How to Hustle and Win" - Supreme Understanding
ACTIVIST AUTHOR promises to "transform" the troubled youth of the Hip Hop generation with new book
Atlanta, GA October 11, 2008 -- Author Supreme Understanding is on a mission. The 26-year-old activist is convinced he can change the most troubled youth for the better, if he can get enough of them to pick up a book.
In How to Hustle and Win, Supreme Understanding tells, in often graphic detail, stories like that of the infamous Jamaican Shower Posse, Harlem's heroin kingpin Frank Lucas, and former gang leader Stanley "Tookie" Williams. In between and throughout these tales, he weaves life lessons and guidance, turning sordid stories of crime and urban despair into an educational experience. Whereas Robert Greene's bestselling 48 Laws of Power used iconic figures from classical history to illustrate guidelines for personal success, How to Hustle and Win is filled with the exploits of rappers, gangsters, radicals, and revolutionaries. This is a new kind of "street lit" title, and its intent is the motivation and achievement of a new kind of reader.
How to Hustle and Win comes at a time when urban fiction, or "street lit," has become immensely popular, but youth violence and incarceration continue climbing toward all-time highs. While much of urban media appears to encourage reckless behavior instead of warning against it, How to Hustle and Win fills a much-need void. Supporters believe the book promises real change. One such supporter is "Freeway Ricky" Ross, the man held responsible for introducing crack-cocaine to America in the 1980s. According to Ross, now a staunch anti-drug advocate, "How to Hustle and Win is a powerful book that every hustler, male or female, should pick up and read. Not only is the book inspirational, but it will also enlighten the minds of our trapped and confused youth."
Because of the book's ability to bridge the gap between street culture and social transformation, How to Hustle and Win has been adopted by a number of non-profit organizations serving troubled youth, in addition to being incorporated into probation programs serving juvenile offenders and prison literacy campaigns. The author also offers reduced rates to parent groups, community organizations, and corporations interested in donating books to neighborhood teens. "Every day," the author says, "I get dozens of emails telling me how the book has begun to change someone's life…or the life of their child. But the responses that affect me most are when young people tell me that this is the first book they're read in years."
How to Hustle and Win is available in bookstores, online, and at Hip Hop retailers throughout the US, Canada, and the UK. The author, Supreme Understanding, is available for interviews, speaking engagements, and contributions to print media.
Amazon: HIP HOP and R&B
ISBN# 978-0-9816170-0-8 Contact: Rahiem Shabazz
Phone: (404) 404-484-2706
E-mail: RahiemShabazz@yahoo.com
poetree chicago - positive pollution
Positive pollution is an attractive combination of hip hop, poetry, and cosmic soul that the listner is guaranteed to enjoy
author: E-Dilla
The production quality is great, high quality. At times the vocals can be too loud or not loud enough (which may be an engineering thing). Their songs are uplifting and a few are very avante gaurd -which was refreshingly nice. The tracks/songs featuring Zzaje were very good!
POETREE began in February 1999 as a collective of artists, actors, poets, emcees and singers who were faced with a cloud of negativity, exploitation, and redundant rhetoric that plagued each of their respective art forms. POETREE is an acroynym meaning, Peoples Organized Entertainment Teaching Righteous Education Everywhere. Their message has reached all types of audiences, from the open mics, to the theater, to the schools, to the studio, and most importantly to the people. Phenom, Brother Mike, Isa Starr, and Rhythm, collectively, strive to create positive music that entertains the mind and the soul. The group has continued to work throughout the Chicago community and the country. They have performed with some of the greatest artists in poetry and music such as: Common, Mos Def, Amel Larrieux, Sonia Sanchez, Talib Kweli, N'Dambi, Cee-Lo, The Roots, Roy Ayers, Erykah Badu, Dead Prez, The Last Poets, KRS One, Big Dady Kane, John Legend, and Floetry. POETREE released their first (independently-produced) album entitled "Positive Pollution" April 2004 which sold out of local stores in 5 months. POETREE has been nominated the Chicago Music Award for Best Spoken Word/Poetry Performance in 2002, 2003, and 2005. They were also rewarded a position in the Illinois Arts Council traveling Roster for their Artistic Expression Workshop which targets at risk youth. The workshop teaches youth to implement hip-hop culture and African empowerment as a means of violence prevention and to obtain knowledge of self and history. POETREE wants to spark a revolution in music with "Positive Pollution". For Booking: Contact Natalie McIntosh, Manager, at poetreechicago@excite.com
Source:http://cdbaby.com/cd/poetree Amazon: HIP HOP and R&B
October 07, 2008
The Rose That Grew From Concrete - Tupac Shakur
His talent was unbounded, a raw force that commanded attention and respect.
His death was tragic -- a violent homage to the power of his voice.
His legacy is indomitable -- remaining vibrant and alive.
Here now, newly discovered, are Tupac's most honest and intimate thoughts conveyed through the pure art of poetry -- a mirror into his enigmatic life and its many contradictions.
Written in his own hand at the age of nineteen, they embrace his spirit, his energy...and his ultimate message of hope.
The man was a GENIUS!, January 2, 2000 | By | Baby Gurl
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Anyone who has read this book certainly knows that Tupac was certainly a genius! The man wrote with such raw talent & his poems were so real & beautiful. Some of them made me cry. He was probably the best poet/rapper of our time. The man was human & if you read this book, you'll know that he love, cryed, wanted, needed, & hurt like any human. People didn't know how creative & trouble Tupac was. People think because he was in the rap game that he doesn't have a positive message or talent. The man was a GREAT writer & he wrote about his life as a Thug, & he WAS a thug & he knows the life. But Tupac wanted to rid the world of violence & racism, & if you read his work & listen to his music, you'll notice this. He was true & kept it all real! Unlike most rappers these days. He & Kurt Cobain were the only REAL, RAW talents in the 90's & it's sad they're not with us anymore. They were hear to spread a message, & I hope everyone understands it. RIP Tupac, I LUV you, you were 1 in a 1,000,000!
YA-A collection of poetry written by the rapper between 1989 and 1991, before he became famous. The poems are passionate, sometimes angry, and often compelling. Selections are reproduced from the originals in Shakur's handwriting, personalized by distinctive spelling and the use of ideographs (a drawing of an eye for I, etc.), and complete with scratch outs and corrections. With the exception of "In the Event of My Demise," all of the pieces are accompanied by typed text, which leaves his spelling intact. Some poems are also accompanied by his drawings. A few black-and-white photographs appear throughout. A preface by Shakur's mother, a foreword by Nikki Giovanni, and an introduction by his manager, Leila Steinburg, in whose writing group the poems were written, complete this unique volume.
Susan Salpini, Purcellville Library, VA
Copyright 2000 Reed Business Information, Inc.
Turntable Tchnique: The art of The DJ
12" Records Very Handy, June 11, 2004 By Eric West
I have probably all of the books on DJing that are out there, and this is my favorite. It comes with two 12" records that contain a wide band of white noise (like a continuous "Ahhhhh" sample) that really help you ease into skratching. I've been DJing for years now, and I still use that track.
12" Records Very Handy, June 11, 2004 | By | Eric West |
There is also a very cool acid jazz track which has a Miles Davis muted trumpet vibe going which you can beat match with an R&B style track---I never could get the hang of beat matching until I bought this book/record set. This really made it easy.
The other technique this book helped me with better than any other source I could find is the crab scratch. The exercises break it down into very easy to follow steps, and by practicing slowly and speeding it up a little at a time, my crabs are now even and clean.
I think maybe this book throws off some people who are expecting it to read like a copy of Source magazine---it's refreshingly free of trendy lingo and the silly posturing that often accompanies the DJ scene. It also treats the turntable as a musical instrument, which some DJs still have a problem with. It helped me a lot, and like I said, I still use the records--there are a lot of good synth and spoken word samples on them as well!
Learn to play the turntable like your favorite DJs and create your own style! This essential guidebook and companion 2-record set teaches you to play the turntable as a musical instrument. Using this first-ever turntable method, techniques and tricks can be mastered quickly and effectively. Includes step-by-step instructions on: setting up your equipment, scratching, beat matching, mixing, transforming, crabbing, crossfader technique, cutting and stabs. Book includes: photographs and musical exercises, tips on how the pros set up their gear for scratch mixing, and a history of DJing and hip-hop culture, plus interviews with top DJs such as: DJ Swamp (Beck), MixMaster Mike (Beastie Boys), DJ QBert (Invisibl Skratch Picklz), DJ Kuttin Kandi (5th Platoon/Anomolies), DJ A-Trak (Teenage DMC/ITF World Champion), and DJ Craze (three-time DMC World Champion). The companion records provide scorching grooves, phat beats, and wicked scratch material for DJs/turntablists of any level.
Amazon: HIP HOP and R&B
Don't Rhyme for the Sake of Riddlin': The Authorised Story Of Public Enemy
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Public Enemy are one of the greatest hip-hop acts of all time. Exploding out of Long Island, New York in the early 1980s, their firebrand lyrical assault, the Bomb Squad's innovative production techniques, and their unmistakeable live performances gave them a formidable reputation. They terrified the establishment, and have continued to blaze a trail over a twenty year period up until the present day. Today, they are more autonomous and as determined as ever, still touring and finding more ingenious ways of distributing their music. Russell Myrie has had unprecedented access to the group, conducting extensive interviews with Chuck D, Flavor Flav, Terminator X, Professor Griff, the Shocklee brothers, and many others who form part of their legacy.He tells the stories behind the making of seminal albums such as their debut Yo! Bum Rush the Show , the breakthrough, It Takes a Nation of Millions to Hold us Back , and multi-million selling, Fear of a Black Planet . He tackles Professor Griff's alleged anti-semitic remarks which caused massive controversy in the late eighties, the complexities of the group's relationship with the Nation of Islam, their huge crossover appeal with the alternative audience in the early nineties, and the strange circumstances of Flavor Flav's re-emergence as a Reality TV Star since the turn of the millennium.Urgent, incisive and definitive, Don't Rhyme for the Sake of Riddlin is the ultimate guide to the group that tells it like it is, and insists that hip-hop is a lethal weapon for the social and politically conscious. Russell Myrie shows how, in a time of rampant profligacy and meaningless posturing in hip-hop, their diatribes still cut to the heart of the American dream, and they are as important and necessary as ever.
More info
Offers an access to Public Enemy , conducting interviews with Chuck D, Flavor Flav, Terminator X, Professor Griff, and the Shocklee brothers who form part of their legacy.
Amazon: HIP HOP and R&B
Jennifer Hudson - Jennifer Hudson
Great Debut, Don't Compare to other Greats , October 1, 2008 
This album is something buy. IMO I really don't see anything wrong with how the production of this album went. I think Jennifer & her producers put out great tracks. Jennifer didn't imitate anyone on this album. A lot of people wanted to hear a Whitney sound or a Aretha sound but your not gonna get that your gonna get Jennifer Hudson. Listeners should want to hear Jennifer and not Whitney or Aretha. This album has her own style and own stamp of what R&B is all about. This album is not about duplicating what we get from Whitney when she first came to the scene or Aretha. It's Jennifer Hudson as her own and before you write it off as bad you really need to hear the album looking for Jennifer not other music legends.
Key songs like "Invisible" & "Giving Myself" are real listen too's and should not be skipped when listening. Emotion comes out from Jennifer in these songs and I've been blown away."We Gon Fight" is another example of something we really don't get from current R&B. She brings something different to the table that I haven't heard in a long time from anyone. And "Pocketbook" gives off that sassiness that I've seen in Jennifer since she was on AI. For me definitely a club banger or a morning work-out song. And the duet with Fantasia "I'm His Only Woman" for me injects thats same flavor into music that we got from the collab of Brandy/Monica but it's majority captures the essence of the song "Woman to Woman" which is also something that many fans of that song will love. For me the only song that could have been left out was the duet with T-Pain, other than that it a great debut for the Oscar winner. I bought two copies. For you to enjoy this album you really need to sit down and listen to the whole thing like I did and I was blown away.
SO again don't expect a imitation of Whitney's first album or Aretha because you're gonna get Jennifer and that is who your focus should be on.
Amazon: HIP HOP and R&B
Joe - Joe Thomas New Man
Where There Is Vonerability There Is Truth That Lies Beneth It, September 27, 2008  |
JOE Thomas, New Man, is one of the most anticipated R&B releases of 2008. Collaborating with music industries top and newest hot producers and songwriters D Mile (Janet Jackson,Feedback), Bryan Michael Cox, Stereotypes and Rodney Jerkins to name a few, this album truly lives up to its title, JOE Thomas, New Man..
The album includes 11 incredible cuts from JOE and 5 song snippets from the
next album, Signature scheduled to release on February 10, 2009 just in time for Valentine s Day (a brand new album of all new & original ballads written, produced, arranged and performed by JOE.
One of the reasons Why I titled this review "Where there is vonerability there is truth that lies beneth it" Is because I feel this album exposes the fears between man and woman as far as relationships are concerned.
Starting with a song called "I Won't Let Him Hurt You" which talks about trying to let love in again after you,ve been hurt deeply,but your unwilling to try do to the fact that you fear it may happen again. Which is one of my favorite tracks on the album by the way.
"By Any Means" is a song about how you know you've mass up big time and you are willing to do anything to get that person back because looking back on the situation you realized you pushed them away out of fear.
"Man In Your Life" is that song for that independent woman Who might think she donesn't need a man in her life because she feels she could do better on her own.
I love the song "E.R". Because we get to play doctor and that's all I'm at liberity to say about that track ladies and gentelmen.
"Why Just Be Friends" is a song about trying to get with a young lady who has her guard up.
Now, the song "We Need To Roll" was a song I heared first on music choice feat.Mario but, for some reason did not make the cut on the album ,but I enjoy the track just the same.
"Start Over" is about making mistakes in your relationship and both of you are willing to take responsility and start a new.
To me "Heart Behind My Eyes" has to do with that man Who is willing to be vonerabal and let you into his world of emoitions that lie with in himself.
I guess you can say that "Cameleon" is about that man who has you figured out even though you try to hide from yourself and from him as well.
Amazon: HIP HOP and R&B
Robin Thicke - Something Else
Truly magic!!!, September 30, 2008 | By | Nse Ette |
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I wasn't even aware that Robin Thicke had a new CD coming out until I saw the catchy fun filled video for "Magic" a few months ago. The horn peppered disco-tinged "Magic" is the lead-off single from his thirn Cd "Something else", which follows up the Platinum "The evolution of Robin Thicke".
Since then, Thicke has gotten more confident in his singing and it shows. He sounds very soulful on this album. The falsetto sung ballad "Loverman" could have come off Marvin Gaye's "Let's get it on" album.
Keeping the tempo up are "Sidestep", "Hard on my love" (which reminds me of the psychedelic Soul songs by The Temptations), the gritty funky "Shadow of doubt", and the horn peppered Disco tinged groovy title track "Something else".
The rest of the album comprises ballads, even the closing track "Tie my hands" which features Lil Wayne rapping, and Thicke doing some dramatic narrating and singing.
Opening is the lilting falsetto sung "You're my baby", the Jazzy guitar festooned "Ms. Harmony", the beautiful horn-sprinkled "The sweetest love", and my favourite, the retro soulful "Dreamworld" (nice piano/organ and harmonies) which finds Thicke fantasizing about a world free of racism, where he and his black wife can move around without getting stared at, one in which Marvin Gaye wouldn't have been shot by his father.
This album should see the continued ascent of Robin Thicke.
October 06, 2008
Mercedes Ladies - by Sheri Sher (Author)
Based on a true story...
| By | The RAWSISTAZ Reviewers (RAWSISTAZ.com and BlackBookReviews.net) |
In the seventies, a new form of music was beginning to emerge on the East coast where beats and rhyming were blended together to create a style only few people outside of the area knew anything about. This new music was like a lifestyle with crews, dance, clothes, and speech all blending together for the beginnings of hip-hop. This fictionalized account is the story of the first all female hip-hop MC crew known as the Mercedes Young Ladies from the Bronx. Author Sheri Sher tells the story of how Shelly Shel and a few of her friends got together, first as a crew, then as an actual hip-hop group. MERCEDES LADIES begins by setting the foundation by explaining Shelly's life as she was growing up.
Shelly was one of ten children being raised by a single mother. Life was tough for the family who had to do without and an eviction was something the children were accustomed to. Hanging out with friends, Shelly found something that held her attention and it was the hip-hop music of the time. Under Shelly's direction, a few of her closest friends started the Mercedes Young Ladies crew with bylaws, uniforms and support for each other. When they were approached about being the first female MC crew, they all jumped at the chance. Their adventure led them to perform with known and unknown groups of the time including Grandmaster Flash and other MCs and DJs. However, the ladies were naïve to the aspects of the music business and never truly got what they deserved monetarily nor the respect for their contribution to the hip-hop genre.
Sher has written a fictional account of the rise and eventual fall of the first all female hip-hop crew. Sher writes it like an autobiography, which at times causes the flow of the story to be somewhat erratic. She sets the chapters out as different situations and events that occurred during the tenure of the group. The concept is good, but I would have liked more character development of the members, especially since there were a myriad of other characters peppered throughout the story. MERCEDES LADIES is a fascinating look into a culture whose beginnings are still being discussed today and it was gratifying to realize there was an all female crew that made a contribution to the initiation of hip-hop.
Reviewed by Cashana Seals
of The RAWSISTAZ(tm) Reviewers
Amazon: HIP HOP and R&B
October 02, 2008
NE-YO - "Year Of The Gentleman"
Finally, there is a gentlemen out there who is not theaten by my success or career. And is willing to up lifted me as the independent woman I'am. And be an accessory to me,as Mr. Smith would say, Which is What I think this album in bodies as a whole. I have to say that "So You Can Cry" is one of my many favorite songs on the album because it talks about having that male companian Who is there for you at the most difficult time in your life in this case he's trying to consol you over a failed relationship as you would like, and give you time to mened your broken heart,but at same time he wants you to be open to the posability of being loved by him.
"Back To What You Know" is a song about bringing in old baggage into your new relationship such as comparing him to the man in your previous realationship as far as What he use to do or, say. And learn How to stay in the present and realiaze that was then, and this is now."Mad" is about not wanting to go to bed angry with an unresolved issue laying on your hearts and minds because you don't want to bring that issue into the
the next day."Part Of The List" is about noticing every small detail about a special woman ,but now that she is gone it's all you have to hold on too. "Lie To Me" is basically saying I alrealy know the truth I just don't want you to confirm it for me. "Nobody" is about woman who moves on the dace floor like no other. Now, don't get me wrong I enjoy the track "Single" I just wish the same version would have been put on both albums. Because I like the version featuring the gentlemen of New Kids On the Block. I guess because I heared that first, and to hear Mr.Smith on the same track sounds odd to me as a solo artist.
"Why She Stays" is about knowing as a man that you have good woman by your side who loves you unconditionally and you know that,so you realize the error of your ways so you will change before you lose that good woman. "Fade In To The Background" is about attending an ex girlfriend's wedding and reception and realizing What could have been ,but now she's moved on and she's happy now. "Stop This World" is a song I belive about love that is way to right and your waiting for something to go wrong. Because everthing up to this point is to good.
What I enjoy about this album the most is he did this album on his own with no guess appearance. For once an R&B artist gets to stand on his own.
The Game - L.A.X.
The Game steps out of the shadow of Dr. Dre, steps free of the Aftermath of his feuds, August 26, 2008
The genesis of Game's career was both a blessing and a curse. He himself raps that few legacies have started "hotter than the beginning of my career/ with 50, Dre and Em there." However the helping hand would also bring persistent doubts, claims that Game's success is replicable for any rhymer who has an album of Dr. Dre's beats, 50 Cent's hooks and a track blessed by Eminem. While Doctor's Advocate was a step in the right direction, L.A.X. proves once and for all that The Game's success is defined solely by his skill.
On L.A.X. Game successfully demonstrates that he is the most legitimately hardcore rapper in mainstream hip-hop today. On "L.A.X. Files" he questions even his audience's credibility, "(expletive) think cause they watched Menace a couple of times/ Seen Cube in Boyz N the Hood and pressed rewind/ That you could survive when a real Crip run up on your car and flex the nine." The trifecta of "State of Emergency" featuring Ice Cube, " Bulletproof Diaries" with Raekwon and "Cali Sunshine" featuring Bilal are perhaps the three most classically "West coast" tracks that will be recorded in 2008. Game then demonstrates his versatility on laid back cuts including "Gentleman's Affair," "Touchdown" and "Angel," the last of which represents G.O.O.D. music at its finest with production by Kanye West and a verse from Common.
L.A.X. also proves that The Game may be the best actor in rap today. We've seen this ability through his simulated inebriation on both the title track from "Doctor's Advocate" and The Documentary's "Start From Scratch," and there was another allusion to this ability when Game presented an uncanny emulation of his mentor on "Lookin' at You." Game takes it to another level on L.A.X. He acknowledges his perfect rendition of Nas' flow on "Let Us Live," rapping "Voice raspy, who I sound like? Don't ask me/ That's my (expletive) we classy." On "Never Can Say Goodbye," he presents a verse each through the eyes of Tupac Shakur, Eazy-E and most jarringly, The Notorious B.I.G., who Game ebodies in both flow and lyrics. Game even takes a page out of Jay-Z's book on "Dope Boys," an unabashed (and inferior) interpretation of Hov's "Roc Boys."
There are weak points, notably "Letter to the King" on which Game's lack of nuance and sincerity are obvious, as is Nas' inability to "kick knowledge." However to see the strength and depth of L.A.X., one need look no further than the tracks left on the cutting room floor, any of which ("Gangsta Party" and "Cop Killa" in particular) would be the pinnacle of many of Game's contemporaries' albums. Note that I didn't even mention hit singles "My Life," or "Game's Pain," no need on an album of this strength.
Amazon: HIP HOP and R&B
ACE HOOD - Gutta (album)
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Gutta is the upcoming debut album of Ace Hood. It will be released on We The Best Music and Def Jam collaborating with Slip-N-Slide. The current set release date is November 18th, 2008. Guest appearances include Trick Daddy, Plies, Akon, Rick Ross, T-Pain and more. Some producers set to appear are Danja, J.U.S.T.I.C.E. League, DJ Nasty, The Inkredibles, The Runners, Cool & Dre, and Gold Rush. Ride, featuring Trey Songz, was the follow-up single and was released in July.
On August 26, the original release date for the album, a video for the song "Get 'Em" was released on the internet.
The tracklist was posted on Def Jam's website on August 25, 2008.
| # | Title | Producer(s) | Featured guest(s) | Time |
|---|---|---|---|---|
| 1 | "I Don't Give a Fuck" | |||
| 2 | "Can't Stop" | Akon | ||
| 3 | "Get 'Em Up" | |||
| 4 | "Gutta"1 | Gold Ru$h | Trick Daddy | 4:02 |
| 5 | "Gun Time" | Rock City | ||
| 6 | "Cash Flow"1 | The Runners | T-Pain & Rick Ross | 4:28 |
| 7 | "Ride"1 | The Inkredibles | Trey Songz | 4:26 |
| 8 | "Fed Bound" | |||
| 9 | "Pussy got ya Hooked'" | Plies | ||
| 10 | "Can't See Y'all"1 | Brisco | 3:47 | |
| 11 | "Get 'Em"1 | The Inkredibles | 4:12 | |
| 12 | "Call Me" | The Inkredibles | Lloyd | |
| 13 | "Playing with Fire" | Cool & Dre | Dre | |
| 14 | "Top of the World" | DJ Infamous |
1 Indicates song has leaked.
Ace Hood, born Antoine McColister in Broward County, Florida, knew he was destined for greatness. After an injury derailed his burgeoning football career, Ace turned to his true passion, rapping. At the age of 17, Ace teamed up with the Broward-County-based entertainment label, Dollaz & Dealz, to record the hit "M.O.E." (Money Over Everything") which sparked an immediate buzz in South Florida. After fine-tuning his craft on local crowds, he set his sights on performing for DJ Khaled at his annual birthday bash. "We was outside the radio station not even trying to get a deal, just hoping to perform at his birthday bash," Ace recalls. Although DJ Khaled had to go to a meeting, he stopped, looked at Ace and said, "I love your image!" Ace handed him his demo CD which resulted in a phone call to Ace's manager that night. Khaled said, "I love his swag, I hear starvation in his music and I want to take a meeting with him." That meeting turned into Ace becoming the first artist signed to "We the Best Music Group," an exclusive partnership with Def Jam Recordings. Since then, Ace has released two singles, which are setting the stage for his debut album, GUTTA, in-stores and online September 23rd.
Amazon: HIP HOP and R&B
Rage & The Outlawz Inc. - Blood Bath
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Review
This is a young man letting his pain out-Miami times --Miami Times
Review
Rage , Outlaws inc Great tunes dudes! This is the hip hop we need. --apex news and beats
Review
A Banger what lyrics, a true album --cb news
The True and final chapter to Miami's local recoding artist rapper Rage comes in the Mist of his most successful album Red Dragon 2:Outlaw Immortals(2008),Rage is predicting The end of the world is near, and that he believes in God but will burn anyone in his path The Local business owner & father of 1 re-creates a deadly & often violent chapter of his past memories to finally let go in "Blood Bath" Rage & Outlawz Inc will continue to function and operate but Rage will end his solo career .-I Have done well ,i give god the grace he willing dissevers No more i let my pain out time to move one-Said Rage. The Company is known for being a notorious local music label headed by Rage with a Span dating from 2003.-The Amazontw.
Amazon: HIP HOP and R&B
October 01, 2008
T. I. - Paper Trail
Hova may have anointed Wayne, but T.I. just staged a coup, September 30, 2008 Ostensibly, "Paper Trail" is a reference to T.I. taking the time to put his thoughts on paper rather than relying on spontaneity and his mental notebook for his lyrics. Having listened to the album closely I'd like to draw two additional meanings from the title, each alluding to our old friends T.I. and T.I.P. First, there is a set of songs on this album that read unmistakably like pages from a diary, songs that are deeply personal and insightful. The second "Paper Trail" is simply money, and it inspires a set of songs about the fun and the swagger that comes with fortune. On "Paper Trail," T.I. expertly walks the line between relevance and entertainment, and delivers a magnum opus.
Four tracks best illustrate the lyrical diary I gleaned from this album. Lead single "No Matter What" is a window into T.I.'s time under house arrest and is astounding in its sincerity and lyrical complexity, he raps "Even though it's heavy, the load I'll still carry it/ Grin and still bear it, win and still share it/ Apologies to the fans, I hope you can understand it/ Life can change directions, even when you ain't plan it." "Ready for Whatever" is a stunningly honest explanation of his weapons charges, "Yes officially I broke the law, but not maliciously/...Either die or go to jail, that's a heck of a decision/ But I'm wrong and I know it, my excuse is unimportant." "Slide Show" blessed by John Legend is likely the most inspirational rap track of the year, on which T.I. advises his fans, "Don't forget that impossible is nothing, your environment is irrelevant/ Just don't let your emotions, overpower your intelligence/ Refuse to give up, Your mistakes don't define you/ They don't dictate where you're headed, they remind you." "Dead and Gone" with Justin Timberlake calls on listeners to let cooler heads prevail in tense situations, "No more stress, now I'm straight/ Now I get it, now I take/ Time to think before I make mistakes, just for my family's sake." These four tracks, and additionally "Live Your Life" and "You Ain't Missing Nothin", represent T.I.'s nuanced understanding of not only rap and music, but of life itself.
T.I.P. and the financially-focused half of the album come into sharp relief on more carefree tracks including hit single "Whatever You Like." "Swing Ya Rag," which will have even the most jaded gangster on the dance floor also falls into this category as does "Every Chance I Get." One would be remiss to not mention goliath record "Swagger Like Us" featuring Kanye West, Jay-Z and Lil Wayne (obligatory verse ranking: Tip, Hov', Weezy, `ye).
In sum, this album manages to cater to both listeners that are looking for a message and those looking for an escape. It is not without its problems (how "Porn Star" made the album over the leaked "Like I Do," I'll never know) but a T.I. album with a blemish outshines 99% of records today. Personally, it is my album of the year.
September 26, 2008
The Queen Stands Alone
Sommore: The Queen Stands Alone features the Queen of Comedy on-stage extolling her profane and brassy sense of humor in her signature raw form. All topics are fair game for this comic diva, from hip-hop and the "N" word to relationships and Oprah. Strong and sexy as hell, Sommore brings the house down and will make you shout, "Gimme Sommore!"
Amazon: HIP HOP and R&B
September 07, 2008
Capleton - Bun Friend
MIDnITe/Desmond Williams - Kayamagan
September 04, 2008
Visions Of The Tenth Chamber - Popa Wu
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The Debut Full Length from the Mentor of Wu-Tang Clan.with Aproval & Artistsic Supportfrom the Wu-Tang.
Represent that "W", November 29, 2001 Black August Revisited - Killah Priest
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Updated 2008 version of this solo Wu-Tang classic should satisfy anyone looking for another Killah fix. He's in fine form here, holding down his cult status nicely and making sure his legend in Hip Hop will continue to grow. Priest exudes a natural confidence in his delivery and in the power of his written word that puts him second to none among writers in Rap. Whether using his abilities to illustrate the darkness of his surroundings, to enlighten the listeners and the youths, or to tell biblical tales, he shines as bright as the sun. Altered Ego.
Chamber #9, Verse 32 - Brooklyn Zu
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Explicit Version. Ol' Dirty Bastard's Brooklyn ZU album Chapter 9 Verse 32. This is a group composed of Ol' Dirty Bastard and his close associates 12 O'Clock, Shorty Shitstain, Murdock, Zu Keeper, Silkski, Buddha Monk, and D the dragon on the West Coast. First heard on Ol' Dirty Bastard's "Return to the 36 Chambers". The group has made a number of Wu album appearances since, and they have recorded a number of tracks which later appeared on Popa Wu's "Visions of the 10th Chamber". They were once collectively tied with the "old" United Kingdom group. 12 O'Clock is ODB's younger brother. Dirty's cousin is Zu Keeper.
The Cappatalize Project - Cappadonna
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Solid work, August 6, 2008 | By | SMN - See all my reviews |
This is a solid album, and let's you know that Cap doesn't plan to slow down any time soon.
Cappadonna is back, at his best, to bring you The Cappatilize Project: the most powerful and most influential Wu-Tang Clan album to hit the streets since Enter the Wu-Tang. Cappadonna first appeared on "Ice Cream" from the notable Only Built 4 Cuban Linx and left listeners thirsting for more after dropping jewels on the banging "Winter Warz." Already having been labeled the 10th member of the clan, these guest spots earned him a place as an official Wu-Tang member. Dubbed "Papi the Wardrobe King" for his colorful slang on Wu-Tang Forever, he released his first solo album in 1998, The Pillage, which charted at number three and went gold in less than a month. He followed up in 2001 with his sophomore smash The Yin and the Yang and a compilation of his most beloved songs and guest appearances called Cappadonna's Hits. Since then, he has dropped The Struggle (2003) and the mixtapes Wu-South and The Greatest Dartz Ever Sold and he was the lead-off rapper on Wu-Tang's latest album, 8 Diagrams. Straight from Shaolin, this Staten native delivers a soulful, neck-snapping album on The Cappatilize Project. Hit after hit it will touch your heart and move your spirit as Cappadonna drops science like it was 1988. With appearances by Q-Dini, Born Divine, Lounge Lo, and more, no one can resist this raw, uncut sound. It's time to Cappatilize.
"Pro Tools" - GZA
GZA PRO TOOLS!! HIP HOP DIGNITY, August 19, 2008 | By | PiggyAlice - See all my reviews |
BE CAREFUL, this is not the record you put on a sunny day, drinking beer with your girls, NAHHH, this one you should blast when you're alone in your room, late in the night with heavy rain hitting your window. That's when the energy of this record shows up. Real dark, gritty vibe. SO COOL.
About the beats, here the thing: the album is called PRO TOOLS, which you know is an expensive hardware/software equipment to make sonically whatever you want. The title is ironic because most of the beats here are really simple (but really great), so you don't need proo tools to work them out. BUT here GZA demostrates he don't need no advanced technology to CUT YOUR NECK!!! YOU COULD START MAKING A BEAT WITH A SPOON OR ON A TABLE AN GZA WOULD COME UP AND RIP SHXT OFF. AND HE DOES.
This is probably Genius best album since Liquid Swords. But you should definetly check GRANDMASTERS with DJ MUGGS, another great great record, one the best hip hop albums in the new millenium. Wheter you are an old Wu Tang fan, or even if you aren't into wu tang, but love hip hop, listen this record. you will not be dissapointed, but this record may take some time to really enjoy. It's a difficult delightful album. Recoomended songs: "Life is A Movie", "Pencil", "Alphabets", "0% Finace", "Path Of Destruction", "Colombian Ties". sorry, I didn't want to mention it, but Gza TOTALLY DESTROYS 50 Cent in "Paper Plates". How are you gonna respond to that 50??? It's funny how son many people don't understand the lyrics, probably this is just too smart for some. Hard-hitting verses you got there.
SUPPORT REAL HIP HOP!!!! WE NEED MORE RAP LIKE THIS. NOT THAT SXXT YOU SEE IN MTV. PEACE.
Shine Through It by Terrence Howard
Brings back a genre many miss! , September 3, 2008 | By | A. terbush "terbo" (Sakalutizkalutia, Kazakstan) |
Stadium Ent & Nappy Boy Digital Presents "True To the Game"
Stadium Entertainment Corporation, the full-service entertainment company founded in 2006 by longtime music industry veterans Gary Katz, Camille Barbone, and Jerome Mas has formally announced that they have inked a licensing agreement with the multi-platinum-selling rapper T-Pain's digital-only label, Nappy Boy Digital.
Under this new licensing agreement the first single from Stadium Entertainment's upcoming CD release is "Beam Me Up," featuring T-Pain, Rick Ross and introducing Nappy Boy artist Tay Dizm. "Beam Me Up" will also appear on Stadium's debut compilation CD, TRUE TO THE GAME, which is being released on October 21, 2008. A portion of the proceeds from the sale of TRUE TO THE GAME will benefit the fundraising initiatives of the Kansas City-based Negro Leagues Baseball Museum.
Stadium Entertainment Corp. was created because "we recognized the need to construct a new paradigm in an industry that often forgets that its reach and power comes with certain responsibilities," stated founding member Barbone. Stadium Entertainment Corp. is uniquely different from other emerging independent record and consumer entertainment entities in that each release, with the Stadium Entertainment Corp. imprint,will create a revenue stream that is pledged to the fundraising efforts of a wide-variety of politically-correct, grass-roots, philanthropic organizations. With this mission and its focus on philanthropic efforts, Stadium Entertainment will generate projects featuring like-minded artists, such as T-Pain who share a socially-conscious perspective, and who desire to "give back" to the community-at-large. As Gary Katz describes: "We've created a new business model where the artists, their music and worthy charities can come together to participate in projects that have a profound impact on the lives of others."
David Abram, one of Nappy Boy Digital's founders added: "We embrace out-of-the-box thinking, and we felt that Stadium Entertainment exemplifies this. Gary, Camille and Jerome have developed an incredible vision that calls upon their collective intellectual currency and practical experience. We knew, almost from the start, that working with them and helping to further Stadium Entertainment's philanthropic thrust would result in creating an exciting new business model and we're excited to be a part of it all."
TRUE TO THE GAME, in addition to this first single, will feature new tracks combining the talents of successful and prominent recording artists with new talent such as GLC featuring Kanye West, Chingy featuring Ziggy Nina, Raiyn featuring Talib Kweli, Sam Chris featuring Big Boi of OutKast, Tone BlacQ featuring Snoop Dog, and Yung Joc, which Stadium Entertainement believes will capture and engage the music-buying consumer's attention.
Currently, "Beam Me Up," is receiving more than 500 spins each week at urban and mix radio formats and the indie digital label has yet to formally seek "adds." Distribution of "Beam Me Up" is handled solely via digital sales, and Nappy Boy has sales agreements with major online digital music retailers such as iTunes, Napster, LaLa and Liquid Digital, among others. In addition to single sales on the web, revenue streams are being created with ringtones and licensing agreements such as the one created with Stadium Entertainment Corp.
Stadium Entertainment's mission is to aggregate the varying elements of unique entertainment projects that will attract consumer support, involve viable and practical corporate participation, and utilize the unique creative talents of award-winning, platinum and multi-platinum-selling performers in order to generate sales that will support a wide range of innovative creative projects, raise funds for worthy charitable causes, and bring new and talented individuals to the public's attention.
The company has offices in Santa Monica, California and New York.
September 02, 2008
Exclusive Book Review of Kim Osorio's New Book
by Ms. Smalls
Former Source Magazine Editor-in-Chief, Kim Osorio, releases her expose' of
Hip Hop in her new book, Straight from the Source. The book is to hit stores
September 9th but of course Ms. Smalls got the exclusive. Before I read the book, all I saw on these hip-hop blogs were the names 50 Cent and Nas associated with it. These sites made it seem like Osorio has changed her name to Superhead and had traded her law school degree (yes, home girl graduated from law school) for a for a new car from a superstar lover.
I just think readers never understand the point of a book especially once they see that you placed in a famous name or two. All of a sudden good content is out and gossip is in. Well Ms. Osorio, who is not one to be shy with words, has discussed her associations with rappers in the book but I don't understand what's the shock. She was the head hauncho at a "hip hop bible" of course anyone would partake in the Disciples. Wait...that came out wrong.
No but seriously, she does mention the times she got her groove on but its not in a "oh my God his penis was so..." type of a way. It was more of a confessional way in which helped to tell the story not blow up the spot (as she would say). I wish she would have gotten into more details about her sexcapades because I was dying to know if 50Cent really could blow that back out like he brags about in his songs but like a real woman, she never tells. Besides, no one wants to hear anymore lies from 50 Cent talking about someone blowing his balls. Anything can tick him off these days especially with the sad sales of G-Unit's latest effort, Terminate on Sight.
I think the book is good for anyone to read but it's mostly geared to women and not just any woman- a woman on the come up of her career. Men will see the background bashment it takes to run a magazine and the minuet beefs that can get started in the entertainment industry in a New York minute if you're not paying close attention. Women, on the other hand, will get lots more from it if they really sit down and read it. They will understand what it's like to be a woman in a male dominating industry and how lots of times if something went wrong, it would be automatically be blamed on your emotions. It will also show you how petty the entertainment industry is and why you shouldn’t deal with these cornballs in the industry because one moment you're enjoying nice love sessions in your favorite telly, the next you know your dessert of choice is blowing you up on the radio. Sad but true, there is a double standards when it comes down to men, women, and sexuality.
Dudes who work in the business and bust down chicks like Trina and Mya are given hand claps and looked up as playas and pimps while a female who gives up the booty is considered a tramp. It killed me when 50 Cent said that Rosci (who isn't one of my favorite people) was a ho because she slept with 8 guys. Newsflash 50, if every girl who slept with 8 dudes is a ho then induct almost every female in the land-of-hobelieve because it happens. I think that's what I find most disturbing about this book is the amount of references that Ms. Osorio claimed that Benzino made regarding who she messed with. Man, one thing for certain, two things for sure, you're not going to like Benzino's corny ass more after reading this book. He comes off as a power driven, Puff Daddy type but without the swag, money, or fame.
The title Straight from the Source is appropriate because most of the book is about her time at the Source which goes from exciting, to moderate, to damn near a hell zone and you start to feel sorry for their workers as if you were there. A great thing about the book is it has a lot of names and you can learn a lot about their journey in the industry and she tells the behind the scene drama behind the Eminem and Source Magazine beef. I chuckled when she explained what went down with the Eminem cover when he had his middle finger up that came with the CD in which he was talking badly about black girls, because I still have that issue in my stash. I deem that a collector's item because it was a mirror image of how dumb consumers are when it comes down to the disrespect of black woman. I was S&A (shocked and appalled) back in the day when I read that Eminem had confessed to the tape-I never liked him since. Um, goes to show ya.
Anyway, Ms. Osorio works hard to show you her personal journey during the maniacal days at the Source and under the rule of Dave Mays (wanna-be-black behind) and Benzino. I think it's a good read if you're interested in getting in the industry or was a avid reader of the Source during her tenure, 2000-2005. I give this book 8 out of 10 stars respectively because everyone knows that Kim Osorio is a legend in modern-day Hip Hop in her own right
Source:The Fabulous Ms. Smalls
July 28, 2008
Streight From The Projects- Rappers That Live The Lyrics
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Straight from the Projects is a series about rappers returning to the gritty streets where they grew up. Rappers show you where it all went down in their hoods - from day one. You'll visit the legendary places that inspired the music and you'll understand what the lyrics are all about. No sugar-coating no Hollywood sets no scripts just the real on-the-streets action as it unfolds with one hand-held camera capturing the guns drugs and violence that are part of everyday life. Trick Daddy's music is all about where he grew up: in the pork and beans projects one of the toughest projects in Miami. This is the flip-side of the Big Easy... not Miami Beach not South Beach just the mean streets where poverty drug abuse and violence are epidemic. See his neighborhood uncensored: talking with his pops... lifestyle of thugs... as well as the warmth and love so vital to the neighborhood's survival and its hope for the future. You'll also be hanging out with Trick Daddy going to project parties at the local night-club that inspired his music videos. Seeing the neighborhood through Trick Daddy's eyes following in his footsteps is the only way to know the truth in his music.
Richie Spice - Golden Boot
| By | Achis
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There are but a few names in all of reggae music who can literally PARALYZE the game in terms of an album release or even just a really big tune. Due to various reasons, these artists grab the lion's share of the attention and even in album-ignoring Jamaica itself the conversation becomes, `did you hear that new____ album?' These artists aren't necessarily the most popular international artists (for instance, Sean Paul's or Elephant Man's next/current releases might not have that effect) and it isn't something which is guaranteed to all of Jamaican reggae elite artists (neither Sizzla nor Luciano doesn't receive the same treatment at all, of course due largely to their hyperactive release schedule), however, there is a small group of top notch and world class artists whose album releases become THE talk of the reggae world. The prime example of such an artist over the past decade or so has definitely been Capleton. The Fireman releases his albums exclusively though VP Records, the largest Caribbean music label in the world, and, even though there are some who argue he has passed his musical prime (and I'm not one of those people), each of Capleton's last four albums or so have ruled in the reggae community, his next album will do the same thing and probably the one after that as well (he needs to hurry though, by this rate, he may very well be fifty after his next two releases). Beenie Man also holds a similar, but not quite the same, position as well. Whenever Beenie releases an album, he DEFINITELY becomes the single biggest release of whichever the moment at the time. However, Beenie Man's albums, very much unlike Capleton's which are continuously well received on the large scale, tend to (much like the man himself) polarize reggae fans. You will have those who absolutely love each and every one and those still, who will always think that the album has failed to reach its potential (thankfully, I lie somewhere directly in the middle of those people). I would also be just completely wrong and disrespectful if I didn't add Shaggy to the list who has sold more reggae based albums than anyone in history not named Bob Marley. Shaggy's albums, although being much more of a pop driven nature, have undoubtedly done a lot for reggae music and in Jamaican music shops, curiously enough, perhaps no artist is stocked (in terms of albums) more than Shaggy. You also have artists such as Lady Saw who will occasionally have similar successes and last year marked the debut of demonic dancehall singer Mavado, whose album Gangsta For Life: The Symphony of David Brooks was rather easily the most talked about reggae album in Jamaica in 2007.
I am now VERY close to adding bonafide roots reggae star Richie Spice to that list due to his own wonderful music making over the past half decade and the wonderful promotion of his team (which largely consists of VP Records). In 2008, the most anticipated reggae releases are probably (in no order) Beenie Man, Bounty Killer and the Alliance, Morgan Heritage and Elephant Man finally (both were already released, Mission in Progress and Let`s Get Physical, respectively), Capleton, maybe Etana and ultimately Sean Paul as well and I would HAVE TO add Richie Spice's sixth album overall (fourth international release, and, NO, I`m not counting that mess Penitentiary put out) Gideon Boot to the list as well. Although he released Gideon Boot's predecessor, In the Streets to Africa, just a year ago (which is a bit unlike Spice), the hype surrounding this album has been in full swing for nearly six months as it had been promised to succeed where the VERY mildly received In the Streets had not. From a musical standpoint, Spice had been scoring decent sized hits in the year between, pinnacled, without a doubt, by his current piece and Gideon Boot's first single, Di Plane Land. Also, the album is boosted by the fact that Richie Spice becomes the third big time VP release in the past year to have the legendary Bobby `Digital' Dixon working the boards for his album as executive producer after, just recently, Jamelody for his Be Prepared album and Ras Shiloh's MASSIVE Coming Home from 2007. The producer who most notably could make the claim to being the producer to draw the absolute best from reigning roots king Sizzla Kalonji through both the Black Woman & Child and Da Real Thing albums, has a way about him which absolutely seems to bring the best out of his artists continuously. If Spice didn't have enough going his way, if you happen to look at reggae shelves right now, the last TRULY big roots release is now over three months old in Luciano's Jah Is My Navigator and Gideon Boot arrives at the perfect time when roots heads (especially internationally) are ready to hear from a big name. Spice himself has taken an active role in promoting Gideon Boot as well, just as he did with the In the Streets album last year and obviously by the only one year turnaround, it was quite successful. Gideon Boot follows the unsatisfying In the Streets set, as well as the WHOLLY satisfying piece which was Spice In Your Life and before that, the well done Universal from 2000 (he also had two albums which didn't reach the international stage in the self produced Living Ain't Easy (which was wonderful) and his debut, the ULTRA hard to find Out of The Blue, both from 1999). Spice In Your Life is definitely his best work to date on the album as it had the fortune of dropping at the same time when nearly EVERY Richie Spice tune released was becoming a hit of some degree (and included tunes such as Earth a Run Red, 911 and Righteous Youths when they were all still very fresh). With the hype which surrounded In the Streets to Africa, that album was supposed to reach those heights. Now, however, the only album Gideon Boot needs to worry about topping is the In the Streets album.
And it does SLIGHTLY. While still not being the absolute best the artist is capable of, Gideon Boot is a VERY cool and spiritual piece of vibes, which although it doesn't at all pass its elder sibling by leaps and bounds, it does just enough to take a FULL step ahead of it. The album is highlighted by previous singles, one LARGE combination and Bobby Digital's stellar production throughout which solidify the vibes. Now all that goodness being said, the album opens with the ultra AVERAGE Babylon Falling which is easily one of my LEAST favourite tunes on Gideon Boot. The best thing about the tune is definitely the lovely nyah drum backed riddim which it plays out on (there's a very nice saxophone throughout as well), but for all intent and purpose Spice really fails to say anything different. Its kind of a mechanical track full of clichés and just things which don't make the track a standout. It certainly is listenable and if you say Babylon Falling and `Africa is calling you and me!', I'll be the first to agree, but unfortunately Babylon Falling doesn't say much more than that. THANKFULLY upping the levels on the album immediately following the opener is my second favourite tune on the album and the title track. Gideon Boot the tune is a nearly special and captivating call to arms played out over Digital's cut of Studio One's ever-bouncing Johnny Too Bad riddim. The riddim itself is almost sugary sweet and Spice plays over it with a vibes which some will definitely argue is the top of the album altogether calling all soldiers of righteousness to the frontline and although I'm getting my "Gideon boots and a khaki suit", I'm just taking one other tune with me before I leave. That tune isn't Let's Go, which closes the opening of the album and is probably the highest profile tune on the album and one which certainly doesn't disappoint and is one of the piece's overall strongest. Let's Go is a tune which is, for the most part, on a repatriation vibes, still it features Europe's greatest current reggae export, German Gentleman. The two really do make a strong duo (Gentleman has proved himself apparently a very easy artist with whom to work over the years as he has recorded with a virtual `whose-who' of elite reggae artists from Cocoa Tea, all the way to Bounty Killer and back. Let's Go flows over the same lovely and strong one drop riddim which recently served as the backdrop for Jamelody's wicked Pressure tune. I still rate Pressure higher, but Let's Go isn't very far away and in an album which definitely lacks other big names (Let's Go is Gideon Boot's lone combination), the tune definitely gives it a bit of star power.
I guess I'll consider myself lucky because the first two big shots which were released before the album actually reached (and I mean the big tunes here, there are several tunes here which are actually older, even the title track itself, if I recall correctly originally reached in 2005, yet another reason Jamaicans don`t buy many albums), were two of my favourite tunes when they came. Thus, it was a good idea in my opinion for VP to include, first World is a Cycle. The tune flows over Arif `Supa' Cooper's DIVINE Guardian Angel riddim and was definitely one of the biggest efforts on the well packed riddim (and interestingly enough Jamelody's tune on the riddim, My King was absent from his album). The piece brought out the best in Spice as he rather simply put forth one of his strongest pieces in a while and one which proved to be a nice sized hit for the Kingston native. Still, it is topped by my favourite tune playing on the album, Di Plane Land. Talk about riddims! Plane Land spins wonderfully on one of the sweetest riddims you'll ever hear, the Rub A Dub (and VP just released it as a Riddim Driven, definitely check it) riddim from Kemar `Flava' McGregor's No Doubt Records. The tune very nicely speaks of the various difficulties Spice has encountered over the years traveling all around the world performing and its just a subject which isn't broached very often and its definitely one which I'm sure dozens of our artists can relate to (especially Perfect whose FIERY Amerimaka expressed a similar vibes, although most of his problems occurred before actually getting to the airport!). Di Plane Land is MASSIVE and definitely the class of Gideon Boot. The obligatory ganja anthem is here is quite unique and a standout as well (not Marijuana standout, but good still) is Wrap Up A Draw. The tune is probably THE head-nodding tune of choice on the album and one which is certainly fit for `prescribing' to the type of healing it recommends. I'd even go a step further and call it one of the album's biggest tunes, it is very solid. You also can't go too wrong with previous single (I'm thinking 2004 on this one), the classic vibe of Bad Lamp. While it isn't lyrically the strongest effort here, Spice pushes Digital's Hold On riddim (which you'll know as the same piece which backed Sizzla's AMAZING Words of Divine) in a very fine direction with a wonderful vibes. I'm also quite fond of Rise, perhaps more so due to the WONDERFULLY lush one drop which backs the tune, but Spice's somewhat airy yet strong voice was virtually made for the style of riddim here. And speaking of lyrically, the tune is easily amongst Gideon Boot's sharpest efforts and it is definitely gifted with one of the best choruses as well. And I will mention Getting Harder (originally known as One World Order), if for no other reason, again, because it flows over the very fine One For the Road riddim (which you know as backing Capleton's LARGE Ton Load). There are several tunes here, particularly down the stretch which just don't really reach too high and while I definitely wouldn't call ANY of them bad tunes, they just almost elicit no emotion whatsoever. Such a song definitely is Make Up Your Mind which almost comes off as Richie Spice almost didn't feel like singing that day! I'm also not very fond of Living in Love which never really gets going in any sticking direction and although it is blessed with Digital's version of Studio One's Ting a Ling riddim, it just isn't very impressive at all. Thankfully, at the end of the day Spice gets things right and sends us out on Hang On which is DEFINITELY one of the album's biggest tunes and one which I don't exactly remember hearing at all. Now, if we could just get the next album to start off with Hang On and STAY at that level.
Overall, I'm rather cautiously saying that Gideon Boot is a step above In the Streets to Africa. However, I may change my mind in a second (when I go back and listen to that album) and you might very well disagree. Regardless. What is not up for debate is that Richie Spice is definitely better for the most part than what you will hear on this album. This one I will recommend to newer fans (although in that case I would recommend In the Streets even more), however, more established fans in the vibes and particularly those of Richie Spice, you MIGHT be a little let down because of the lack of new dominant material present. As it stands, without a doubt the second it is released it becomes the most talked about reggae album in the world. Hopefully for the vibes, people are talking good things, but they may be talking about the UNEVEN things yet again.
The Strong One - Etana
The StrongEST One???. . . , June 17, 2008 | By | Achis
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If you are a reggae fan these days you REALLY need to be taking a strong interest in what the Women of reggae are currently doing in the typically male dominated genre. While still far from being equal (numerically speaking here and definitely overall as well) women are being more and more represented by new artists and by established names remaining consistent for a longer period of time. In dancehall, where things tend to be a bit more complicated, we've seen the emergence of artists such as Spice, Timberly and of course dancehall songbird Alaine reaching the forefront of the vibes typically dominated by the Lady Saw's, Tanya Stephens', Ce'cile's, Lady G's and Macka Diamonds of the world (all of whom arguably remain at the height of their powers for the most part) just over the past few years (ESPECIALLY Alaine and Spice). Then there's Tami and Tessanne Chynn alongside female duo Brick & Lace all of whom attracted international attention by virtue of their reggae/dancehall/r&b/hip-hop molded vibes and all have actually yet to reach their peaks musically speaking (although for her part, Tami Chynn is probably quite close to hers and still has a bit of growth and may actually give the genre its first international female superstar since Lady Patra more than a decade ago). And I've yet to make mention of the likes of Stacious, Natalie Storm, Tifa, (everyone's favourite) Kris Kelli, wicked French queen Lady Sweety and of course the notorious D'Angel and Ms. Thing, all of whom (and I could still even name a few more like Tina Nunez and (wicked) Lexie Lee) could potentially join the names at the top or near the top of the vibes someday. In the roots landscape, while the names haven't been as plentiful or consistent, one could make the case (and I will) that we've seen a bit more consistent and crucial performers overall than in the dancehall. You'll find a rather small but consistently growing group of reggae fans who will swear to you that Cruzan Queen Dezarie is making the best reggae music in the world, PERIOD, right now. The sublime singer has established a strong fan base throughout the Caribbean and indeed the extended reggae community as well throughout the world and really if you want to know more about modern roots, Dezarie's music is mandatory listening at some point (and check out her new release, Eaze The Pain). Of course I have been singing the praises of Queen Omega to any and everyone over the past half decade or so. The large voiced Queen has combined with some of Jamaica's strongest and received spins and respect in every corner of the vibes (check her re-released Servants of Jah Army out now) which, at their best, are nothing short of brilliant. Reaching back to Jamaica, the biggest name to emerge over the past few years in Women's roots music has definitely been that of Queen Ifrica. The Tony Rebel protégé is one who is now even `threatening' to outshine her own mentor on his own annual bill every year, the fantastic Rebel Salute show, is in the process of laying the foundation for a legendary career of her own. What is/was missing for females in the roots genre (and one could make the case that its missing for the males as well, although there are MANY more candidates), however, was a name who could take the music to an international level. Honestly giving the WORLD its first true female roots reggae superstar (and I should probably mention Cherine Anderson somewhere in here).
Has the search ended? I honestly almost NEVER get artists come across my radar who give me as much anticipation as has the PHENOMENAL Etana over the past two years or so. In my opinion, Etana makes a serious brand of music, which has a form which could rather EASILY translate into international attention and popularity (in much the same way artists such as Jill Scott, Alicia Keys and India Arie have in what is called `neo-soul') (neo-roots???) and virtually not change its current form at all! The singer first came to the attention of almost everyone on the strength of her first two initial releases (more on those later) which almost set her up as a `soul' artist `trapped' in reggae music. While we've definitely seen that type of artist before (see Tessanne Chynn, see Della Manley) (even see Tanya Stephens at times), but they typically come with limits (keep listening to Tessanne and you'll discover her to be a pop artist (albeit a potentially very good one); keep listening to Stephens and it won't take long for the 100% lyrical fire breathing dancehall queen in her to become apparent; and you won't even have to listen long to Manley to get a taste of her near folkish style of material); but when have you ever seen a female Rastafarian singing songs which wouldn't sound out of place on ANY urban video station throughout the world outside of the Caribbean? I don't recall EVER having vibes to such an artist, and particularly not one who could achieve and maintain her status with reggae heads and international fans alike and do so seemingly effortlessly. The former reigning 'First Lady' of well known reggae label 5Th Element (former home of Chuck Fender & Richie Spice. . . Okay and Anthony Cruz too) did so well, so early in her young career that she would ultimately attract not only a bit of attention from the fans for her debut album, but likewise, a bit of label interest. Thus, (VERY unsurprisingly) the biggest Caribbean music label in the world, VP Records, took on Etana and now delivers on her debut album, The Strong One, one of the single most anticipated reggae albums of 2008. The Strong One joins Jamelody's Be Prepared (also from VP) as two of the recent truly high profile reggae debut albums to reach (also check out Cali P's wicked Lyrical Faya from Pow Pow). Like Be Prepared, The Strong One is an album which blends styles along with reggae in delivering its vibes; UNLIKE Be Prepared, The Strong One maintains its level and scores nearly all the way through.
Etana (like pretty much every VP artist there ever was) made the usual rounds appearing on the Strictly the Bests and Reggae Golds of the world and it is quite interesting that The Strong One comes forth on the same day as the new Reggae Gold album (incidentally, one of the worse RG albums in recent memory). But for the reggae heads, definitely this is THE album of the day. Like a few of Etana's peers, VP has brilliantly turned the reigns of her debut album over to the well capable and legendary Dean `Cannon' Fraser as well. Starting off this album of the day is the downright lovely Don't Forget (which I believe has already been tapped as The Strong One's third single) for Fraser. The tune is one which is actually more on a simple kind of lite-pop style of vibes (the somewhat `dehydrated' one-drop doesn't pick up for a minute) but it works COMPLETELY for the vibes. It also introduces her style to the point where it shows really her diverse nature at its peak on the album as she flips throughout her various vibes, the `root' of it all remains reggae music. Next up (speaking of) is the second tune which brought the August Town (yes, we're waiting on a Sizzla/Etana combination!) native to prominence, Roots. Roots is SPECTACULAR! The Steven Stanley produced one off is a song which DIRECTLY spoke to people about leading the youths away from His Majesty (and went on the strength of what was probably the best reggae video of 2007) and encouraging them (and all people for that matter) to never lose sight Rastafari. It is quite honestly about as PERFECT a tune which exists (and notice the very African style chanting backing throughout, an excellent touch which almost changes the vibes into something else completely but keeps it in the reggae landscape) and it struck a chord and a vibe with so many people (myself definitely included), yet, oddly enough I'm not calling it the strongest tune here, but definitely a `strong' second and that's saying A LOT. Finishing up the opening of The Strong One is on for the real roots heads, Jah Chariot for Fraser. Respect goes to Fraser or whoever at VP chose the album's song order as when I first heard the first vibe on the tune I just get a big smile as it is a perfect spot for a big one-drop style of vibes. For her part, Etana puts forth a calm, yet well powerful message for the people to stand with His Majesty and righteousness against oppression in HIS Chariot and to be mindful and detailed to do so (as she says later in the track; the most memorable line, "make sure when you sit up in trees, you better have good deeds, or the chariot just might pass you by!"). Just a wonderful vibes and I haven't heard an average tune yet.
And throughout the album you won't find such a tune (although I must admit the album's sole combination, Blessing with Alborosie is definitely my LEAST favourite tune here). The Strong One is literally saturated in highlights from beginning to end. Check the empowering I Am Not Afraid for Kemar McGregor's Rub a Dub riddim. Definitely one of the biggest tunes on the album altogether and one of the best from Etana period. I liken it to the type of tune you would hear from current roots chanter Lutan Fyah (more on him in a bit) where she sprinkles pure education in the vibes as well as riding the downright sublime Rub a Dub on another vibes for the roots heads out there. When The Strong One really moves into its highest gear, however, the results are even `stronger'. Check the AWESOME Caltariba System for Carl James. Besides the really cool and bouncy riddim, Etana, for her part, paints a picture which you almost wish was an accapella vibes because it in itself is beautiful from the opening, through its 4:13. Definitely one of the album's finest pieces. Then there's what is her signature tune (alongside Roots), the first time anyone really heard Etana was on the self produced Wrong Address. The tune is one which is pretty acoustic and pretty much outside of the scope of reggae (but notice the VERY subtle nyah drum in the background) musically speaking, but in terms of lyrical approach you may not find a `more' reggae style of vibes on the album (again, Roots notwithstanding) as she speaks about a practice which has happened and continues to in Jamaica, with people (especially the youths) being denied employment and opportunities strictly based on which address they place on their official application. It is a BIG tune and without it, you wouldn't be reading this review, because The Strong One wouldn't exist. HOWEVER, all that being said, what is the absolute STRONGEST piece on The Strong One and one of the simply most beautiful songs I have EVER heard in my ENTIRE LIFE, is Warriour Love for Fraser. At its base, it's a lover's piece, but it is also an uplifting tune which teaches its power through love between man and woman. And, again, notice the very Afrikan styled chanting throughout which really puts the vibes over the top. Were I to compile a list of my favourite tunes EVER, Warriour Love would probably be somewhere in the top 20. AMAZING! The balance of The Strong One keeps the vibes boiling still! Check the tune which immediately follows Warriour Love, Wasting My Time. Wasting My Time is a powerful (POTENTIALLY) jilted lover style tune `disguised' as a dance track and she definitely enlisted the right person for the job in Stephen `Lenky' Marsden (who you know from having produced the Diwali). On the flipside of Wasting My Time is Etana on More & More a very `cute' tune which finds our heroine vying for the affections of a certain someone with whom she is currently on a friendship only style of relationship, definitely a relatable vibes for everyone. The somewhat full circle lover's piece here (outside of Warriour Love) is the very nice Closer. The tune is the one which could definitely find a home in r&b circles throughout the world (as could several of the others here) and hopefully it gets its chance to do just that at some point. The Strong One closes out with one of my favourite tunes altogether here, the BRILLIANT Nuclear. The tune takes about a minute to really pick up and get going but when it really shows its power, it's a tune warning the world of the inevitable should our leaders continue in the same manner as which they have.
What's missing??? Would have love to see her current piece of mastery combination with Lutan Fyah, Guns on this album (and THANK YOU VP for not including the AWFUL combination with Bascom X, Wanna Make Love To You).
Overall, while going into such an album, I typically line up a debut album and compare it with other current debuts and not only has Etana topped Guadeloupean Cali P's superb Lyrical Faya on that side, but just might have topped EVERYONE by dropping a STRONG candidate for reggae album of the year. Definitely roots heads (and maybe even myself) will call for her to maybe mix in a few more straight reggae pieces on future releases, the material here is STRONG enough, in its own settings and vibes that even we can't skip this one. The second this album reaches the masses, Etana becomes a STRONG nominee to reach the mainstream. I'd recommend The Strong One for not only the reggae heads, but r&b heads and maybe even pop fans can apply to this one as well. It doesn't matter which music house you might dwell in, there is no wrong address for The Strong One! AMAZING! GO GET IT!
Alaine "Sacrifice"
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| By | Achis (Kingston, JA/Philipsburg, SxM) - |
I had very high hopes for 2007. The year, which began as potentially one of the biggest in recent memory for not only fans of reggae music, but fans of all forms of Caribbean music, hasn't disappointed none at all. Besides the rather controversial manner in which the Cricket World Cup played out, the vibes here have been at an all time high. When reggae music is at it's best, or when soca music is at its best, with the top notch artists making the top notch vibes, there is no greater region in the world and one could clearly claim, that at least for recent years, within the past decade or so, 2007 has been a standard bearer, an all around excellent year for vibes. For those very few of us who actually buy reggae albums (and I do mean `FEW') 2007 has also been a spectacular year with such a wide and varying array of artists reaching with releases already and still many more to come. When the year began the few that were at the time known: There were to be all but certain releases from such artists as Richie Spice, Spragga Benz, Ras Shiloh, Natural Black, Chuck Fenda and perhaps most anticipated, Lady Saw's return with what turned out to be the very very solid, Walk Out. Still even more were released as the year has progressed such as offerings from the cast of `usual suspects, i.e. Sizzla, Luciano, Turbulence (all of whom have made multiple releases in 2007), Lutan Fyah and Anthony B, as well as others like Bunji Garlin representing for soca, another Natural Black album (three in all this year. . . ), Jah Mason and Chezidek, and that's just the first half of 2007. The second half, while it figures to have a bit less in terms of quality does boast potential releases from such reggae giants as Bounty Killer, Elephant Man, Wayne Wonder, Assassin and perhaps the grandest prize of them all of 2007, a potential release from Capleton in late 2007 (and I'd be downright shocked if Sizzla reached the end of the year with a `pedestrian' two releases). Another nice twist for the year is the potentiality of several very nice and very high profile debuts from young artists. The first of note was May's release of (BROWN's TOWN native) Ras Myrhdak (BIGGUP ST. ANN'S MASSIVE!) on his well powerful debut, Prince of Fyah and just recently dancehall singer Mavado tripped up the vibes with his scalding debut Gangsta For Life. In the offering for the rest of the year, potentially, are debuts from the likes of Aidonia, Munga Honourable and the long overdue Ce'cile album, (as well as the first `free` debut of soon to be released singer Jah Cure). Other nice finds even still brim outside the normal radius of reggae, including releases from Josie Mel and Cocoa Tea, and the official releasing of Tony Rebel's I-Rebel and Queen Ifrica's debut album, Fyah Muma, you almost have to be impressed with the vibes of 2007.
All that being said, one of the single most anticipated releases for me personally comes in the form of one of the freshest breaths of air dancehall has seen in quite some time. The US born, Jamaican blooded and grown Alaine Laughton has established herself as THE current female dancehall singer of preference in the past two years following such wonderful names as Chevelle Franklyn and Nadine Sutherland (who herself has a nice album this year as well, the excellent Call My Name) (and arguably sharing the role with Ce'cile who sings almost as much as she DJ's). Guided by one of the finest young minds and production talents in the music, Donovan `Vendetta' Bennett, the young singer has made her name backed by some of the most lush and fluid riddims of this generation, Alaine has made a beautiful style of music which is accessible to both reggae fans, and MUSIC fans alike. Her music even more so blends the r&b stylized dancehall with more mainstream vibes, although she is seemingly just as comfortable riding hardcore riddims (most notably those produced by Vendetta and young dancehall production trio, Daseca) which are likewise given to some of the harshest male dancehall DJ's in the game, like Vybz Kartel and Busy Signal. I myself have rather enjoyed Alaine's rise to prominence, particularly as she has mixed and collaborated with some of the more hardcore styles of dancehall. I cannot tell you how many compilations have been saved by Alaine's vibes! Through listening to riddim albums and other hardcore compilations, an Alaine tune can blend in with the rest on a riddim and yet not interfere at all with the overall vibes of a riddim. Check either of Vendetta's riddims, the Sweat of the Justice albums as evidence of Alaine giving a nice woman`s touch to some of the more harsh dancehall riddims. On the other side, the softer more rootical vibes is where Alaine truly excels and exactly what she does on that type of vibes is DEFINITELY something to hear. Drawing a line which is closer to her dancehall counterparts than her more rootical ones, Alaine creates GEMS of romantic and laid back songs which had been missing for quite awhile in the dance. The dancehall love song is a song which is always appreciated, but many of its greatest performers in recent times, most notably the legendary Beres Hammond, haven't been as active or accessible as one would hope (wouldn't it be soooooooooo nice if Beres would put out an album yearly?) and not to mention that many have been. . . Men. Alaine represents ultra consistently (and she has a very very nice song with Beres, Love Sound, which will probably be included in his next album) for the women, arguably making some of the strongest lover's material seen in the dancehall in quite a long time. She is very active, very consistent, and if you can't tell, I kind of like her just a little!
Taking the Japanese route as many of her peers have in recent years, Alaine brings forth her highly anticipated debut album for Avex Records of Japan. Apparently the label, along with another Japanese label, Victor, has some sort of working relationship with western reggae giant VP Records as they both have been at the helm of several very anticipated albums as of late, most recently, in March, hardcore dancehall veteran Spragga Benz made his long awaited return with the album Live Good (which I'm still trying to get down here); also in recent years, VP artists Da'Ville and Voicemail have made their true debuts months before making their `debuts ` with the label itself on Japanese labels and dancehall production group Ward 21 FINALLY returned last year with their third album, the awful King of the World, also for a Japanese label. Alaine takes the same road with her Sacrifice, named after her MASSIVE current hit of the same title. Of course, the album is produced by Vendetta with the majority of productions coming from Vendetta and "Daseca". What would be the real complaint here, as is the case with many reggae albums released internationally is that Sacrifice is full of older songs. Any fan would most likely already be familiar with roughly 90% of sixteen tracked Sacrifice. However, unlike many other albums built on the same practice, what can be said about sacrifice is that most of the songs here are not only just good songs, but are PROVEN hits. And if you are fan of the artist, much like myself, you really won't mind too much (and I know that's sounding a little two faced considering I ripped several albums, including Ward 21's for having albums which were old and stale a full year before they were actually released) because Alaine makes such wonderfully beautiful material. Then there's her voice! In reggae you have very few artists whose tone is more applicable to the style of music which they make, definitely Beres Hammond falls into that category as his cool and docile vocals flow effortlessly over his. . . Cool and docile songs; Alaine's laid back, yet strong voice which has several levels beyond what she typically uses is custom fit to her songs of varying degrees an styles.
My favorite Alaine song is also my choice for Sacrifice's best offering and its saying a lot because, as I mentioned, the album Is full of hits. Vendetta's Season's riddim is the backdrop for one of the most beautiful songs I have ever heard as the songbird creates a vibe so strong on her No Ordinary Love, that it is fully my intention to play the song at my wedding! No Ordinary Love, despite her career to date and developing in the future is sure to be Alaine's signature love song. It was one of the finest songs on the riddim which is saying a lot as even the riddim itself, full of hits like Jah Cure's epic Love Is, Wayne Wonder's excellent I Believe, Sean Paul's international hit Never Gonna Be the Same and Natural Black's Jamaican #1 hit, Far From Reality; Alaine's No Ordinary Love more than holds its own with any of those tracks. The `supporting' cast is full of tracks which I probably voted as the best tracks on any given number of compilations over the past couple of years. One such a track is Deeper! Deeper is a song with an abundance of beauty, it could lend some beauty to another song, and still be a beautiful track! It was one of her bigger hits and having had the opportunity and utter joy of seeing Alaine perform the song live, it loses none of its luster in live situation. Another such song is the gorgeous Rise In Love over Arif Cooper's equally gorgeous Guardian Angel riddim, if this album were released two or three months ahead of when it actually was, it probably would have been titled Rise in Love, a very fitting titled to the album still and somewhat a term by which Alaine's entire career has projected to the head of dancehall. And there's also Heavenly! Over Vendetta's riddim of the same title and despite the presence of Richie Spice's excellent hit, Brown Skin, rather easily the best track on the riddim. Currently Alaine is riding high with the title track. The song was a one-off for producer Vendetta who pushed it greatly making it arguably the biggest hit of her career to date. Sacrifice actually leaves the arena where I could simply call it `beautiful' or `lovely' and armed with a wonderfully done video, directed by local video kingpin Ras Kassa, I would call the song, sexy, first and foremost, it is a song, love will be made to!
On the other side, the harsher side of the vibes, check Anything,. Anything flows easily over Daseca's Anger Management riddim (which was the same riddim which backed Full Clip from Busy Signal and Mavado, and Mavado's own signature track, Real McKoy, and she feels just as home over the vibe as her bullet crazy male peers scoring a shot which ranks amongst the albums best and the riddim makes virtually no changes or accommodations to Alaine, but she shifts her own vibes to fit it. Check Wine, an earlier hit from the singer over Vendetta's Sweat riddim and I remember in reviewing the album for the Sweat riddim saying how a couple of the newcomers had actually outshined their well veteran counterparts (the other being Alaine label mate Munga). Her newest dancehall shot comes over Vendetta's Back Ache riddim with Ya Ya (I Want It) which is a nice mix up with the vibes as it shows Alaine genuinely having a fun with the riddim, it almost comes off as a complete freestyle with her going to Spanish even at times. And check Make Me Weak which rides the same infectious Smash riddim made famous by Tony Matterhorn's Dutty Wine.
From the newer material on Sacrifice check Earth Cry which is probably the song which best shows Alaine's true lovely voice in all of its forms over a smooth acoustic riddim. The song builds nicely over its 3:44 and she blows the lid off her voice nicely at least once during its course. And Keep Loving You, one of Sacrifice's stronger tracks built over a bubbly but laid back "Daseca" track (and listen to the first second of the track to see why I call it "Daseca"). The album fittingly ends with a very nice remix of the title track which incorporates more of a jazz sound into the vibes and of course, the track still works.
I'm definitely recommending Sacrifice, not only to reggae fans and fans of Alaine's but to r & b fans as well. I can definitely Alaine's vibes being appreciated in the r & b/ pop genres as well and just anyone who really enjoys strong music. Of course it helps if you love reggae, this is still Jamaican music, albeit with a slightly progressive sound. Of course, I admit to my own partiality, I'm a large fan of Alaine's and having had the pleasure of meeting the singer I can say that she's a nice person as well. Do yourself a favor, pick up her NICE album.
Source:http://www.amazon.com
Ragga Ragga Ragga
By | Achis |
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It doesn't require one to have been paying a great deal of attention over the last year or two to notice that dancehall music has taken an obvious change in direction. All but gone and missing are the `one-step' assembly lined dance instructional tunes which really clogged the vibes, in my opinion, and dancehall has seemingly moved on to its next developing trend. That developing trend has been one which has drawn a ton of criticism, but in my opinion has shown a great display of SKILL to the international music listening community. It is one thing where we have people all over the world dancing to songs which are made for no other purpose than to make them dance (and I'm definitely not saying anything is wrong with that type of music, it does get tiring after awhile however), but it is yet another when you push tunes which are entirely more lyrical and more detailed and it definitely gives listeners who may not know the vibes the chance to see dancehall as something more than party time vibes (even though we like that too). This `new' type of vibes is actually somewhat of a return to the old school which saw such artists as Ninjaman, Louie Culture, Mad Cobra and later Bounty Killer and Merciless when the highest goal was apparently displaying one's lyrical gun to be the dancehall's absolute biggest and strongest without peer. Unlike the days of old, however, the vibes these days are a bit stronger (in terms of meaning, not necessarily in terms of quality) and DEFINITELY more harsh. Ninjaman, who was one of the fathers of the vibes and definitely the subgenre's most well known champion, along with Mad Cobra had a style to their vibes which, although it was VERY violent even back then, it was on a level which had some subtlety to it which would allow most listeners to CLEARLY see that the material was done largely for the sake of performance and music. Now, things have changed a bit. Again, you don't have to be a dancehall head to have heard the critiques that the dance has once again become too violent and now, seemingly vanished has that overstanding that the vibes were literally for the sake of the vibes and that things were going to be left on musical terms, artists these days have taken the art of the gun and the war in dancehall to a completely new level. We now have names such as Vybz Kartel, Busy Signal, Aidonia and especially singer Mavado who have rewritten and reshaped the template for making gun tunes a simple `one-step' just will not do anymore and fans are eating the vibes up!
Thus, the vibes on the latest installment of Greensleeves' annual Ragga Ragga Ragga series were absolutely of no surprise to me at all to see the series having taken a definitive change in its approach of compiling tunes. RRR 2007 was an album which was largely comprised of tunes of the dance-step variety as have been several of the more recent installments (I do, however, recall RRR 2006 being quite strong and straight forward dancehall) and it was definitely one of the low points of the series for me. Ragga Ragga Ragga 2k8 on the other hand has made a complete 180° turn and is now attempting to capitalize on the entirely more harsh brand of vibes. It should be said that Ragga Ragga Ragga 2008 is the final installment of the series which was helmed by Greensleeves Records itself as the company has been sold to its longtime chief rival and biggest label producing Caribbean music in the world VP Records. I don't exactly if after 2008 we'll even see the series continue as, at least in my opinion it would be quite difficult to keep ALL the various compilations which Greensleeves annually releases (besides RRR is the biggest Anthem, both Dancehall and One-Drop, the Samplers series, new series such as Monsters of Dancehall and High Grade Anthems and the steady streams of re-issues and riddim albums as well and as VP has their own Riddim Driven series for riddim albums and a whole new label, 17 N. Parade, strictly for re-issues and greatest hits releases, SOMETHING figures to be lost in the shuffle between the merger) so this may be a significant piece as Greensleeves has historically had a harder edge in their selections than VP Records. This year is no different as the ranks of tune selections is filled with a few of the usual cast of characters who specialize in building high-tech killing field type anthems as well as a few new names, unlikely choices and one INFINITELY STRONG blast from the past. There are a few missing names as well, particularly that of Bounty Killer, who would have more than made a strong showing on such an album, and definitely a few other choices of younger artists (especially Aidonia) who really could have made this Ragga Ragga Ragga edition a bit more solid in the end (it would have been nice just once to see at least a twenty track edition of RRR over the years), however, as it stands RRR2k8 is a decent enough sampler of the current vibes in dancehall and whoever was in charge of track selection clearly had his/her eye on choosing some of the biggest anthems of the moment as the Tracklist reads as virtually the chart list does currently in reggae with more than a couple of these tunes having been number one on the charts very recently (including one which still is, or the last time I checked it was). Also, it is worth mentioning that with albums like this, the PRODUCERS get just as much (and sometimes more, such as here when they have multiple productions on the same compilation) attention as the artists. Therefore, you not only get introduced to some vocal talent and acts which you may not have known previously, but you also get, potentially, some of the best forth coming talent in production alongside the artists on the mic.
What is on the mic on Ragga Ragga Ragga 2008 is just heavy heavy. Its so heavy that even beforehand I'll go ahead and mention it that its probably the type of compilation which could possibly appeal to hip-hop fans while hardly ever stepping out of the scope of dancehall. Particularly, fans of `gangster rap' might really enjoy the heavier vibes in RRR2k8. Such a heavier vibes gets things started with the SPECTACULAR On The Rock from dancehall's favourite demonic singer Mavado. On The Rock on a violence scale is actually MUCH more tame than anything you will typically hear from the singer, but it shows that not only can he do the violent thing (and he can do it better than probably anyone else can right now). Flowing over Baby G's huge Mission Riddim, On The Rock has actually already attracted quite a bit of attention from the hip-hop community with it's undeniably biggest star, Jay-Z having recorded (and even performed) a remix for the song. For Mavado, the tune shows a relatively SLIGHT change and possible next dimension to his vibes and is definitely a nice step in the right direction (as Squeeze Breast, whatever that was, was a rather MASSIVE step in the WRONG direction) as he utters the unforgettable lines (for him), "Music a gyal over gun!". REALLY? Maybe we'll be seeing a different Mavado in the future (don't hold your breath). Definitely On The Rock (with the best chorus on the album) is a nice start. Next up is current can't-miss hitmaker artist/producer Demarco with the equally MASSIVE Duppy Know Who Fi Frighten on the Shootout riddim. If you don't really pay too close of attention you might actually think that the first two tunes here flow along on the same riddim with both coming with the VERY heavy vibes, as the Shootout (made by Baby G's older brother John John, both sons of the legendary dancehall producer King Jammy) comes just as strong. Duppy is one of several tracks which marks Demarco's arrival to the big stage of dancehall music. And, again, it is definitely the type of tracks I imagine hip-hop fans will eat up as the varying big voiced Demarco puts on full display a high-tech DJ style (you'll hear MANY different styles from the artist if you listen enough) which is downright infectious. Closing the intro here is a tune which is definitely my choice for the biggest tune on RRR2k8 altogether, the MASSIVE (Nah Go A) Jail from Busy Signal. 2007 marked the re-arrival of Busy Signal as, after a brief hiatus, Busy returned and reminded many (myself included) who had seemingly soured on the ST. ANNZ native (biggup ST. ANNZ!), exactly that he was one of the single most skilled DJ's in the game. Jail is a tune recounting one of Busy's unpleasant stays in the title subject and he weaves just a completely DOMINANT tale completing the trio of Jammy's descendants as he rides Jam 2's knocking Cry Holy riddim to PERFECTION!
If Jail isn't the biggest tune here and Mavado's On The Rock just doesn't reach you and neither does Duppy Know Who Fi Frighten, then perhaps it is the surprise entry from a blast from the past which might. Checking in is the legendary Mykal Rose with the title taking track from John John's Shootout riddim. The tune might just be the number one tune on the charts right now (if it isn't then certainly the song which immediately follows it here is). With the tune Rose joined Junior Reid (two former Black Uhuru lead singers incidentally and last I knew Rose was back with Uhuru for a forthcoming album) as two legend singers to not only reach back but do so with tunes made COMPLETELY for today's generation. Shoot Out is a song which shows TRUE talent can never die as Rose, longtime one the dancehall's most talented singers ever, delivers one of the most SPECTACULAR showings of his entire career, which is definitely saying a lot! Directly following Shoot Out are two bonafide number one tunes. First up is Busy Signal again checking in with Wine Pon Di Edge which is not one of my favourite's from the artist at all but has become ULTRA popular since its release. Flowing over the Black Rain riddim (which was actually crafted by Demarco) Wine has attracted so much attention and has spent the majority of the year bubbling at or near the top of the charts (previously having split time with the previous dominant number one tune, Erup's WICKED Click My Fingers, now doing so with the tune which precedes it and the one which follows it here). The tune is the type of tune which I think shows a significant change in dancehall. Even if the tune isn't violent, it still sounds heavier. Wine is a sexual vibes for the girls but even as recent as two years ago, the tune would have sounded different definitely. Now it is a high-tech not even close to being bouncy but dancehall EXTENSIVE track! Following Busy here for is, for the first of two efforts, the artist who has been most closely associated with this series as of late, Vybz Kartel with Money Fi Spend (the second tune he has ever done with that title), for young Stephen `Genius' McGregor's pounding Bee Hive riddim. If this series does actually survive, definitely expect to see more and more Genius productions throughout (it could actually be called `Di Genius Presents RRR' from now forth) as he has had a close working relationship with VP. Money Fi Spend is the type of dark and murky killing track which a matured Kartel is now capable of making as he mentions the clever line, "My blood too rich fi run". Kartel sits back to allow Busy Signal (another official Greensleeves artist) run the show here with only offering two tracks to Busy's three (and he does have protégé Black Ryno checking in with Ay Ya Ay Ya as well). It is worth mentioning, however, that Kartel's second effort, My Scheme is EDITED on Ragga Ragga Ragga! It just isn't right, clearly someone at Greensleeves was wary of `outraging' critics. Busy Signal's final effort on the album is definitely his most interesting, Knocking At Your Door (aka No Escape), piece three for the Shootout riddim. Busy Signal employs a COMPLETE talking style at the beginning which is something, again, which shows his overall craft and ability. The song is brilliant and definitely take it in a few times, one for the pure dancehall heads. I have to mention Daseca checking in as well with two pieces from their wickedly banging Drum Lane riddim. The `SE' in Daseca himself, Serani checks in with his ultra tight Study Me, he is topped, however, by his own artist, the wicked Bugle with Cyan Look Inna Wi Eye (the Drum Lane also comes back near the end with Firelinks and Matterhorn`s annoying This is How We Grow). Bugle is definitely a name to watch for the future and his is one of the few pieces here which get that old cadence of tunes at least and give a nice vibe. Lastly, for a bit of normalcy is Collie Buddz checking in with Rise It which sounds a bit like something out of Busy's catalogue at times, but Buddz does do a formidable job on the tune and the old school Madhouse sounding vibes of Massive B's nice Go-Go riddim are a very nice touch for a changeup here (even though Bugle rips the riddim with its best track Say What U Wanna Say).
Overall, for what it is, Ragga Ragga Ragga 2008 does a fair enough job. Its definitely better than 2007's version for me and it goes to show the next progressing dancehall trend, which is something an album like this SHOULD be doing. I would have loved to see the album as a whole take a more younger twist with names like Aidonia, Einstein (could have done two things and picked Einstein`s WICKED combination with mentor Bounty Killer, Tell Dem), Erup (who was on RRR2k7) and the wicked Bramma being showcased, however , its clear that the point here was compiling proven hits and that is definitely accomplished. I recommend RRR2k8 for dancehall fans who haven't been paying as good of attention as they might have liked to over the pass six months or so and definitely to hip-hop fans. The vibes here are so heavy, as is the current trend of dancehall, that you'll likely see one or two of these names playing on a mainstream stage, sooner or later.
Reggae Gold 2008
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July 17, 2008
Intellectual Violence - Keith Murray
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Shell Shock
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Rock, one half of the legendary rap duo, Heltah Skeltah, returns with Shell Shock. The Rockness Monsta has been at the forefront of attention lately as he is battling an attempted murder charge to which he has pled not-guilty. After being released from jail in the Winter of 2007, Rock has since appeared on MTV's Mixtape Monday's and has been published in The Source's Back-To-The-Lab Heltah Skeltah interview (April, 08 Issue) and in XXL Magazine (April, 08 Issue). His single "Attempted Murda" is climbing charts across the nation. Rock established himself as a prominent artist as one half of Heltah Skeltah (Nocturnal and Magnum Force albums) and is also part of the mighty Boot Camp Clik which just released their latest album "Casualties of War" in 2007 and has already shipped over 20,000 units nationwide. Rock is now prepping for a new Heltah Skeltah project with long time partner, Sean Price, entitled D.I.R.T. (Da Incredible Rap Team) which is scheduled to be released in the Fall of 2008. Shell Shock is new and original music from Rock with special guest appearances by Buckshot, Black Moon, Sean Price, Steele of Smif N Wessun, Ruste Juxx, and more.
I Pledge Allegiance to the Grind, Vol. 2
Better Than the Last!, July 15, 2008 | By | DC The Great "dc34" (CA) - See all my reviews |
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This one was on that "Official CD" tip. Bang! was the hardest, Can You Hear Me was the most motivational. If you don't like his CD, there's always the "My Cars, Clothes, 26"'s, H*es" CD's out there. Plenty to choose from too. I would love to hear Mike and Pastor Troy put a good trunk banger out.
July 13, 2008
D-BLOCK (JADAKISS, STYLES P., SHEEK LOUCH & CREW) PREPS THE AUGUST 19th RELEASE OF "PREPARE FOR GLORY"
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One of New York's most dynamic street cliques, D-Block preps their latest opus, August 19th's "Prepare For Glory."
June 25th, 2008
Anchored by core LOX members and platinum artists Jadakiss, Styles P. & Sheek Louch and also consisting of Poobs, Trav, Straws, A.P., T.Y., Bucky, Bully, Don D. & Large Amount, D-Block artists are collectively responsible for the sale of millions of units worldwide.
Having previously collaborated with such A-listers as Jay-Z, Diddy, Swizz Beatz, Eve, DMX & many more, D-Block and its crew of affiliated emcees once again assemble to bring that voracious, gritty, hardcore hip-hop to street corners around the world.
VIDEO: JADAKISS, STYLES & SHEEK LOUCH SPEAK ON "PREPARE FOR GLORY" WATCH IT NOW: http://www.ihiphop.com/crackTv.hhc?videoId=7226
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OFFICIAL LEAK TRACK: D-Block "That?s My Ni&*a" feat. Styles P., Jadakiss & Sheek Louch
DOWNLOAD IT NOW: http://burnupload.hiphopcrack.com/download.php?id=AF7BA77B1
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For more information, please visit: www.ihiphop.com/dblock www.babygrande.com
D-Block presents "Prepare For Glory" In stores August 19th, 2008
-- PR Department
Babygrande Records
212.633.8835
New Outlawz Street LP "We Want In" Stakes Their Claim in The Rap Game
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New York, NY (Billboard Publicity Wire) June 12, 2008 -- We Want In is the Outlawz declaration to music moguls, program directors, industry gatekeepers and hip hop bosses that with all due respect, they want in the game. Dubbed the street LP, 1 Nation Entertainment and Gold Dust Media will launch We Want In throughout North America, the UK, Japan, New Zealand and South Africa on August 5th.
Battling barriers is the status quo when Operating Under Thug Laws As Warriors. The Outlawz; EDI, Young Noble and Kastro have toured all over the world, galvanized countless devotees, and although they get the utmost respect from their musical peers, they have theoretically been on the outside looking in for over a decade.
"We've been knocking for a long time now," says Outlaw EDI "Now we're kicking in doors. We Want In is just another way of saying it's our turn." He continues. "A lot of these cats out here took pages from our books and were inspired by our rhymes...we don't want any of their money, we just want to do business."
The Outlawz have labored tirelessly to be recognized as one of hip hop's most prominent groups. As independent artists they are constantly on the grind and in the lab. They have been featured in top music publications from XXL and Source to Murder Dog and Scratch, earning honors as underground legends and boasting a discography that includes some of the most successful rap albums including; All Eyez On Me, Still I Rise, 2 Pac & Outlawz, Better Dayz, and Makaveli.
According to Young Noble, "We not begging to be accepted -- come on, we're Outlawz…We've worked with all of these dudes, kept it real with our fans and have held our own, but our money definitely ain't matched our fame." He goes on to say, "Label heads and artists are always speaking on how they ride for Pac, but respect ain't being shown for what we helped create. We on over 100 songs with Pac and 60 mill sold, how much work we gotta put in to get the credit we deserve?"
Even In the absence of a major label deal, the Outawz still consider themselves 'successful' and remain driven by their passion for making music, taking care of their families, building on the legacy of fallen Outlawz; Kadafi and Makaveli and staying true to ghetto gospel that they personify. The We Want In street LP speaks to the struggle for all the underground, independent hustlers forging their imprint in the game.
The Outlawz are launching the video for the album's first single; "We Want In" in the month of June. The street LP will be in stores August 5th. Submit Press Requests to Trea Davenport (Trea Day Management and Publicity) at 678.570.4930 or trea_d@yahoo.com.
For information regarding the distribution of We Want In, contact USA Media Director, Stephen Boles (Gold Dust Media) at 718.722.9935.
For More on the Outlawz and We Want In Music News Check Out:
Official Outlawz Myspace
http://www.myspace.com/outlawz
Media Contact:
Trea Davenport
Trea Day for 1 Nation Entertainment & Gold Dust Media
678.570.4930
trea_d @ yahoo.com
Outlawz Publicity Team
http://www.myspace.com/treadavenport
Continue reading "New Outlawz Street LP "We Want In" Stakes Their Claim in The Rap Game" »
June 25, 2008
Nas: The N****r Mixtape
June 24, 2008
Emmanuel Jal's - Warchild
lil Kim - Ms. G.O.A.T.
jean Grey & 9th Wonder - Jeanius
Little Brother - "And Justus for all"
Pick This Up Instead Of The Carter 3, June 10, 2008 | By | Derrick Dunn "DJ Aftermarh" (Waldorf, Maryland) - See all my reviews |
I've been a fan of Little Brother since the song Yo-Yo and unlike the garbage that is The Carter 3 this is real hip hop at it's finest. Even without the production of 9th Wonder, Big Pooh and Phonte display a lyrical hunger that harkens back to Brand Nubian and A Tribe Called Quest. All in all a fine CD that can take the place of The Carter 3 in my CD player any day.
G - Unit - T.O.S.
Killah Priest - "Behind The Stained Glass"
The RZA - Digi Snacks
Immortal Technique
June 16, 2008
The Color Of Ice: A Canadian Serenadem - George Graham
Color of Ice, The: A Canadian Serenade
George Graham
After his father’s death, Eric Taylor is left to fend for himself on a small farm in the mountains of Jamaica. He decides to seek his fortune abroad, and chooses Toronto as his new home. It is a decision he immediately regrets. Alone and half-frozen, he longs for the sunshine and sensuality of his homeland.
The civil rights movement is at its height, and the Vietnam War is raging. Catastrophic events in the United States have a profound effect on his perceptions—and on his life.
Early encounters with bigoted Canadians make him acutely self-conscious of his swarthy skin and Caribbean accent. When he falls in love with a white Canadian girl, his mind is filled with self-doubt and mistrust. But his talent for music and help from newfound friends open doors he never knew existed and shape a destiny beyond his wildest imaginings.
Wayne Marshalls' ; Tru Story!
Wayne Speaking about the mix tape says "the beats and songs are unpredictable, it delivers hip hop riddims, dancehall and reggae. This cd is strictly for promotion and will be distributed extensively over the internet and on the streets. Some of the songs that are featured are brand new jams never before heard on the road," he told YardFlex.
Featured on the mix CD are Bounty Killa with a serious high-grade medley, Busy kicks a freestyle collabo with Marshall, Sean Paul and along with Marshall present their new combination entitled "As far as I see".
Wayne Marshall also shared that Mavado and Jay-Z "On The Rock" is done in a different style, Junior Gong and Stephen Marley represents for "Tru Story" dub plate style along with the likes of Bling Dawg, Demarco, Esco, Dr.Evil, Future Fambo and much more.
Wayne Marshall assured that a lot of work was put into the mix tape to ensure maximum pleasure. He shared that the interludes are hilarious, the tracks are hot and the mixing is on point.
The cd is hosted by the Federation Sound headed by Max Clazer who is well known in both the reggae and hip hop worlds.
Source:http://www.yardflex.com
June 07, 2008
BUJU BANTON PRESENTS: Jamrock Classics Vol. 1
Gargamel Music will be dropping their newest compilation titled Jamrock Classics Vol. 1 in North America today, June 3. The compilation will be available in stores and online in the US and Canada.
Produced by Banton at his Gargamel Music studio in Kingston, Jamrock Classics Vol. 1, features stellar guest turns from the legendary Pinchers, George Nooks, Terror Fabulous, Ghost, Jah Cure, Yami Bolo, Tony Curtis and Lutan Fyah. Buju has two tracks on the compilation on with Gargamel artiste New Kidz on the deadly combo "Curfew" and the other with the timely anti-gun tune "Cowboys,"
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May 28, 2008
IYAGO ENTERTAINMENT GROUP Presents WHAT BLACK MEN THINK
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IYAGO ENTERTAINMENT GROUP Presents WHAT BLACK MEN THINK
An In Depth View of How Myths, Stereotypes and Misrepresentations render Black Men Non-Necessities in their Communities and Families... In the most provocative Black film of the year, Janks Morton presents a searing examination of the role that myths, stereotypes and misrepresentations have played in the decimation of modern era black relationships, and how the symbiotic relationship between government, the media and black leadership perpetuates misinformation to further marginalize the role of black men in society. Since the triumphs of the civil rights legislations of the early 1960s havoc and decimation has been wreaked on the Black family with a specific devastation on the Black man. With negative imagery of the media, the failed policy of the great society and modern era black leadership abandoning tenets that historically held the community together, a new form of mental slavery has perpetuated an undeclared civil war in the Black Community...
Jean Bayor - Testimony: my life story
As one half of the platinum duo that gave us some of the most memorable R&B tracks of the nineties, Jean Baylor, formerly Jean Norris, of the hit group Zhane returns with her first solo effort "Testimony: My Life Story". As an artist, she transports her audience to another place...delivering vocal performances so angelic that it makes you feel like you're floating on a cloud. Song after song, Baylor demonstrates her growth musically, spiritually, and lyrically from years past, and the end result is a compelling collection of songs remarkably blended in elements of hip hop, pop, and R&B/Soul. Not only is Testimony: My Life Story the personal soundtrack of Baylor's life but it's a compassionate anthology filled with hope, inspiration, and gratitude. Drawing from her own life's experiences, she pulls listeners in tight and up close with personal accounts of her journeys of love, pain, and spiritual growth.
source:http://www.blackplanet.com/Jean_Baylor/
May 22, 2008
Soca Gold 2008 - Various Artist
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Product Description
SOCA Gold 2008 shines with 17 reggae jewels like 'Get On' by Fay Ann Lyons Alvarez, 'Breathless' by Roy Cape featuring Blaxx, 'Gyal Farm' by Shal Marshal/Kerwin Dubois, 'Feel Like I'm Home Again' by Edwin Yearwood, 'Soka Junkie' by Mr. Dale, 'Pressure Boom' by Ricky T and other glistening jems for your wild nights.
Afro Bop Alliance - Caribbean Jazz Project
From the Artist
The genesis of the project was more organic than top-down conceptual, says Dave Samuels, who first encountered the Afro Bop Alliance a few years ago and enlisted trombonist Dan Drew to rearrange some CJP tunes originally written for the small group setting. "Dan very cleverly and artfully took these songs and orchestrated them for big band," says Samuels. "Then I thought, `Why don't we try to record this and see what happens?' So the whole idea evolved from the music outward, as opposed to the concept coming before the music."
The results were eye-opening, even for the musician who composed the original pieces. "Repackaging something that had been played a lot in a smaller group was a way to see it and hear it in a new light," says Samuels. "You react differently to it. It's a different ball game. It's the difference between playing on a five-man team and a fifteen-man team. And if you're the listener, you may have heard these tunes with the small group, but it's a completely different experience hearing it with this big band."
About the Artist
The Caribbean Jazz Project, the Latin jazz collective of vibraphonist David Samuels, steel pan drummer Andy Narell and saxophonist Paquito d'Rivera, crafted their first recordings on Heads Up International in the 1990s and immediately captured the imagination of audiences and critics worldwide. In the years since, the GRAMMY Award winning ensemble CJP led by Samuels has recorded subsequent albums on the Concord label and a few of the faces in the group's roster have changed. Nevertheless, Samuels and company continue to explore and test the commonly accepted boundaries of Latin jazz - and jazz in general - via innovative compositions and exciting arrangements.
Since their inception less than five years ago, the brassy and high-energy Afro Bop Alliance has electrified audiences at the Kennedy Center for the Performing Arts, the Smithsonian Jazz Café, The W. C. Handy Jazz Festival and many other music and cultural festivals.
Product Description
The Caribbean Jazz Project-Afro Bop Alliance, set for release on Heads Up International, recasts nine CJP signature pieces - some by composer/vibraphonist Dave Samuels and others by Coltrane, Monk and other jazz luminaries - in a fresh new light via full-bodied arrangements by the Maryland-based Afro Bop Alliance, one of the most exciting new bands on the Latin jazz scene today.
Hot and Sweet - Mighty Sparrow
Product Description
The Mighty Sparrow is known as one of the Caribbean's most successful calypso artists. He has made a whole host of albums from the 1950s all the way up to present day, mostly for small independent labels. He did make one album for Warner Brothers Records in 1974, Hot And Sweet. We now present this album on CD with the original WB artwork.
Caribbean Connection
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The reggaeton from Puerto Rico, musical genre that is monopolizing the musical panorama, now will come to countries where it is still unknown. "Caribbean Connections" (New Era Entertainment/VI Music/Machete Music) it is a masterpiece that will let the public learn the origins of reggae and its influences in reggaeton. "Caribbean Connections" presents an impressive mixture of Caribbean's sounds and pretends clarify the rumored conflicts and competition among both famous musical genres. This new album features the best exponents of Puerto Rico's reaggaeton with famous artists of reggae coming from Jamaica, Barbados, Cuba and Dominican Republic. Creating a unique merge of the Caribbean that will make history. The reggaeton from the Island of Delight (Puerto Rico) was born from the influence of Jamaica's reggae. The reggae movement has climbed up to countries like Europe, Asia and Japan, places that until now just a few exponents of the Puerto Rican reggaeton are notorious. But now with the album "Caribbean Connections", the artist of reggaeton will be lead hand to hand by the artists of reggae already known in this countries, where surely, they will impose the only and incomparable style. "Caribbean Connections" present singers from the old school reggaeton rithm as Vico C, the international height of Daddy Yankee, Don Omar and Wisin & Yandel; famous reggaeton singers as Julio Voltio, Angel & Khriz, Zion & Lennox, Héctor " The Father", Eddie Dee, Alexis & Fido, Baby Rasta, between others performers of reggae as Bennie Man, Cuban Link, Wayne Wonder and many more. The producer of this new album, Nelson Gustavo Colón, consider this moment a strategically term to create a compilation of this height and caliber.
Click here for more HIP HOP and R&B
May 21, 2008
Rude BOY
Editorial Reviews
Product Description
Featuring tracks by Snoop Dogg Elephant Man Sizzla and Buju Banton and starring Ninja Man and Beenie man - witness the biggest trade connect between the U.S. and Jamaica when a naive Jamaican becomes a mule for the deadliest Don on American soil.Julius St. John has big dreams of becoming the biggest reggae DJ in the U.S. but when his status in America is jeopardized he makes a deal with the devil and agrees to carry a bag of contraband through customs in exchange for his papers. But what begins as a one time deal descends into a deadly spiral that Julius cannot escape-and murder is the only way to survive.System Requirements: Running Time 91 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 012236151654 Manufacturer No: 15165
Featuring tracks by Snoop Dogg Elephant Man Sizzla and Buju Banton and starring Ninja Man and Beenie man - witness the biggest trade connect between the U.S. and Jamaica when a naive Jamaican becomes a mule for the deadliest Don on American soil.Julius St. John has big dreams of becoming the biggest reggae DJ in the U.S. but when his status in America is jeopardized he makes a deal with the devil and agrees to carry a bag of contraband through customs in exchange for his papers. But what begins as a one time deal descends into a deadly spiral that Julius cannot escape-and murder is the only way to survive.System Requirements: Running Time 91 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 012236151654 Manufacturer No: 15165
Source:REGGAE
Reggae Uncensored (Reggae U)
Editorial Reviews
From the Director
"We feel extremely proud of the world class quality and professionalism of this exciting new product, and we feel this DVD will continue to push our music to new levels of understanding and acceptance globally" -Ray Stewart, Executive Producer
Product Description
Reggae Uncensored (Reggae U) gives you an inside look into what's really going on in the world of reggae music & its culture. Reggae U takes you on the road, backstage, behind closed doors and outside the eye of the mainstream media to bring you a unique look at Reggae. This first installment features today's biggest & most prolific reggae stars from Sizzla Kalonji, Damian (Jr. Gong) Marley, Sean Paul, and Beenie Man, to new rising stars like Mavado, Ding Don, Aidonia, Macka Diamond, Empire ISIS and numerous others.
Urban DVD pioneers Nutz Films, who brought you the #1 Hip-Hop Uncensored DVD series, went back to their roots and teamed up with Chyna Doll Productions, Inc. in creating the most cutting-edge visual imagery to present Reggae U; hip-hop's older sibling whose music & culture embody the universal language of today's youth. Reggae U's exclusive video footage will both shock and thrill while exposing a rarely seen side of one of the most electrifying and influential forms of music in the world.
Chapters:
1. Dingo Dong & Ravers Clavers
2. Return of Ninja Man
3. Damian "Junior Gong" Marley
4. Sizzla Kalonji
5. Sean Paul
6. Junior Reid
7. Mavado
8. Day in the life, Aidonia
9. Collie Buddz
10. Irie Jamboree
11. Shopping with Macka Diamond
12. Labor Day on the Parkway
13. Rise & fall of Jamaican Don
14. 77 Clash
15. Empire ISIS
16. Beniton the Menace w/Louis Rankin
NY's Finest (Instrumentals)
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Editorial Reviews
Product Description
NY's Finest is an album by Hip-Hop producer Pete Rock. The album was Rock's first studio album since 2004's Soul Survivor II. The first single is "914", featuring Lox members Styles P and Sheek Louch, backed with B-side "The PJs", featuring Wu-Tang Clan members Raekwon and Masta Killa. Rapper, DJ, and producer Pete Rock first emerged in 1991 as one half of a duo with C.L. Smooth, debuting with the All Souled Out EP; the hit LP Mecca and the Soul Brother followed before the two went their separate ways in the wake of 1994's The Main Ingredient, with Rock remaining a prolific studio presence prior to the release of his solo debut, Soul Survivor, four years later. BBE issued the hip-hop-centric PeteStrumentals in spring 2001.
Product Description
NY's Finest is an album by Hip-Hop producer Pete Rock. The album was Rock's first studio album since 2004's Soul Survivor II. The first single is "914", featuring Lox members Styles P and Sheek Louch, backed with B-side "The PJs", featuring Wu-Tang Clan members Raekwon and Masta Killa. Rapper, DJ, and producer Pete Rock first emerged in 1991 as one half of a duo with C.L. Smooth, debuting with the All Souled Out EP; the hit LP Mecca and the Soul Brother followed before the two went their separate ways in the wake of 1994's The Main Ingredient, with Rock remaining a prolific studio presence prior to the release of his solo debut, Soul Survivor, four years later. BBE issued the hip-hop-centric PeteStrumentals in spring 2001.
Source:HIP HOP and R&B
Rising Down - The Roots
Editorial Reviews
Product Description
Grammy award winning hip-hop trailblazers The Roots are set to release Rising Down on April 29th via Def Jam Recordings. Known for their prolific lyrics and live instrumentation, the Legendary Philadelphia crew is composed of Tariq "Black Thought" Trotter (vocals), Ahmir "?uestlove" Thompson (drums), Kamal Gray (keyboards), Frank Knuckles (percussion), Kirk "Captain Kirk" Douglas (guitar) and Owen Biddle (bass). Garnering critical praise throughout their career, The Roots have firmly established themselves as a band with uncompromised artistic control and integrity. With Rising Down, the band's 10th album release, The Roots continue to take bolder steps adding new depths and range to their repertoire. The Roots co-founder ?uestlove states, "This is probably our most political album to date dealing with addiction, nihilism, hypocritical double standards in the prison system and overall life in Philadelphia. I'd say it's more mature and intense than all of our efforts but not a `downer' as most people expect us to do."
The political nature of Rising Down is not only heard within the music. The title comes from William T. Vollmann's treatise on violence entitled Rising Up and Rising Down, and the release date falls on the 16th anniversary of the Los Angeles riots sparked by the acquittal of the police officers accused of beating Rodney King.
Standout tracks include: "Criminal" a reflection of life on the streets and unjust persecution, "I Will Not Apologize" a tribute to Fela Kuti that discusses keeping dignity in the music biz and "I Can't Help It" a look at addictions and urges that compel us all. Additional guests on the album include Common, Mos Def, Talib Kweli, Saigon, Dice Raw, Wale, Chrisette Michele and more.
Source:HIP HOP and R&B
H.N.I.C., Pt. 2 - Prodigy
Editorial Reviews
Review
Mobb Deep s Prodigy has embraced the chaos, pain and disarray that s cursed much of his life and used to power an angry, pained, and ironically vital album, H.N.I.C. Part 2. Prodigy s physical self may be incarcerated, but his music has never sounded freer. --Vibe Magazine
Product Description
Prodigy is one half of the successful rap duo known as Mobb Deep. H.N.I.C. Pt. 2 promises to be the return of Prodigy fans and critics know and love. Look for Prodigy to drop his harsh reality-based rhymes about the darker side of urban life with an unbalanced and sedate flow. Prodigy has undoubtedly proved himself to be a visionary solo artist and H.N.I.C. Pt. 2 will further solidify his status as one of todays premier artists.
Mobb Deep s Prodigy has embraced the chaos, pain and disarray that s cursed much of his life and used to power an angry, pained, and ironically vital album, H.N.I.C. Part 2. Prodigy s physical self may be incarcerated, but his music has never sounded freer. --Vibe Magazine
Product Description
Prodigy is one half of the successful rap duo known as Mobb Deep. H.N.I.C. Pt. 2 promises to be the return of Prodigy fans and critics know and love. Look for Prodigy to drop his harsh reality-based rhymes about the darker side of urban life with an unbalanced and sedate flow. Prodigy has undoubtedly proved himself to be a visionary solo artist and H.N.I.C. Pt. 2 will further solidify his status as one of todays premier artists.
Source:HIP HOP and R&B
Usher "Here I stand"
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Product Description
2008 album from the R&B superstar. Here I Stand is Usher's follow-up to his history-making, nine-times platinum-selling Confessions. The album tells the story of growth: triumphant, reflective, somewhat defiant and it marks a new period in Usher's life and creative expression. Here I Stand finds Usher working with some of the best producers and writers around including Polow Da Don, Jermaine Dupre, Dre & Vidal and Dream & Tricky Stewart. Features the first single 'Love In The Club'. Laface
2008 album from the R&B superstar. Here I Stand is Usher's follow-up to his history-making, nine-times platinum-selling Confessions. The album tells the story of growth: triumphant, reflective, somewhat defiant and it marks a new period in Usher's life and creative expression. Here I Stand finds Usher working with some of the best producers and writers around including Polow Da Don, Jermaine Dupre, Dre & Vidal and Dream & Tricky Stewart. Features the first single 'Love In The Club'. Laface
Source:HIP HOP and R&B
Tha Carter III Lil Wayne
Editorial Reviews
Cash Money/Universal Motown Records multi-platinum artist Lil Wayne is once again taking control of the airwaves and breaking records in both with "Lollipop," the first single from his highly anticipated album Tha Carter III. This is the biggest add week that a hip-hop artist has received at Rhythm Crossover and the biggest any artist has received at Urban Radio including Beyonce and Mariah.
"Lollipop," is being well received at key radio stations across the country including: New York (Hot 97), Los Angeles (Power), Seattle (93 KUBE), Miami (99 Jamz), Philadelphia (Power 99), Atlanta (Hot 107) and Detroit (Hot 102). Lil Wayne's MySpace page received over a million unique views this week giving him the #1 Top Artist profile on the site. The video is currently in heavy rotation at MTV, MTV2, BET's Rap City and MTV Jams, where it appeared as the Jam Of The Week. The "Lollipop" video is also in medium rotation at MTV Hits and on BET's main playlist. Lil Wayne will also appear on BET's annual Spring Bling and will be only the 2nd artist in the event's history to perform for an entire episode!
Since the release of his last CD, the platinum selling Tha Cater II, Lil Wayne has guest appearances on over 70 songs for other artists including Fat Joe's 2008 Grammy nominated single "Make It Rain," DJ Khaled's "We Taking Over," and Wyclef Jeans' "Sweetest Girl." He also released a duet CD with Bryan "Birdman" Williams titled Like Father, Like Son in 2006 which was a critical and commercial success.
Source:HIP HOP and R&B
VYP: Voice of the Young People by Lil Mama
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a voice worth listening to, May 3, 2008 Anyone who's been listening to music for the past year has probably heard of Lil Mama already. With her top 10 debut single "Lip Gloss" with an infectious beat, rap delivery and cool video. It made folks take notice of this young, upcoming rapper. What makes it even better she writes on every song on her debut cd "VYP: Voice of The Young People". Whether rapping about life's trials and hardships on "L.I.F.E" or about a guy who's pressing her to have sex "Swim". Lil' Mama is all about speaking on what's real and also having fun while doing it just listen to "What It Is (Strike a Pose) feat. T-Pain or her current top 10 hit "Shawty Get Loose" feat T-Pain and Chris Brown with a serious beat and up-tempo feel to it.
She brings out on a variety of songs. For a debut album its evident of where she's headed and thats a nice career in the music biz as long as she keeps it real. I see lots of success for her in the future.
Favs on the album:
"Lip Gloss"
"One Hit Wonder"
"Shawty Get Loose" (T-Pain & Chris Brown)
"What It Is (Strike a Pose) (T-Pain)
"G-Slide Tour Bus"
"L.I.F.E"
"College" feat Yirayah
"Broken Pieces"
"Swim"
Well put together first album for her and all the producers/writers that worked with her on this much respect for letting her speak her mind and tell it like it is. Well worthy of a purchase either here, Itunes or whereever you buy music from.
Source:HIP HOP and R&B
May 20, 2008
Lil JJ's "Almost Grown"
Almost Grown showcases Lil JJ's comedy, acting, rapping and dancing talents. Almost Grown also features show stopping performances by teen heartthrob Lil Tre, the precociously talented nNocent, Life and the Almost Grown Dancers.
Source:http://www.thinktankmktg.com/projects/more/220/lil_jj_almost_grown_variety_show
May 14, 2008
Hidden in Plain Sight -Positive Messages in Mainstream Rap Songs
Hidden in Plain Sight -Positive Messages in Mainstream Rap Songs courtesy of Rap & Rock confidential
rockrap@aol. com
"Hip-hop needs to find the next subject. Politics and social stuff—those are going to be the next real subjects groups get into.
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—George Clinton-
, Detroit Free Press, summer 2007
Too many in the hip hop audience accept the big lie promoted by opportunist preachers and politicians that hip-hop is only about madness and misogyny. The truth is very different. There are many, many hip-hop songs reaching millions of people which carry a message of unity, songs whose protests and promise promote a vision of a world without war, poverty, and racism. The truth here should set us free, free of false divisions between mainstream and underground, between bling bling and backpack.
Let us know what we've missed.
"All of Me," 50 Cent featuring Mary J.
Blige—Two heavyweights talk about politics at square one, between a man and a woman in a relationship. Fifteen rounds of intense negotiation lead to the kind of "win win" outcome music manages best.
"Bendicion Mami," Fat Joe—A tribute to his mother and, just like Tupac, it resonates beyond the individual situation because our mothers are held up as subhuman by the media and by the masters of puppets in the White House. Here it's also about unconditional love for one's family and support in the face of physical illness and the sickness of the system.
"Black and Brown," Xzibit—"80% of inmates are black and Hispanic/They're trying to wipe us off of this planet/Dammit….That's why we've got to sit down/And talk about the black and the brown." A love song to brothers thrown against brothers in Los Angeles, nationwide and worldwide, with a dream of what could happen if we learned to focus on our real enemy.
"Buck the World," Young Buck—"My rent due/Baby need food and shoes/I'm flat broke/Still I refuse to lose." A song about reaching the breaking point and choosing life anyway, changing a "Fuck the World" goodbye to a "Buck the World" throwdown.
"Cold World," Xzibit—A rap that follows the money at the root of a young woman savaged by a dehumanizing job then by unemployment, of a kid locked into a losing street hustle and of an Iraqi family facing guns and bombs.
"Concrete Jungle," Jim Jones, featuring Max B, Rell, Dr.
Ben Chavis and Noe—There's power to Jones's shout out to his "political soldiers" behind bars—without romanticizing the streets, he's dreaming of the world that can come out of making the culture of those streets work for us.
"Do Your Time," Ludacris with Beanie Siegel and C-Murder—A roll call of friends and loved ones locked down by a justice system "fucked up," bolstered by details of life behind bars, suggestions for how to support these brothers and sisters and contemplating what MLK would think of how far we have to go.
"Dreams," The Game—King's dreams again, asking us to contemplate what they have in common with those of Huey Newton, Easy E, Marshall Mathers, Marvin Gaye, Curtis Jackson, Aaliyah and Left Eye Lopez.
"Gangsta Rap Made Me Do It," Ice Cube—Lays waste to the logic that blames rap for everything from selling crack to college shootings, in fact arguing that gangsta's the loudest voice against everyday violence. And the reason, Cube explains, "Lyrically I'm so lethal…Just to feed all my people.
"
"Georgia Bush," Lil' Wayne—Sums up the first year after Katrina, calling the President out for ongoing genocide. A sample of Ray Charles's "Georgia" not only emasculates the president but restores the power of that refrain free of nostalgia.
"Get Ya Hustle On," Juvenile—Life after Katrina's a lot like life before Katrina, "your mayor ain't your friend/he's the enemy," your friends are behind bars, and there's no government for the people just a hustle to stay alive. But this song's not about defeat—"It's crunch time," Juvenile declares, "It's the movement.
"
"Ghetto, Arab Remix," Ali B featuring Yes-R & Akon—This call for worldwide unity features Morrocan rappers Ali-B and Yes-R joined by R&B singer Akon, who has his own roots both in St. Louis and West Africa.
"Hangin' On (My Song)," Chingo Bling—Biggie rapped about contemplating suicide, here it's the terrorism of the immigration police that puts a man in that mind state.
"Hard Out Here for a Pimp," Three 6 Mafia—Oscar or not, this song stands strong on its own, deromanticizing the hustle of "seeing people killed and seeing people deal and seeing people live in poverty with no meal.
"
"Hate It or Love It," The Game and 50 Cent—"The underdog's on top, and I'm going to shine, homie, until my heart stop." Summons Rakim and Marvin Gaye to remind listeners that playa hatin' avoids the hard work of dealing with the power structure.
"Hip Hop Police," Chamillionaire featuring Slick Rick—Cites Snoop Dogg's "Murder Was the Case" to suggest hip hoppers not let themselves be turned against each other but, instead, stay focused on the real sources of injustice.
"Hope," Twista and Faith Evans—Twista wishes, "I could go deep in a zone/And lift the spirits of the world with the words within this song." He does just that and so much more, calling for his brother to get out of jail, his grandmother to get well, an end to drug dealing, war and poverty. Faith's refrains make it easy to "take this music and use it, let it take you away.
"
"Imagine," Snoop Dogg, Dr.
Dre and D'Angelo—In this world without hip hop, there's all the same poverty, sickness, madness and death except no music to bring people together to fight.
"Let's Get This Paper," Rich Boy—May be the angriest, hardest-hitting political statement anyone's made about the war against the poor, here at home and over in Iraq.
"Lighter's Up," Lil Kim—In English and in Spanish, Brooklyn's self-proclaimed queen of rap serves up this reggaeton-flavored rap for unity, "no matter where you from.
"
"Live Again," Yin Yang Twins—Dirty South bad boys contemplate the quiet agonies of women forced out of their homes and into the streets, taking off their clothes to feed their kids and hoping for a second chance at life. D-Roc bemoans the fact that the schools don't prepare these women for the world they face, and the preachers don't give them refuge, so their hopes and dreams only find voice in rap.
"Make Me Better," Fabolous and Ne-Yo—A Brooklyn rapper joins forces with a sweet voiced refrain to show just how much we need one another.
"Memphis," Eightball & MJG—A rally cry for unity among all the hoods of the Mid-South, calling upon the region's rich musical history and pointing toward a future where all the ghettos nationwide come together.
"My Hood," Young Jeezy—"Everytime I do it, I do it for my hood/And everytime I do it, I do it for your hood/and everytime I do it, I do it for they hood/It's understood….
"100 Years," Plies—Story after story indicting a justice system out to put every young man in the hood behind bars, asking such pointed questions as "how in the fuck can four birds get you a life sentence, but give a cracker seven years for money launderin' millions?"
"Over and Over," Nelly—Even without the video of a day in the parallel lives of Tim McGraw and Nelly, these blues suggest the strong ties that bind Nelly being "country" to country music.
"Pal Norte," Calle 13—This rap about the political vision of an immigrant to El Norte ran in heavy MTV rotation after its album knocked Jennifer Lopez off the top of the Latin pop charts in 2007.
"Ridin'," Chamillionaire—A tribute to the Undeground Kings's "Ridin' Dirty," this huge hit is the catchiest, boldest protest of racial profiling yet.
"Runaway Love," Ludacris with Mary J.
Blige—Just what it sounds like, a love song to children fleeing violence and a dream of a future those kids can live for.
"Slap," Ludacris—A working man's blues that runs through the details of a hard scrabble life, growls at the wealthy, tells the President to just shut up, and then stops and contemplates the abyss. "Troops gone and we still at war/Nobody even knows what for/Even more I'm scared to find what the world really has in store.
"
"Slippin'," Lil' Kim featuring Denaun Porter—"Fuck the law, the whole system's corrupt," Kim declares as she describes just what's universal about the dog-eat-dog situation that landed her in jail.
"Speaker," David Banner featuring Akon, Lil Wayne & Snoop Dogg—West Coast and Southern unity "busting out of your speakers," relishing a sense of power and self control that comes with others at your side.
"Stand Up," Eightball & MJG—A call to the South, East, West and Worldwide for rappers to talk straight, stay true, stand up for each other, go the distance and forget those who've got nothing better than do than hate on other artists.
"Sweetest Girl (Dollar Bill)," Wyclef Jean with Lil' Wayne and Akon—A redemption song for a high school sweetheart all but lost to that same mess that threatens to take us all down.
"The Message," Styles P—To each member of his family, to his hood, to his crew, to the poor, to the jail, to the kids, to the ladies, to the rich, to the world, the messages P leaves vary in specifics, but they're tied together by "one is all and all is one/I'm going to see us all rich before all is done.
"
"The Morning News," Chamillionaire—After the enormous success of his debut album, this Houston rapper opened his second album with this attack on the emptiness of television news, where Rosie debates the Donald and the latest gaffes by Paris Hilton and Michael Jackson are worth more time than the reality that your tax dollars just "pay for classes," CEO's are "slavemasters….and if you ain't upper class/then your opinion is irrelevant.
"
"The Way I Live," Baby Boy Da Prince—An appreciation of life in Marrero, one of the neighborhoods spared by Katrina's floodwaters but not New Orleans' neglect and devastation before or after.
"We Takin' Over," DJ Khaled (with Rick Ross, T.I.
, Lil' Wayne, Fat Joe and Akon)—Exactly what it sounds like, blasting off with tympani and some kind of outer space choral/keyboard part that says, think big and then think bigger. Arab-American, West African, Latino and African-American voices plan a takeover, "one city at a time….with enough work to feed the whole town." A manic Lil' Wayne vocal promises that those who polite society most fear will soon be heard.
"What's Going On," Remy Ma with Keisha Cole—A heartbroken prayer to an aborted child from a young mother, without money or even support from her family or the father of her child, waiting for an answer.
"Why We Thugs," Ice Cube—The original gangsta still standing spells out the tough questions gangsta's critics either don't think hard enough to ask or willfully dismiss.
"Call me an animal up in the system/But who's the animal that built this prison?/Who's the animal that invented lower living?
*****
"The turn to death themes in the spirituals was partly due to the execution of Nat Turner in 1831. Soon after, many songs included references to the coming 'Judgment Day' for the plantation regime and, later, for the Confederacy—'Can't stand the fire.' Turner's rebellion also sparked a movement that spread white Christian missionaries across the South in order to establish churches for African-Americans that used only approved songs. The battle over lyrics and music censorship, sacred and secular, has been fully engaged ever since. The day-to-day life of the plantation bloc was built around perpetual monitoring of the behavior of blacks and whites.
"— Clyde Powers, from Development Arrested: Race, Power, and the Blues in the Mississippi Delta
5:08 PM
April 21, 2008
Eddie Griffin's; Freedom of Speech
GA. Griffin is best known for his starring role as the soulful secret agent in the hit film UNDERCOVER BROTHER and for his co-starring roles, along side funnyman Rob Schneider, in the DEUCE BIGALOW film franchise. In this laugh-out-loud 90-minute concert film Griffin draws on his own experiences and his edgy take on life to bring the house down with laughter! With his unique personality, keen insight and endless supply of original jokes, Griffin scores in this hilarious performance!
Erikah Badu "New Amerykah: part One (4th Workd war) by Greg Boraman
Much musical water has flowed under the bridge since Erykah Badu first broke internationally back in the mid 1990's. Back then it would have seemed highly unlikely that over a decade later worldwide record charts would be under a sustained attack from the retro pop-soul styling of Amy Winehouse, Corinne Bailey Rae, Duffy et al - who all owe a debt to Badu's trailblazing blend of vintage soul, jazz soundscapes, conscious hip hop beats and mildly blunted attitude.
Her music though populated with many a sampled homage to her old school funk and reggae influences is within its execution, fiercely individual, contemporary and personalised - there is never a chance of mistaking Badu's music for anyone else’s, and with New Amerykah Part One Erykah experiments with pushing the boundaries further without relinquishing her trademark approach.
Kicking off with the P-Funk styled Amerykahn Promise Badu makes it very clear that her message and music are both increasingly uncompromising. This is Badu in an even more radical and philosophical mode - the lyrics and music both have a harder bite - in many cases exhibiting an other worldly and stripped back quality that challenges all the cliché’s of the banal and musically un-challenging contemporary R&B and rap so prevalent on most music video channels.
Badu's quirky self referencing humour is still present - never more so than within the track Me, contrasting nicely against its follow up My People where digital bleeps sit alongside some heavily afro-centric vocalising in an almost formless musical chant. It would be wrong to apply the phrase 'conceptual' to this album - but there somehow is a slightly apocalyptic theme bubbling away that is very reminiscent of Marvin Gaye's What's Goin' On? and Sly & The Family Stone's There's A Riot Going On throughout but especially contained within the spoken outro of the track Twinkle that is almost the work of controversial dead stand up Bill Hicks in its dark, fearful message; bump 'n' grind soul this is not….thankfully.
Badu has pulled off the rare trick of expanding and reworking her musical horizons but without really leaving her own comfort zone - this is a mature Erykah reclaiming her own territory from the myriad talents she originally inspired - and all that achieved without a 'rehab shock' tabloid headline in sight. Badu is back and still balancing the retro/progressive contradiction better than anyone.
Greensleves Spring Sampler by Angus taylor
Celebrating three decades in the business seems to have left Greensleeves feeling nostalgic. After a six year hiatus, the label has decided to bring back their Seasonal Sampler - a shorter, quarterly companion to their annual Biggest One Drop Reggae Anthems series – with a range of catchy tracks by established and up-and-coming artists, aimed at a wide palate of tastes.
In Jamaican music, when someone has a refreshing idea, it can often be done to death. So it is with vocoded vocals, once used sparingly on Nanko's Lucky You and Marlon Asher's Ganja Farmer, but now saturating the output of singers like Munga, who probably gives interviews through the device, he loves it so much. Vocoding the eminent Michael Rose, over hip-hop beats, may therefore seem an abhorrent notion, but album opener Real Jamaicans defies expectation, with Rose's sounding even more alien than usual as he sings the powerful opening line, ''I was born under the clock''.
Another perennial feature of reggae is the role played by talent shows, so Greensleeves have included performances by Digicel Rising Stars contestants Lenya Wilks' and O'Neal Peart. Wilks' Fly is as MOR as Tami Chynn's Over And Over from last year's One Drop Anthems, but there is something more genuine in her bouncy, exuberant delivery than in Chynn's anodyne intoning, while Peart's Change is a surprisingly rootsy effort, warning of the judgment to come.
Better Jamaica by Demarco is an excellent (albeit vocoded) reality song; Buju Banton rides John John's mashed-up The Mix rhythm for Sound Killa; Alborosie is on solid but unspectacular form over the Blackboard Jungle rhythm on Mount Zion; while Higher Level by Zareb is a retro-dubby production with busy drums and heavily delayed guitars produced by Cornwall-based producer and record seller Matt ''Lionvibes'' Downs.
Compilations like this are never going to please all the people all the time, but they’re a good way for non-vinyl buyers to keep their fingers near the pulse.
Listeners below a certain age will not remember the Spring Sampler, but, with tunes this good, it's a welcome re-addition to Greensleeves' regular release roster.
April 20, 2008
Buckshot & 9th Wonder's "the Fomula" by The Beast
As one of the anchors that has been a popular face with longstanding label, Duck Down Records, Ebbets Field, Brooklyn bar layer – Buckshot, is a vet in the game and has managed to stay relevant unlike many artists that emerged during his break in the game with Black Moon.
Staying true to the essence that kept him in the eye this far, he and hot producer 9th Wonder teamed together again to drop their new album titled The Formula.
It’s the follow up album from their last collaboration, Chemistry, in 2006. On The Formula, they match the strength and production from the first joint in doubles. Their banging single “Go All Out” has MP3 listeners and YouTube enthusiast wanting more, and the album is surely the filler.
With a track 13 listing, The Formula draws reasons why 9th Wonder is on his shit and primed to be the next big mega producer. All the tracks are produced by him and feature’s Talib Kweli, Keisha Shontelle, Tyler Woods and many other artists throwing a verse. The album will be in stores April 29th.
Catch them on the Paid Dues tours starting in June. – The Beast
Source: The Beast - Writer for www.HipHopRuckus.com
Kids in The Hall album review of "The in Crowd" by The Beast
For a group of guys that definitely know how to have fun, Naledge and Double-0 of Kids In The Hall, carry that same energy into their latest album called The In Crowd. Although they haven’t become quite a house hold name just of yet, their persistence to bring back the fun in Hip-Hop has them a dedicated fan base that spans from the states to overseas.
Signed to Duck Down Records in 2007, the guys have spent some in the studio crafting an interesting album that features Phonte of Little Brother, Estelle, Camp Lo, label mates Sean Prince and Buckshot and more. The current single playing now from the album is called Drivin’ Down The Block (Low End Theory). It’s and ode to Masta Ace classic Born To Roll with a twist of Outkast’s Elevators (Me & You). It’s a hit for sure and the video is even crazier.
On the 14 track album, you the listener will find joints: Paper Trail, Lucifer’s Joyride and The Pledge promoting infectious head nodding. However, tracks: Inner Me, Blackout and Snob Hop taint the albums charm just a little bit. It’s a steal though if you won’t to escape from the norm and into the in crowd for a cool time.
The album drops May 13, 2008. You can also get a glimpse of the guys in person while their out on tour with Gym Class Heroes right now. They’ll also be on the road in June for the Paid Dues and Rock The Bells tour this summer. – The BeastLabels: kidz-in-the-hall, The-Beast
Source: http://hiphopruckus.blogspot.com/search/label/kidz-in-the-hall
The Daily Telegraph talks about an "English Story" Reggae compilation on Soul Jazz Records that attempts to document dancehall's lasting influence on popular British music.
An England Story: how Jamaica changed the voice of teenage Britain
In the US, Jamaican-style MCs created hip hop. In the UK, says Peter Lyle, their influence has been subtler but just as strong Listen to Tippa Irie's hit 'Complain Neighbour' It is one of the mysteries of modern life. 'Maddest comedian is Kenny Everett': Papa Levi, who took British MCing to number one in Jamaica How on earth did a peculiar kind of mockney patois become the default spoken English of a generation of British kids - white, black, Asian; rural, urban; posh, poor (and Ali G)? A new CD offers one solution. An England Story, a musical anthology that charts the impact of Jamaican reggae on British pop culture, is a fascinating survey of the musical scene in which that patois first took hold on these shores.Jamaican MCing - also known as toasting, chatting, and, confusingly, deejaying - has been around since the late Sixties. As Jamaica's DJs invested in ever grander and louder equipment, the sound systems sought to outdo each other with both raw power and exclusive material. This led not only to the invention of the modern remix, but also the rise of the live MC, whose job was to enliven the crowd and insult rivals.Jamaican expats in New York took these elements and turned them into something new: hip-hop. In Britain, though, their localisation was slower, more subtle, and truer to their roots.An England Story started life as a mix by the DJ duo the Heatwave (Gabriel Myddelton and Gervase de Wilde) who wanted to make an aural history of the British reggae MC. Over the 25 years that the compilation covers, the consistent thread, Myddelton says, is "a feeling that you're the underdog and up against it. It is to some extent anti-authority, kicking out at being poor and living in some s*** place." From Tippa Irie's Complain Neighbour ("Turn that noise down!") to Things Change, a new track by Warrior Queen ("London no bed o' rose…me have to wipe me runny nose"), the lyrics contain a lingering resentment of the law, the lifestyle and the weather that greeted Jamaican immigrants to this country. Crucially, there is always humour, too - this was Saturday night music; even when they wanted to moan, MCs had to make their listeners want to party. British dialects, particularly cockney, are a frequent source of comedy in the music, as are the delights of belonging to two cultures. "Sweetest singer is Sugar Minott/Maddest comedian is Kenny Everett," rhymes Papa Levi on My God My King, the 1984 single that put British MCs on the map. With its new, super-speedy style of MCing, it topped the British reggae charts, became the first Jamaican number one by a British MC, and had an audible influence on Jamaican stars. Soon after, Irie made the top 10, and fellow funnyman Smiley Culture won a cameo in Absolute Beginners.That was probably the scene's pop peak. Soon, American rap would muscle in and present music-making Britons of Caribbean descent with an alternative, angrier sound to aspire to, and a harder one to make their own. Rodney P - an MC who toured with Big Audio Dynamite when he was 15, and has since worked with Roots Manuva and Björk - found a way. In 1988, his London Posse released Money Mad, a record that crudely but brilliantly spliced rap, reggae and local observation into a gleefully noisy new sound that finally gave British rap an identity of its own. "We had been to New York by then," he recalls. "In New York, I became very nationalistic: I'm English, I'm not American. I was speaking more cockney." It's remarkably similar to the way Damon Albarn was later to define Blur's invention of Britpop as a response to US grunge. Britpop is long gone, but the comic, kitchen-sink vernacular of British MCs still has echoes in the storytelling style of Lily Allen and Mike Skinner. "You kind of forget, in England, that though reggae isn't really mainstream, it is all around," says Myddelton. "The places where reggae was really important - Southampton, Birmingham, London - are the places where things like garage and dubstep took off later." It's no coincidence: grime, jungle, and other dance scenes also owe the bulk of their DNA to the conventions of the reggae sound system. An England Story is available now from www.souljazz.co.uk
Baby Loves Hip Hop presents The Dino Five' jurasic Beats for tiny feet. by Barbra Danza
Epoch Times New York Staff Apr 14, 2008
Andy Blackman Hurwitz (pictured with his sons) is the founder of the Baby Loves music series, which produces albums and concerts of contemporary music styles with a developmental education twist for children. (BabyLoves.com)
Children's music is one of the fastest growing segments of the music business at a time when the industry overall is in a slump. On April 1, the selection available to the toddler crowd became even more diverse with the release of Baby Loves Hip Hop Presents The Dino Five.
The company that brought the popular Baby Loves Jazz has this time convened legendary hip-hop producer Prince Paul along with famous MCs Chali Tuna of Jurassic 5, Lady Bug Mecca of Digable Planets, Scratch of The Roots, and Wordsworth of eMC to teach simple life lessons to preschoolers through rap and hip hop music.
The album runs about 40 minutes and features fun-loving tracks framed by a colorful story that will keep the tots interested throughout. Poet Ursula Rucker narrates the tale of The Dino 5 —a prehistoric band of friends, each with his or her own qualities. They enter a talent show and learn a thing or two along the way. Baby Loves Hip Hop Presents 'The Dino Five' (BabyLoves.com)For parents interested in exposing their children to the genre of hip hop, this album provides a nice introduction. For those more concerned with the values and lessons instilled in the content, this one may fall short. Overall, there are positive messages about friendship and kindness. The overriding lesson is the ever popular "don't judge a book by its cover." On a more subtle level, however,there exist some grammatical errors in the narrative and songs that may not be appropriate for a group in the throes of language development.
A more glaring problem is track 9, That's Funny. In this song, as a way to break the ice with the newest member of the group, the dinos engage in playful banter in which they one-up each other by mocking different qualities in one another. For example, the lyric "Your tail is so long, in every race your last." The jokes are not overly offensive and are meant to be in good fun, but they do seem to glorify making fun of others. The target audience is a bit too impressionable for this one.
That said, some of the tracks are very entertaining for kids and adults alike. The Dino Five Theme is great; and track 3, I May Be Big and Scary (But I'm Really Pretty Nice), in which MC T-Rex reveals he's just a guy who loves his stuffed bunny, is hilarious. Perhaps Baby Loves Hip Hop will appeal most to those parents who just can't bear to listen to another rendition of The Wheels on The Bus.
Source: http://en.epochtimes.com/news/8-4-14/69087.htm
New Civil Rights Film Opening in LA April 25, Documents Obama's Gap Between teh Promise of our Ideals and the Reality of their time."
New Civil Rights Film Opening in Los Angeles April 25, Documents Obama's "Gap Between the Promise of Our Ideals and the Reality of Their Time"
Contact:
BROOKLYN, NY--(Marketwire - April 3, 2008) - The independent feature film "Dare Not Walk Alone" (www.darenotwalkalone.com) opens April 25 at the Laemmle Grande 4-Plex in Los Angeles. Acclaimed as "brave filmmaking" by the San Jose Mercury News, this award-winning documentary delivers a new generation's take on civil rights, set to a soundtrack that flows from gospel to hip-hop.
"Dare Not Walk Alone" vividly portrays the heroism of campaigners for equality, led by Dr. Martin Luther King Jr., alongside grim realities of life today on streets where those campaigns were fought, in a place that symbolizes what Sen. Barack Obama has called "the gap between the promise of our ideals and the reality of their time."
Hailed by critics as "a powerhouse of a picture... a triumph of outrage and empathy" (Aaron Mesh, Willamette Weekly); "a powerful and important film" (Orlando Weekly); "the grittiest version of civil rights history I've ever seen" (Peter Miller, Co-producer of Ken Burns' Jazz).
The film's young writer and director, Jeremy Dean, used rarely seen archive footage, like Dr. King's arrest in Saint Augustine, Florida, during a campaign of non-violent protest against segregation. Says Dean, "A lot of people who visit Florida don't know about the courageous campaign of civil disobedience coordinated here by Dr. King, the SCLC and the NAACP. Tourists of all races now vacation on beaches where blacks once braved club-wielding whites to swim."
The 1964 campaign culminated in passage of the first civil rights act after the world witnessed a motel owner pouring acid into a swimming pool of black and white bathers. The film illuminates these moving images from the past with present day interviews of the participants, including Ambassador Andrew Young, who was beaten up in Saint Augustine. In the only interview such ever filmed, motel owner James Brock describes his encounter with Dr. King.
To this mix Dean adds the perspective of African Americans living in Saint Augustine today, teenagers who see hip-hop as "the only way out" and kids to whom Dr. King's dream of a "Beloved Country" still seems like only a dream.
The film shows signs of hope, like a 2004 service of reconciliation at a church that banned blacks in 1964, but the film lets viewers draw their own conclusions about how far we've come and where we must go from here.
About "Dare Not Walk Alone" Picked for non-theatrical distribution by THINKFilm after a strong showing at Cinequest in 2006, the film was signed for theatrical distribution by Indican Pictures after winning Audience Award for Best Film at the 2007 Deep Focus Film Festival. Written and directed by Jeremy Dean; produced by Stephen Cobb, Jeremy Dean, and Richard Mergener; executive producers are Stephen Cobb and Chey Cobb.Contact:
Dare Not Walk Alone Productions, LLC
http://www2.marketwire.com/mw/emailprcntct?id=3CE98B87EFF05018
Stephen Cobb - 904-377-5528 Email
http://www2.marketwire.com/mw/emailprcntct?id=2BBA621958A6FC71
"Divine Intervention"
Coincidentally, Reverend Gibbs eventually stumbles upon a young lady who sparks his interest but presents a challenge to him. The young, lovely, and witty schoolteacher Divine, initially unbeknownst to Reverend Gibbs, is the daughter of Reverend Matthews and she has lost her faith in God due to losing her mother several years back to cancer. Reverend Gibbs tries to win her over while restoring her faith in God and steering clear of her dry humored and overly protective father in the process.
Reverend Matthews' prospects of returning to the church eventually lessen and Reverend Gibbs moves closer to assuming a permanent role as pastor of the church. That is until he meets even stronger opposition in the jealous and scandalous Deacon Wells, who attempts to uncover some elements of Reverend Gibbs' past which may prevent him from winning the seat of permanent pastor of the church and more importantly, a place in the heart of Divine. Divine Intervention is a funny, upbeat spiritual journey about romance, religion, and scandal that will succeed with the ever popular and abundant, urban churchgoing audience and general viewers will embrace it for its warmth, humor and controversy.
"Jamaica would have been better served to protect its environment"
Lakeland, Fla., June 26, 2007 - A transplanted Jamaican journalist, who has spent half a century in Caribbean and North American newspapers, has written a book that is expected to trigger political controversy in his native island.
A founding editor of The Jamaica Daily News, George Graham evoked furore - and even threats on his life - with a 1970s column deploring the political and cultural path that the "barefoot island" was taking. "A plague on both your houses," the column stated. "I am voting with my feet." True to this promise to emigrate, Graham left for Toronto within weeks. He has since held various editorial positions in Ontario and Florida, retiring from The tampa Tribune in 2006.More than 30 years after Graham's Daily News column, Jamaican journalist Jean-Lowrie Chin recently recalled his comments, and declared that the island's "sufferer mentality" still had not improved. In his book, Graham describes the development of an unnamed Caribbean island similar to Jamaica. He makes fun of the "Good Ol' Boy" style of politics inherited from the island's Colonial government, but shows the island blossoming into independence under caring leadership.One of the book's startling claims is that the island is able to achieve economic success and political stability without taking advantage of such get-rich-quick initiatives as bauxite mining and petroleum-fueled electrical generation."I honestly believe Jamaica would have been better served to protect its environment and concentrate on earth-friendly development," said Graham, who worked for the Jamaica Industrial development Corporation during the 1960s. The book is titled "Hill-an'-Gully Rider" and is published by Lulu.com. It is available on the web in both hard cover and paperback versions.Contact: George Graham / (863) 816-1535 / gwgraeme@yahoo.com