by Mumia Abu-Jamal
Friends, brothers, sisters: Ona Move!
Source: SFBayViev
by Kambale Musavuli
Speech delivered Jan. 17 in Raleigh, N.C.; videos follow
In the Congo, 45,000 people are dying every month just for the blings of our lives and the rings of our phones.
by Cash Michaels
Special to the NNPA from the Wilmington Journal
John Ging, head of the UN Palestinian refugee agency in Gaza, said: "It's about accountability [over] the issue of the appropriateness of the force used, the proportionality of the force used and the whole issue of duty of care of civilians.
"We don't want to join any chorus of passing judgment but there should be an investigation of any and every incident where there are concerns there might have been violations in international law."
The Israeli military are accused of:
• Using powerful shells in civilian areas which the army knew would cause large numbers of innocent casualties;
• Using banned weapons such as phosphorus bombs;
• Holding Palestinian families as human shields;
• Attacking medical facilities, including the killing of 12 ambulance men in marked vehicles;
• Killing large numbers of police who had no military role.
Israeli military actions prompted an unusual public rebuke from the International Red Cross after the army moved a Palestinian family into a building and shelled it, killing 30. The surviving children clung to the bodies of their dead mothers for four days while the army blocked rescuers from reaching the wounded.
Human Rights Watch has called on the UN security council to set up a commission of inquiry into alleged war crimes.
Two leading Israeli human rights organisations have separately written to the country's attorney general demanding he investigate the allegations.
But critics remain sceptical that any such inquiry will take place, given that Israel has previously blocked similar attempts with the backing of the US.
Amnesty International says hitting residential streets with shells that send blast and shrapnel over a wide area constitutes "prima facie evidence of war crimes".
"There has been reckless and disproportionate and in some cases indiscriminate use of force," said Donatella Rovera, an Amnesty investigator in Israel. "There has been the use of weaponry that shouldn't be used in densely populated areas because it's known that it will cause civilian fatalities and casualties.
"They have extremely sophisticated missiles that can be guided to a moving car and they choose to use other weapons or decide to drop a bomb on a house knowing that there were women and children inside. These are very, very clear breaches of international law."
Israel's most prominent human rights organisation, B'Tselem, has written to the attorney general in Jerusalem, Meni Mazuz, asking him to investigate suspected crimes including how the military selects its targets and the killing of scores of policemen at a passing out parade.
"Many of the targets seem not to have been legitimate military targets as specified by international humanitarian law," said Sarit Michaeli of B'Tselem.
Rovera has also collected evidence that the Israeli army holds Palestinian families prisoner in their own homes as human shields. "It's standard practice for Israeli soldiers to go into a house, lock up the family in a room on the ground floor and use the rest of the house as a military base, as a sniper's position. That is the absolute textbook case of human shields.
"It has been practised by the Israeli army for many years and they are doing it again in Gaza now," she said.
While there are growing calls for an international investigation, the form it would take is less clear. The UN's human rights council has the authority to investigate allegations of war crimes but Israel has blocked its previous attempts to do so. The UN security council could order an investigation, and even set up a war crimes tribunal, but that is likely to be vetoed by the US and probably Britain.
The international criminal court has no jurisdiction because Israel is not a signatory. The UN security council could refer the matter to the court but is unlikely to.
Benjamin Rutland, a spokesman for the Israeli military, said an international investigation of the army's actions was not justified. "We have international lawyers at every level of the command whose job it is to authorise targeting decisions, rules of engagement ... We don't think we have breached international law in any of these instances," he said.

The first time I met Sister Souljah was back in 1989 when she rolled through the now defunct New Music Seminar in New York City and set the place on fire.
She explained that as a young activist at 19 years old she was doing a lot of work with homeless kids and spending what little money she had on those kids. Continue reading "White couple, black man battle for claim to South Africa farm" »
Continue reading "In Kenya, land is the root of most problems" »
by Bonnie V. Winston
Special to the NNPA from the Richmond Free Press
by NNPA Editor-in-Chief Hazel Trice Edney
Dropout rates, infant mortality rates and incarceration rates - all often associated with economic injustice - are skyrocketing in cities and states across the nation.
by Marian Wright Edelman
by Keith Harmon Snow

In Western media reportage, the plunder of raw materials in Congo is usually de-linked from the killing, even though the extractive industries are directly behind it.
Not reported by the media - a hornet’s nest of Western petroleum and mining companies, all linked to international private military companies, local militias, and the national armies of Uganda, Rwanda and Congo, are fighting for control of the land on both sides of the Congo’s eastern border.
Western propaganda campaigns proscribe ideas and possibilities, and they subvert popular movements. The voices of the voiceless are crushed, along with their bodies.
To put it simply, white people will always get the best jobs, corporations will run and ruin the world - dumping substandard and outdated products on confused populations; seeding the natural world with genetically engineered crops; peddling pretty plastic junk; pushing pharmaceutical pills; strip-mining everything - and we will all fool ourselves and ease our consciences by pretending that we are breaking down barriers of inequality and building a better world.
Congolese sources everywhere confirm the widespread involvement of MONUC [U.N.] soldiers in guns-for-minerals swaps and sexual violence.
A few well-placed arrests - beginning in Washington, Frankfurt, London, New York or Brussels - would redress the problem of impunity for war crimes and crimes against humanity everywhere.
[1] There are exceptions to the rule, including the extensive publications by this author and those by Africa researcher David Barouski. See, e.g., David Barouski, “Mining in the Ituri Province of the Congo: A Contemporary Profile,” Z-Net, April 15, 2008; and David Barouski, “Laurent Nkundabatware, His Rwandan Allies, and the ex-ANC Mutiny: Chronic Barriers to Lasting Peace in the Democratic Republic of Congo,” Feb. 13, 2007.
[2] Wayne Madsen, “Genocide and Covert Operations in Africa, 1993-1999,” Mellon Books, 1999.
[3] Investigations into the 1994 events in Rwanda and documents presented at the International Criminal Tribunal for Rwanda reveal a huge body of evidence supporting what soon become obvious conclusions.
[4] Keith Harmon Snow and David Barouski, “Behind the Numbers: Untold Suffering in Congo,” Z Magazine, March 1, 2006; and Human Rights Watch, “The Curse of Gold,” June 1, 2005.
[5] See Keith Harmon Snow, “Gertler’s Bling Bang Torah Gang,” Dissident Voice, Feb. 9, 2008.
[6] Private investigations, North Kivu, DRC, 2005-2007, and private communications, 2008.
[7] Private communications, July through November 2008.
[8] See Wayne Madsen, “Genocide and Covert Operations in Africa, 1993-1999,” Mellon Books, 1999; and Keith Harmon Snow, “Darfurism, Uganda and U.S. War in Africa: The Spectre of Continental Genocide,” Dissident Voice, Nov. 24, 2007; private interviews, eyewitnesses working in western Uganda at the time, October 2007.
[9] The Acholi people - non-combatant men, but mostly women and children - have suffered decades of genocidal treatment by UPDF soldiers deployed by Yoweri Museveni, president in Uganda, and top military commanders Gen. James Kazini, Gen. Salim Saleh, Gen. Kahinda Otafiir, Gen. Aronda Nyakairima, Lt. Gen. Katumba Wamala, Maj. Gen. Jim Owoyesigire and Brig. Gen. Robert Rusoke.
[10] Private interview, eyewitness working in western Uganda at the time, October 2007; see also Wayne Madsen, “Genocide and Covert Operations in Africa, 1993-1999,” Mellon Books, 1999.
by Mumia Abu-Jamal
by Mumia Abu-Jamal
http://www.sfbayview.com/2008/from-fanon-to-africa-with-love/
President of the Congo Patrice Lumumba, shown here under arrest in December 1960, wrote in his last letter to his wife before his assassination: “We are not alone. Africa, Asia, and free and liberated people from every corner of the world will always be found at the side of the Congolese. They will not abandon the light until the day comes when there are no more colonizers and their mercenaries in our country. … History will one day have its say, but it will not be the history that Brussels, Paris, Washington or the United Nations will teach … Do not weep for me, my dear companion. I know that my country, which suffers so much, will know how to defend its independence and its liberty. Long live the Congo! Long live Africa!”‘Our mistake is to have believed that the enemy had lost his combativeness and his harmfulness. If Lumumba is in the way, Lumumba disappears. … Let us be sure never to forget it; the fate of all of us is at stake in the Congo.’ - Frantz Fanon
Source:hppt://www.itsabouttimebpp.com

Source: http://www.blackpower.com/business/kenya-like-everybody-else-is-sliding-into-a-recession/
©2008 Starlin Media Nework. P. O BOX 1194-40400 Suna-Migori, Kenya.

Continue reading "Was the US Behind Kenya’s Election Debacle?" »
This past Sunday over 1200 people showed up at Salem Methodist church in Harlem to listen and weigh in on a discussion that has been raging on in our communities but oftentimes swept under the rug. The historic election of Barack Obama has been a source of pride for many. Record numbers of Black people came out and voted for him. His largest percentage, a whooping 94% of Black folks punched his name in the ballot booth. However, many did so wondering if an Obama election will lead to pressing issues within the African American community would be addressed, or if his election would symbolize to those outside the community that racism was a thing of the past?
Cultural Scientist and author Dr Marimba Ani followed Jeffries and reminded folks the reason why so many had gathered that Sunday afternoon. It wasn't just to talk about Obama but also to bring attention and raise money about political prisoners. The Great Harlem debate in particular was to raise money for Mutulu Shakur-many of you know him as Tupac's stepfather. She wanted to make sure we did not lose sight of that because the plight of PP was not one that Obama has raised or was likely to unless pressured.
New York City Councilman Charles Barron followed Shabazz and talked about the type of momentum an Obama win had given to those determined to make a difference on a local level. He said he and others in his East New York neighborhood took advantage of the excitement Obama brought to electoral politics and got key people into office including his wife who is now in the state assembly. He talked about the importance of us having community control from top to bottom and that Obama's run set the tone for us to make this happen all over. Notorious B.I.G. NOT Overrated! - Response To What's So Big About Biggie Smalls?
By Paradise Gray
http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=53228685&blogID=456808723
I found the article "Notoriously Overrated: What was so Big about Biggie Smalls?" by Minister Paul Scott distasteful and totally missing the point. While I consider Min. Paul Scott a good brother and a friend, I do not agree with his opinion of The Notorious B.I.G.
"Opinions are like assholes, everybody has one, and most of them stink!"
Here's my take on why "Biggie Smalls" was BIG:
It is not fair to compare the story of Biggie Smalls to the story of Fred
Hampton. It's not even like comparing apples and oranges (they are both
fruit), It's flat out wrong to try to compare rappers to revolutionary activists
and leaders. Rappers, athletes and other entertainers are too often cited
as role models by members of the media who somehow believe because
people cheer for them while being entertained, it somehow magically transforms individuals into heroes and someone to be imitated or admired off stage.
This new form of idol worship is a distortion of reality, basically setting
artists up for a long fall after building them up to the top as celebrities
who are morally and culturally un-vetted. Marketing and promotions brings us
capitalism at it's best (or should I say Worst?).
Rappers are more like actors who play a character or role, for Minister Paul
Scott to suggest that he knew Christopher Wallace as a person because he
listened to his music or saw his videos is inaccurate. If you did not know him
personally, you don't know any more about him than you know Al Pacino after
watching Scarface. No one judges California Governor Arnold Schwarzenegger by the roles that he played as a Hollywood actor.
What is it about rapping the words that makes Biggie's artistic
contributions to pop culture less relevant than the cold hard stories of
the streets written by Donald Goines? The Notorious B.I.G. was a great writer
and story teller with a lyrical flow and swagger that in my opinion has earned
Christopher Wallace an indisputable place among the "Greatest Rappers Of
All Time" in spite of the fact that (as Davey D reminds us) his "body of works"
is very limited due to his un-timely death.
Lest we forget, Christopher Wallace was manipulated and exploited by the
corrupt system that is the music industry and the entertainment industry in
general. Much in the same way that Michael Jackson, Mike Tyson, Michael
Jordan, Elvis, Britney Spears and most artists that you ever heard of is
exploited and used. Industry executives are just as accountable for the
content of negative lyrics as the artists that they sponsor and exploit.
The artist is the low man on the totem pole who's carcass is free for the
picking by sleazy buzzards known as managers, promoters, producers, record
labels, booking agents, lawyers, magazines, television shows, radio stations
and the like. They could care less about the poor slobs that they shine
their lights on or the victims of the negative imagery as long as they make money.
In fact, radio stations and magazines fanned the flames between Tupac and
Biggie's so called East Coast VS West Coast beef to the point that I
consider them accomplices to both of their murders. It was a media feeding
frenzy that fed into America's blood lust that encourages drug use,
violence, misogyny, homo-phobia, racism and other distractions that *did not
begin with Hip-hop and won't end with it*. Love it or hate it, the things
that Biggie rapped about are as American as apple pie.
We have built rappers up with so much "keep it real" bull-crap to the point
that their rapping skills have less to do with their success in the industry
than their "Rap Sheets". What do you have to do to maintain street
credibility when 50 Cent himself (9 bullets in his body and all) has to
keep disrespecting people and calling out other rappers to maintain
controversy and remain relevancy in the eyes of the media who then transmit
the concepts to the record buying public.
We need to bring the unrealistic expectations that have been placed on
entertainers into perspective. They are cool, they sound great, they are
great to watch on TV, but I am qualified to say that most of what you see on
TV is fake as hell and should be exposed as such. We should take the time to
educate people about the multi-media brainwashing that has taken place that has
so many of our young people convinced that being a drug dealer, thug,
criminal in general or even a murderer is something to aspire to be.
Christopher Wallace was a talented writer who was murdered in his prime, a
man who deserves respect as an artist and as a human being. He is not
overrated as an artist and we will never know what kind of man he could have
turned out to be. Imagine if Detroit Red had been murdered before reaching his
potential of becoming Malcolm X.
We have to apply critical thinking to all media that we consume as well as
the media that we allow our children to consume. Keep entertainment and
media in perspective. It's O.K. to be entertained, but in the ironic immortal
words of Flavor Flav "Don't believe the hype".
Get beyond complaining about the messages in the industry, do something
about it, organize, be active, support conscious artists, create your own
positive media, don't just disrespect the memory of a beloved father, friend
and artist. "Let he who is without sin cast the first stone", none of us are perfect.
As a Minister (Paul Scott) the words "Judge not lest ye be judged" should
resonate with you. We owe the hundreds of potential Biggies and Tupac's
who are currently still in the industry and the millions of them on the streets
all over the world more than rants of "Pull Up your Pants". The conditions
that exist in our communities are not just the results of negativity and criminal
elements, but the lack of involvement by intellectuals, men of God and positive
people.
I wonder how the story would have turned out had the conscious community, black churches, and revolutionaries had organized together and bailed out Tupac Shakur rather than Suge Knight.
Rest in Peace Christopher "Biggie" Wallace, only God can judge you now.
--
Paradise Gray
One Hood
Http://www.1hood.org
Http://www.myspace.com/paradisegray
Continue reading "Notorious B.I.G. NOT Overrated! / Notoriously Overrated:" »

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http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=53228685&blogID=457537709

Source:http://www.myspace.com/sculture http://www.stevieculture.com
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by POCC Minister of Culture M1 Wednesday, 11 June 2008

Continue reading "Information age: M1 of dead prez interviews Mumia Abu Jamal" »

*For a statement by Immortal Technique on the Significance of Mumia, click here
Continue reading "The Case of Mumia Abu-Jamal: An Innocent Man on Death Row" »
A MAORI GIFT OF THANK YOU TO BOB MARLEY |
| Gold-selling reggae artiste, Ruia, recently came to Jamaica to film a Bob Marley documentary for the Mäori of New Zealand. It serves as the latest example of reggae's global reach beyond the major metropoles of New York, London and Tokyo. The documentary will air in New Zealand early next year in Ruia's native Mäori language. The documentary's translated title is A Gift of Thank You to Bob Marley and should air early 2009. It centres on the role reggae played in reigniting pride in the Mäori people. "Bob Marley's music came at a very important time and to tell you the truth Bob Marley woke me up, along with the messages of Marcus Garvey and Rastafari. There are similarities between our prophets and your culture. ..... And to tell you the truth, Rastafari Reggae Jamaica has influenced an initiation of a renaissance in our country....of our people are no longer lying down anymore, and being submissive. We now want to get up and challenge things," said Ruia earlier this month at Bookophila cafe in Kingston. Mäori are the original inhabitants of the New Zealand, they came before the Europeans, but have been colonised by the Europeans. "Today we own about seven per cent of the land," said Ruia whilst being filmed by his documentary crew. 
Some years ago Ruia's record label got the rights to translate 20 Marley songs into Mäori. He delivered a personal copy to the Bob Marley Museum. "We got to meet Stephanie Marley and gifted over the CDs with a covenant between our people and the Marley nation and the Jamaican people, and we also a carved a treasure box that we gifted to her. She has allowed it to be displayed in the Marley Museum." Ruia wants to broaden a cultural exchange of artists between both countries. "Part of the reason we come here to make connections with different artists. We were in Tuff Gong the other day, and we met about six artists and four or five producers. And we met two other producers. So we are looking at collaborations," he said. Jamaica is a sort of Mecca for Reggae and culture, he said: "Kiwi people love Reggae and love Jamaica, because of Bob Marley, Toot and the Maytals, Burning Spear, the Abyssinians all of them down to Buju Banton. So many of our people see Jamaica as a holy place and dream of coming here." |
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By Baldwin Howe
A militant set of Reggae/Dancehall artistes have initiated a bold counter move of their own, in reaction to the announcement made earlier this month by Red Stripe Beer to sever their association, in terms of sponsorship, from ‘live music events” that they say, “encourages and facilitates the use of violent and anti-social lyrics.” The justification given by the artistes for their counteraction is quite understandable. Most of the artistes think that, in light of this development, one good turn deserves another. They say their ban is just an equal reaction to the beer company’s move.
A few of them have even gone on to voice their opinions openly. Popular dancehall deejay, Mavado, is of the feeling that if the company, (Red Stripe), feels that it should withdraw its support of dancehall related entertainment events then dancehall artistes and supporters of the genre should also withdraw their support from Red Stripe Beer and the company’s other products, (Guiness etc.)
Beenie Man also is annoyed at the beer company’s move has also been quoted in the national media as saying that this is the second time that Red Stripe has taken this action. He said in essence that, people don’t attend dancehall events to listen to beer and stout bottles workout. They are willing to sponsor ‘rock’ shows in Europe but don’t hesitate to dis’ national promoters and artistes. He thinks it is just an attempt to try mash up de t’ing. He further vented his feelings by saying the artistes and events assist in making Red Stripe Beer and Guiness stout sell. That the artistes work hard in assisting to promote Jamaican music and its products and Red Stripe Beer is a Jamaican product. Beenie Man is advocating that all artistes and dancehall supporters should stop drinking Red Stripe and Guiness and start to drink more Magnum Tonic Wine. Beenie Man thinks that artistes and supporters of the dancehall genre should not support the products of companies that, by their actions, are boxing food from the mouths of promoters, artistes and their children.
Female deejay sensation, Spice, also holds the view that if Red Stripe Beer have slapped a ban on the dancehall, then is only fair that the people the ban affect should respond in kind. Spice was recently quoted in the national media as saying that she don’t think the dancehall fraternity should have anything to do with Red Stripe Beer. Her opinion is if Red Stripe withdraws from supporting dancehall events and artistes, then the dancehall fraternity should also withdraw their support from them.
The current furore, as it relates to the ban and counter ban, came about when, on April 4, 2008 Red Stripe Beer issued a public statement to the effect that the annually held Reggae Sumfest and Sting ‘live’ show events are no longer going to enjoy being main beneficiaries of the company’s sponsorship of their events. This action amounts to rescinding of the agreement they had with the organizers of both events. The public statement read in part thus: “Over thee years, however, a very negative trend of glorifying violence has crept into some aspect of the music, causing consternation among well-thinking Jamaicans and others, at home and abroad. This has far-reaching and damaging implications for the industry, and for Jamaica as a whole.”
In further proffering their position to institute a counter ban on Red Stripe Beer, most of the artiste argues that the dancehall genre share a major part of the responsibility in assisting to popularize the product among patrons who support dancehall events. It their view, when ’live’ stage show events are held, (Sumfest, Sting etc.), patrons do not pay to come and be entertained by Red Stripe Beer, they pay their money to see and hear a Bounty Killa, Mavado, Beenie Man, Sizzla Kalonji and others acts advertised to perform.
Dancehall artistes are not alone in expressing disgruntlement over Red Stripe Beer’s decision.
Popular poet and broadcaster, Mutabaruka, has also voiced his views on the matter. This he made public during a performance he was giving at the Liberty Hall, on
King Street, in downtown Kingston. In essence he opined that the realization is that it is not really violence that is being fought against, it is the position most, if not all, dancehall artistes take against homosexuality. He noted that violence has been in the national music for a very long time. The reality, he observes, is that Red Stripe Beer is pulling out because the powerful lobbyists of the gay community has also done so. He considers Red Stripe Beer’s action to be a hypocritical one.
Maxine Whittingham-Osbourne, the head of corporate relations at the beer company, in responding to the impending ban said in the national media that her company is disappointed about the brewing developments but is adamant in remaining firm regarding its stance. The Red Stripe Beer executive further stated that the artistes’ reaction to the decision is a sad affair and if it is truly the case the company expresses its disappointment but will, non-the-less be standing by its decision. She said that it is not Red Stripe Beer’s modus operandi to be retaliatory and the company will be seriously assessing the current situation to see what initiatives could be developed as Red Stripe Beer in not against the music industry.
Another part of the company’s statement made it clear that Red Stripe Beer will be ensuring that its product and the various brands it distribute are conveniently made available whenever and wherever loyal consumers enjoy their premium alcoholic beverages, despite the beer company’s withdrawal of sponsorship to Reggae Sumfest and Sting.
Whittingham-Osbourne further sited the fact that the sponsorship withdrawal was in keeping with Red Stripe Beer’s corporate strategies and values. In her view, the key matter is the situation that currently exists wherein Jamaica now wears the label of being the murder capital of the world, and in that regard, the company think it needs to take stock of all the factors that are contributing to this prevailing trend. It is Whittingham-Osbourne firm opinion that the glorification of violence in our music in not complimenting Jamaica’s current situation.
We here at Reggae Times will be closely monitoring the current situation between the Red Stripe Beer and the dancehall fraternity/music industry with the hope that some rational understanding will prevail, for the full benefit of Jamaica and all concerned.
SOURCE:http://reggaetimes.com/wordpress/?cat=16
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Aug 26, 2008
From Michal Moore: I've Written a Book I'd Like You to Read
Friends,
This morning my new book officially goes on sale.It has a fancy title: "Mike's Election Guide". It's cheap ($11.19 on Amazon) ( http://www.amazon.com/s?url=search-alias%3Dstripbooks&field-keywords=Mike%27s+Election+Guide&x=12&y=21 ). It's got a cool quote on the back cover from Republican congressman Tom Davis: "The Republican brand is in the trash can ... If we were dog food, they would take us off the shelf."
And it's got 200+ pages of facts and ideas that you won't read anywhere else, like:
** Does John McCain think it's right to drop bombs on civilians in (his words) "heavily populated" cities?
** The only reason Social Security is running out of money is because people who make over $102,000 a year pay NO social security tax on what they make over $102,000 (if they did, we'd have enough money in Social Security for the next 75 years!).
** Bring back the draft -- but only draft the rich. If they have to serve, they won't be so eager to start ridiculous wars.
** Despite what you've heard, we actually pay more "taxes" than France or any European country -- and get none of the benefits they receive.
** Why we must arrest Misters Bush and Cheney as they slip out of the White House this coming January 20th for the crimes they have committed.
The early reviews are in. The New York Daily News declares that "Mike's Election Guide" "takes no prisoners." The Associated Press calls it "a manual of mockery for the 2008 presidential election." And the St. Petersburg Times says that "Mike's Election Guide" is a "mix of outrageous humor, passionate partisanship and common sense." The McClatchy Newspaper chain calls it a "no-holds-barred examination of our politics. Pages explode with so much humor, you'll find yourself laughing out loud at Moore's sharp wit on serious topics such as health care, childcare, taxes and terrorism." And this piece from AlterNet ( http://www.alternet.org/blogs/peek/95906/michael_moore_dares_to_ask:_what27s_so_heroic_about_being_shot_down_while_bombing_innocent_civilians/ ) lays out my reasoning for telling the whole truth about what John McCain did in the Vietnam War -- and asks why everyone else seems afraid to bring this up.
I've written this book to give you some good arguments to make as you discuss the election with family and friends. And I've laid out the 12 Senate seats and 30 House seats we can win -- and how to do that.
I need to warn you -- I don't let the Democratic Party bigwigs off the hook. I challenge them to have a spine, to not repeat the past mistakes they've made in the past two elections, and I ask them why they're so afraid of Republicans ("Is it true that Democrats still drink from a sippy cup and sleep with the light on?").
I hope you get a chance to read my book and that it gives you a good (and needed) laugh -- and also a bit of inspiration as we head toward that fateful day on November 4th.
Click here to order ( http://www.amazon.com/Mikes-Election-Guide-Michael-Moore/dp/0446546275?ie=UTF8&s=books&qid=1219768845&sr=1-1 ).Click here to visit "Mike's Election Guide" on the web ( http://www. michaelmoore. com/mikeselectionguide/ ).
Thanks for all your support of my work.I wish all of us well as we have but ten weeks to go before Redemption Day!!
Yours,
Michael Moore
MMFlint@aol.com
http://www. michaelmoore. com/
Join Mike's Mailing List ( http://www. michaelmoore. com/mikesmailinglist/index. php ) | Join Mike's Facebook Group ( http://www. new. facebook. com/pages/Michael-Moore/24674986856 ) | Become Mike's MySpace Friend ( http://www. myspace. com/mmflint )
On Friday, August 1st I led a contingent of the Uhuru Movement into Barack Obama’s town hall meeting in St. Petersburg, Florida to raise the question, “what about the black community, Obama?” Without the benefit of a big media budget, our organization attempted to bring the serious issues experienced by African working class people across this country into the national political debate.
These issues include the targeting of African and Latino communities with predatory “sub-prime” mortgages – a scheme that has made millions for people like Obama’s chief financial advisor Penny Pritzker, while stripping black families of billions of dollars, the greatest loss of wealth our community has suffered since being brought in chains to this country. We also challenged Obama to take a stand against the police shootings of unarmed African people, and explain why he has publicly defended the judge’s acquittal of the NYC police who murdered Sean Bell.
He has said that he cannot speak out on behalf of those who have been historically oppressed for fear of offending other people. Yet in Miami, he promised the Jewish community, which considers itself a historically oppressed community, that he supports turning all of Jerusalem over to Israeli control, despite the internationally enforced sharing of that city with the Palestinians. When Obama speaks to black audiences, he attacks us, attributing our community’s poverty, not to systemic oppression, but to bad culture and lack of work ethic.
Barack Obama has criticized African fathers for abandoning our children, although a recent study showed that black fathers stay more involved with their children after a split from the mother than white fathers. And Obama says nothing of the unjust imprisonment of 1 in 9 black men of child-bearing age, the overwhelming majority of whom are locked up on minor drug or other non-violent economic violations stemming from conditions of desperate poverty. He has failed to achieve any meaningful program of economic development for the African community. In speaking to a group of black legislators, Obama said “a good economic development plan for our community would be if we make sure folks weren’t throwing their garbage out of their cars.”
Barack Obama wants to increase military spending and praised Clinton for abolishing AFDC and welfare. He has reversed his position opposing the death penalty and speaks out against reparations. He wants to escalate the U.S. military presence in Afghanistan and has threatened Venezuela and Iran with military aggression. He has upheld the FISA, supporting wire-tapping and government spying on citizens. He receives unprecedented financial backing from Wall Street. His close advisors and potential cabinet members include war criminal Richard Clarke, Tri-lateral commission founder Zbigniev Brzezinski, Madeleine ‘it’s worth the price of 1 million dead Iraqi children’ Albright, and Free Trade advocates Jason Furman and Austan Goolsbee.
Some argue that we must support Obama or else we are supporting McCain. We in the Uhuru Movement don’t believe our community should restrict our political options to a choice between one white ruling class party or another. In fact, the black community’s most recent experiences in the U.S. electoral arena have resulted not only in the Republican Party’s theft of our votes, but prior to that we suffered some of the worst attacks on our community at the hands of the Democratic Party administration of William Jefferson Clinton, who put 100,000 more police on our streets to murder our people, privatized the prisons to exploit our unpaid labor, and discontinued the public subsidies for impoverished children and families that had been won by African people as a concession to our movement of the 1960s.
African people’s experiences with these last several elections and the desperate conditions facing our community have created a willingness by our people to seek independent political alternatives. In response to this crisis, the white rulers put forward Barack Obama – a pied piper taking African people back into clutches of the Democratic Party. If anyone looks seriously at the positions, programs and advisors of Barack Obama, they will see that he does not stand for any kind of real change, but for the defense of the same old status quo, with a new face. America is in an economic crisis and the white ruling class hopes to save itself by deepening the exploitation of African people in the U.S. and on the continent of Africa, where the world’s biggest reserves of oil and precious minerals lie. How better to do it than with an African face at the head of state?
Our success as a people requires that we achieve our own independent political agenda. African people’s votes should be contingent on the willingness of a candidate to support and fight for that agenda. The International People’s Democratic Uhuru Movement has invited Barack Obama, John McCain and Cynthia McKinney to attend our annual convention on September 27-28 in St. Petersburg, Florida to clarify their position on the question, “what about the black community?’ Based on their response, we will consider endorsement of a U.S. presidential candidate.
Diop Olugbala is the International Organizer for the International People’s Democratic Uhuru Movement
Source:http://www.uhurunews.com/
ST. PETERSBURG, FL — On Friday, August 1, the Barack Obama presidential campaign hit a serious bump in a St. Petersburg, Florida town hall meeting as members of the International People's Democratic Uhuru Movement (InPDUM) challenged Obama on his unwillingness to speak to the interests of the African community.
While demonstrators outside chanted "Obama, McCain, its the same game," InPDUM members inside raised a banner that read "What about the black community, Obama?"
InPDUM International Organizer Diop Olugbala challenged Obama asking, "In the face of the numerous attacks that are made against the African community or the black community by the same U.S. government that you aspire to lead - and we are talking about attacks like the subprime mortgage that you spoke of that wasn't just a general ambiguous kind of phenomena, but a phenomena that targeted the African community and Latino community; attacks like the killing of Sean Bell by the New York police department and Javon Dawson right here in St. Petersburg by the St. Petersburg police, and Jena 6 and Hurricane Katrina, and the list goes on. In the face of all these attacks that are clearly being made on the African community, why is it that you have not had the ability to not one time speak to the interests and even speak on the behalf of the oppressed and exploited African community or black community in this country?"
After stammering, Obama made the claim that he had addressed all of those issues with public statements, but that he just may not have spoken out in the way desired.
It is well known that he did make a statement after the acquittals of the police who pumped 50 bullets into Sean Bell's car on his wedding day stating that the unjust verdict needed to be respected.
On the U.S. government's leaving African people for days to die after Hurricane Katrina he stated on September 6, 2005, "I do not subscribe to the notion that the painfully slow response of FEMA and the Department of Homeland Security was racially-based. The ineptitude was colorblind."
Obama was right that he had not spoken to these issues as would be desired. While he may have conceded that the subprime loans were predatory, he has failed to condemn Penny Pritzker, his national finance advisor, for having made a fortune through the subprime mortgage scheme at the expense of Africans and Latinos.
In fact, Obama's painting the U.S. as some place on the verge of a "post-racial" society with "race problems" being "90 percent" solved, his opposition to reparations for African people and his liquidating the colonial relationship that African people in the U.S. are held in are disarming. His role as a pied piper - leading African people who are disenchanted with the inability of the U.S. electoral process to provide any solution for them right back to the Democratic Party - is problematic for African people.
His role is one that works against African people’s struggle for self-determination - the loss of which was necessary for the building and maintaining of the United States of America.
The question for African people cannot be confined to whom to vote for in a bourgeois election where freedom and self-determination for African people will never be on the ballot. The question instead must be one of what must be done to win self-determination.
Source:http://uhurunews.com/radio/
- Carib CityForget Carrie from Sex In the City. On Wednesday, June 4th, there was a Cari-Fest in the City, at the Carifest CARES: Keep A Child Alive launch party and benefit at 40/40 on 25th Street, and the Sumfest launch party at Negril on West 3rd Street.
The launch for Carifest CARES was attended by scheduled performing artists Matisyahu, Caution, Kayla Bliss, Meta & The Cornerstones, Uriel Hamilton and Midnight. Joseph Israel greeted the crowd via a pre-recorded message played on 40/40’s many flat screens. He offered his regrets at not being able to attend the event because he is currently on tour; however, he will also be performing at this year’s Carifest. Lee Scratch Perry did not attend; however, his new album’s producer, Andrew WK, did.Carifest, an annual, New York-based, Caribbean diaspora celebration that combines food, crafts, and a concert, will also include a charitable theme this year: “Carifest CARES: Keep a Child Alive (KACA)”. Keep a Child Alive is a non-profit organization founded by Leigh Blake, in response to the desperate cry for much-needed AIDS-combating medicines in Africa.
Marie Davis, a woman living with HIV, gave a powerfully poignant speech to the evening’s attendees about the need for HIV and AIDS testing within the community. She stated, “The African and African- American community is the largest community living with HIV and AIDS, yet we are the least frequently tested voluntarily. Too often, I hear people, especially parents, say they don’t want to get tested because they are afraid to know if they are infected, or not. If you are a parent, you have a moral obligation to find out of you are living with either HIV or AIDS, so you can protect your children.” Her speech was met with thunderous applause from the rapt audience. She also stressed the importance of the use of condoms, and explained the difference between HIV and AIDS, emphatically stating that they were not the same thing.
People living with HIV and AIDS can prevent or delay some of the more serious symptoms and complications, if given anti-retroviral treatment (ARV) medication. These medicines are easily accessible in the United States, but are virtually non-existent in Africa, where the AIDS pandemic has reached its peak, killing tens of millions of people. That is where Keep A Child Alive comes in. According to KACA, ARV medicines can miraculously prolong the lives of those dying from AIDS. KACA forwards 100% of their donations to this cause, and supports 14 clinical and orphan care sites in 7 countries. According to KACA, there are over 15 million children worldwide who have lost one, or both, parents to the AIDS pandemic.
To learn more about what you can do to help this cause, contact info@keepachildalive.org, or attend Carifest CARES on Sunday, July 6th, at the USTA National Tennis Center, in Flushing, Queens, from 5pm until 11pm.
Meanwhile, across town, at Negril, media, friends and Jamaican government officials came together to support the launch for Sumfest, an annual concert event which takes place in Montego Bay, Jamaica on July 13th-19th.
Sumfest organizers, Johnny Gourzong, Executive Director, Robert Russell, Chairman, Sydney Reid, Director of Sites & Services, and Marcia McDonnough, Promotions Director, were at Negril to answer questions from the media about this year’s upcoming event. The organizers were joined by Jamaican political bigwigs such as Edmund Bartlett, Minister of Tourism, Carole Guntley, Director General in the Ministry of Tourism, Basil Smith, Director of Tourism, David Shields, Deputy Director of Marketing, and Donnie Dawson, Deputy Director of Tourism. The Jamaican politicians attended alongside their New York-based counterparts like Guillemo Linares, Commissioner of Immigration Affairs, and Genieve Brown Metzer, Jamaican Counsel General to New York.
Despite the withdrawal of former Sumfest sponsors, Red Stripe, due to what they expressed as a disdain for the increasingly violent and inflammatory lyrics in dancehall music, the show must, and will indeed, go on. If the love and support that was apparent at the jam-packed launch was any indication of the support for the actual event, this year’s Sumfest will be just as successful as before, without sponsorship from Red Stripe.
If you were unable to attend the launch parties, there is still plenty of time to get tickets to either, or both, of the events. Between Carifest CARES and Sumfest, it will certainly be a memorable Summer-fest of Cari-fun.
By Brittany Somerset
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Presented by Pumpstation Entertainment, this “Evening of Elegance” is a first-of-its-kind event catering to a broader Caribbean and urban base audience. “We plan to take people back down memory lane, particularly Jamaican people,” says Omar Stephenson of Pumpstation Entertainment.
The event coincides with Jamaica’s 46th independence celebration, where traditional celebrations “back-home” are often laced with sweet reggae music, delicious Jamaican food and beautiful people.
Zanzibar On the Waterfront will provide drink specials and a complimentary Jamaican style buffet. Reggae crooner John Holt, backed by Ruff Stuff Band, will deliver a sweet serenade of classic tunes like “Dusty Road”, “Further You Look,” “The Tide Is High” and the unforgettable “Stick By Me.”
With well over 50 years in the reggae music business, both Holt and Merritone carry equally a sense of pride and tradition, representating what can be claimed, as truly Jamaican. After all, that’s what it’s about, as an important milestone in Jamaica’s history is celebrated 46 years from British rule.
Additional music will be presented by Pumpstation Sound System and Caribbean Vibes Radio’s own PauL MacK, who promises to dig deep into his musical vault to keep the vibe right.
For more information and store locations, visit www.pumpstn.com.
Sourec:http://www.jamaicapressrelease.com


Reggae lovers are fighting back! There is a commission formed to defend freedom of speech where reggae music is concerned.
Based on the tremendous pressure some dancehall artistes have been facing with gay rights group the commission is now formed to fight back.
The most recent attack surfaced in Waterloo, Ontario on May 10th where Mr Vegas was scheduled to perform but could not, as the venue was threatened by gay activists stating that if Vegas perform they would picket the event.
Unfortunately, the venue cancelled the show to avoid the unwanted negative attention the establishment would receive had the show gone
on. In an effort to fight these many cancellations and in some cases song withdrawals, blogger Maria Jackson has put a group together called REGGAE LOVERS FOR FREEDOM OF SPEECH. The purpose of the group is to investigate and challenge these gay activists as oppose to simply giving in to their every requests. The group which currently has members hailing from different parts of the world is open to the public and does invite any and everyone who believes that reggae is being unfairly targeted to join the fight.
Posted by yardFlex on 02:36 PM | Comments (14
"One of Our Sons is Missing": June 19 - 21, 2008, Brooklyn
We All Have Secrets... Some Kill
Provocative and engaging, One of Our Sons is Missing explores the lies we tell ourselves and the truths we hide from others when a Caribbean family is forced to confront dark secrets, prejudices and fear as the threat, and reality, of HIV/AIDS invades their world. It also examines the risks to which young people may be exposed in their relationships, often without being fully aware of the consequences.
When first staged in his native Trinidad, Godfrey Sealy's work was considered at once groundbreaking and scandalous for dealing openly with the issues of sexuality and HIV/AIDS in the English-speaking Caribbean. Unfortunately, after almost two decades, the scandal is its narrative remains painfully contemporary.
Kumble Theatre for the Perfroming Arts
Long Island University - Brooklyn Campus (corner Flatbush Ave Extension & Dekalb Ave)
June 19 - 21
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IYAGO ENTERTAINMENT GROUP Presents WHAT BLACK MEN THINK
An In Depth View of How Myths, Stereotypes and Misrepresentations render Black Men Non-Necessities in their Communities and Families... In the most provocative Black film of the year, Janks Morton presents a searing examination of the role that myths, stereotypes and misrepresentations have played in the decimation of modern era black relationships, and how the symbiotic relationship between government, the media and black leadership perpetuates misinformation to further marginalize the role of black men in society. Since the triumphs of the civil rights legislations of the early 1960s havoc and decimation has been wreaked on the Black family with a specific devastation on the Black man. With negative imagery of the media, the failed policy of the great society and modern era black leadership abandoning tenets that historically held the community together, a new form of mental slavery has perpetuated an undeclared civil war in the Black Community...
It would be dishonest of me to remain silent after hearing the speech Obama delivered on the afternoon of May 23 at the Cuban American National Foundation created by Ronald Reagan.African American leader and prominent figure in the Nation of Islam, who articulated concepts of race pride and black nationalism in the early 1960s. After his assassination, the widespread distribution of his life story—The Autobiography of Malcolm X (1965)—made him an ideological hero, especially among black youth.
Born in Nebraska, while an infant Malcolm moved with his family to Lansing, Mich. When Malcolm was six years old, his father, the Rev. Earl Little, a Baptist minister and former supporter of the early black nationalist leader Marcus Garvey, died after being hit by a streetcar, quite possibly the victim of murder by whites. The surviving family was so poor that Malcolm's mother, Louise Little, resorted to cooking dandelion greens from the street to feed her children. After she was committed to an insane asylum in 1939, Malcolm and his siblings were sent to foster homes or to live with family members.
Malcolm attended school in Lansing, Mich., but dropped out in the eighth grade when one of his teachers told him that he should become a carpenter instead of a lawyer. As a rebellious youngster Malcolm moved from the Michigan State Detention Home, a juvenile home in Mason, Mich., to the Roxbury section of Boston to live with an older half sister from his father's first marriage. There he became involved in petty criminal activities in his teenage years. Known as “Detroit Red” for the reddish tinge in his hair, he developed into a street hustler, drug dealer, and leader of a gang of thieves in Roxbury and Harlem (in New York City).
While in prison for robbery from 1946 to 1952, he underwent a conversion that eventually led him to join the Nation of Islam, an African American movement that combined elements of Islam with black nationalism. His decision to join the Nation also was influenced by discussions with his brother Reginald, who had become a member in Detroit and who was incarcerated with Malcolm in the Norfolk Prison Colony in Massachusetts in 1948. Malcolm quit smoking and gambling and refused to eat pork in keeping with the Nation's dietary restrictions. In order to educate himself, he spent long hours reading books in the prison library, even memorizing a dictionary. He also sharpened his forensic skills by participating in debate classes. Following Nation tradition, he replaced his surname, “Little,” with an “X,” a custom among Nation of Islam followers who considered their family names to have originated with white slaveholders.
After his release from prison Malcolm helped to lead the Nation of Islam during the period of its greatest growth and influence. He met Elijah Muhammad in Chicago in 1952 and then began organizing temples for the Nation in New York, Philadelphia, and Boston and in cities in the South. He founded the Nation's newspaper, Muhammad Speaks, which he printed in the basement of his home, and initiated the practice of requiring every male member of the Nation to sell an assigned number of newspapers on the street as a recruiting and fund-raising technique. He also articulated the Nation's racial doctrines on the inherent evil of whites and the natural superiority of blacks.
Malcolm rose rapidly to become the minister of Boston Temple No. 11, which he founded; he was later rewarded with the post of minister of Temple No. 7 in Harlem, the largest and most prestigious temple in the Nation after the Chicago headquarters. Recognizing his talent and ability, Elijah Muhammad, who had a special affection for Malcolm, named him the National Representative of the Nation of Islam, second in rank to Muhammad himself. Under Malcolm's lieutenancy, the Nation claimed a membership of 500,000. The actual number of members fluctuated, however, and the influence of the organization, refracted through the public persona of Malcolm X, always greatly exceeded its size.
An articulate public speaker, a charismatic personality, and an indefatigable organizer, Malcolm X expressed the pent-up anger, frustration, and bitterness of African Americans during the major phase of the civil rights movement from 1955 to 1965. He preached on the streets of Harlem and spoke at major universities such as Harvard University and the University of Oxford. His keen intellect, incisive wit, and ardent radicalism made him a formidable critic of American society. He also criticized the mainstream civil rights movement, challenging Martin Luther King, Jr.'s central notions of integration and nonviolence. Malcolm argued that more was at stake than the civil right to sit in a restaurant or even to vote—the most important issues were black identity, integrity, and independence. In contrast to King's strategy of nonviolence, civil disobedience, and redemptive suffering, Malcolm urged his followers to defend themselves “by any means necessary.” His biting critique of the “so-called Negro” provided the intellectual foundations for the Black Power and black consciousness movements in the United States in the late 1960s and '70s (see black nationalism). Through the influence of the Nation of Islam, Malcolm X helped to change the terms used to refer to African Americans from “Negro” and “coloured” to “black” and “Afro-American.”
African statesman and nationalist, the first prime minister (1963–64) and then the first president (1964–78) of independent Kenya.
Kenyatta was born as Kamau, son of Ngengi, at Ichaweri, southwest of Mount Kenya in the East African highlands. His father was a leader of a small Kikuyu agricultural settlement. About age 10 Kamau became seriously ill with jigger infections in his feet and one leg, and he underwent successful surgery at a newly established Church of Scotland mission. This was his initial contact with Europeans. Fascinated with what he had seen during his recuperation, Kamau ran away from home to become a resident pupil at the mission. He studied the Bible, English, mathematics, and carpentry and paid his fees by working as a houseboy and cook for a European settler. In August 1914 he was baptized with the name Johnstone Kamau. He was one of the earliest of the Kikuyu to leave the confines of his own culture. And, like many others, Kamau soon left the mission life for the urban attractions of Nairobi.
There he secured a job as a clerk in the Public Works Department, and he also adopted the name Kenyatta, the Kikuyu term for a fancy belt that he wore. After serving briefly as an interpreter in the High Court, Kenyatta transferred to a post with the Nairobi Town Council. About this time he married and began to raise a family.
The first African political protest movement in Kenya against a white-settler-dominated government began in 1921—the East Africa Association (EAA), led by an educated young Kikuyu named Harry Thuku. Kenyatta joined the following year. One of the EAA's main purposes was to recover Kikuyu lands lost when Kenya became a British crown colony (1920). The Africans were dispossessed, leaseholds of land were restricted to white settlers, and native reservations were established. In 1925 the EAA disbanded as a result of government pressures, and its members re-formed as the Kikuyu Central Association (KCA). Three years later Kenyatta became this organization's general secretary, though he had to give up his municipal job as a consequence.
American black civil-rights activist, whose murder received national attention and made him a martyr to the cause of the civil rights movement.
Evers served in the U.S. Army in Europe during World War II. Afterward he and his elder brother, Charles Evers, both graduated from Alcorn Agricultural and Mechanical College (now Alcorn State University, Lorman, Miss.) in 1950. They settled in Philadelphia, Miss., and engaged in various business pursuits—Medgar was an insurance salesman, and Charles operated a restaurant, a gas station, and other enterprises—and at the same time began organizing local affiliates of the National Association for the Advancement of Colored People (NAACP). They worked quietly at first, slowly building a base of support; in 1954 Medgar moved to Jackson to become the NAACP's first field secretary in Mississippi. He traveled throughout the state recruiting members and organizing voter-registration drives and economic boycotts.
During the early 1960s the increased tempo of civil-rights activities in the South created high and constant tensions, and in Mississippi conditions were often at the breaking point. On June 12, 1963, a few hours after President John F. Kennedy had made an extraordinary broadcast to the nation on the subject of civil rights, Medgar Evers was shot and killed in an ambush in front of his home. The murder made Evers, until then a hardworking and effective but relatively obscure figure outside Mississippi, a nationally known figure. He was buried with full military honours in Arlington National Cemetery and awarded the 1963 Spingarn Medal of the NAACP.
Charles Evers immediately requested and was granted appointment by the NAACP to his brother's position in Mississippi, and afterward he became a major political figure in the state. Evers's widow, Myrlie Evers-Williams, was the first woman to head the NAACP (1995–98).
Byron de La Beckwith, a white segregationist, was charged with the murder. He was set free in 1964 after two trials resulted in hung juries but was convicted in a third trial held in 1994. Beckwith was given a life sentence, and in 2001 he died in prison. Source:http://search.eb.com/blackhistory/article-9033366
American sociologist, the most important black protest leader in the United States during the first half of the 20th century. He shared in the creation of the National Association for the Advancement of Colored People (NAACP) in 1909 and edited The Crisis, its magazine, from 1910 to 1934. Late in life he became identified with communist causes.
Du Bois graduated from Fisk University, a black institution at Nashville, Tennessee, in 1888. He received a Ph.D. from Harvard University in 1895. His doctoral dissertation, The Suppression of the African Slave-Trade to the United States of America, 1638–1870, was published in 1896. Although Du Bois took an advanced degree in history, he was broadly trained in the social sciences; and, at a time when sociologists were theorizing about race relations, he was conducting empirical inquiries into the condition of blacks. For more than a decade he devoted himself to sociological investigations of blacks in America, producing 16 research monographs published between 1897 and 1914 at Atlanta (Georgia) University, where he was a professor, as well as The Philadelphia Negro; A Social Study (1899), the first case study of a black community in the United States.
Although Du Bois had originally believed that social science could provide the knowledge to solve the race problem, he gradually came to the conclusion that in a climate of virulent racism, expressed in such evils as lynching, peonage, disfranchisement, Jim Crow segregation laws, and race riots, social change could be accomplished only through agitation and protest. In this view, he clashed with the most influential black leader of the period, Booker T. Washington, who, preaching a philosophy of accommodation, urged blacks to accept discrimination for the time being and elevate themselves through hard work and economic gain, thus winning the respect of the whites. In 1903, in his famous book The Souls of Black Folk, Du Bois charged that Washington's strategy, rather than freeing the black man from oppression, would serve only to perpetuate it. This attack crystallized the opposition to Booker T. Washington among many black intellectuals, polarizing the leaders of the black community into two wings—the “conservative” supporters of Washington and his “radical” critics.
Two years later, in 1905, Du Bois took the lead in founding the Niagara Movement, which was dedicated chiefly to attacking the platform of Booker T. Washington. The small organization, which met annually until 1909, was seriously weakened by internal squabbles and Washington's opposition. But it was significant as an ideological forerunner and direct inspiration for the interracial NAACP, founded in 1909. Du Bois played a prominent part in the creation of the NAACP and became the association's director of research and editor of its magazine, The Crisis. In this role he wielded an unequaled influence among middle-class blacks and progressive whites as the propagandist for the black protest from 1910 until 1934. (See also the Britannica Classic Negro literature.)
Both in the Niagara Movement and in the NAACP, Du Bois acted mainly as an integrationist, but his thinking always exhibited, to varying degrees, separatist-nationalist tendencies. In The Souls of Black Folk he had expressed the characteristic dualism of black Americans:
One ever feels his twoness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.…He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
Published Wednesday, May 14, 2008
Democratic Rights Law and Legal Cases Police and Prisons
Europe and Russian Federation
Demonstration in response to Ebenizer Sontsa's death By Luwezi Kinshasa, Secretary-General of the African Socialist International
MERKSPLAS, Belgium — Prisoners sparked a rebellion inside the Merksplas detention center in Belgium on Thursday, May 1, 2008 after 32-year-old Ebenizer Folefack Sontsa was found dead inside the prison. The prisoners clearly understood that the death of the African from Cameroon was no suicide, despite prison official’s claims that he hung himself.
Instead his death was but one of several acts of colonial violence imposed on him. Ebenizer Sontsa was thrown into the prison by the Belgian colonialist government that maintains a policy of locking up Africans on the pretext of immigration offences while Belgium continues to live off of our riches.
Brother Sontsa could have been killed the previous Saturday when he was assaulted by the police while screaming for help on board a Brussels Airline flight headed to Cameroon. A courageous African named Serge Fosso stood up and questioned the police’s violent attack on the brother while recording with a video camera. According to Fosso, he had to act as he was reminded of an African woman suffocated to death with a pillow by two Belgian police on a SABENA flight in 1998.
As more passengers began to protest the attack, the police were forced to abandon their action and move Ebenizer Sontsa to the detention center where he was found dead. The brother who defended him was thrown out of the plane without reimbursement, detained for 11 hours and banned from ever flying on Brussels Airlines again.
Ebenizer Sontsa’s case is not an isolated event. According to the website www.dibussi.com, “On March 27, [2008], 136 Nigerian passengers were ordered off a British Airways flight to Lagos after they complained about the brutal treatment of a man who was being deported to Nigeria. One of the passengers, Ayodeji Omotade, whom police considered the ringleader of the protest movement, was arrested, abandoned at the airport and banned from flying on British Airways.”
We agree with Brother Ebenizer’s lawyer, Maitre Alexis Deswaef, who holds the Belgian government responsible for his client's death and reveals that police tortured his client during the first expulsion attempt. In fact, witnesses say he was beaten so bad he could barely walk.
Officials at the Merksplas detention center have even had to admit that when Ebenizer’s body had signs of trauma when he returned to the center on Saturday.
We call on the African world to build an international world tribunal in the hands of Africans workers ourselves so that we can put our oppressors on trial and deliver justice on our own terms.
The Belgian police are guilty of murder The Belgian government, led by Prime Minister Yves Leterme, is also guilty of murder.
The government of Paul Biya in Cameroon as well as other neocolonial governments throughout Africa are all guilty of crimes of oppressing and exploiting African people.
The African working class must have power in our own hands!
Uhuru!
Source:http://uhurunews.com/story?resource_name=african-dies-in-belgian-immigration-s-brutal-custody

The conditions in the African community in the United States are dire, much like the conditions Africans find ourselves in around the world. African communities in the U.S. have been devastated by the subprime mortgage crisis. While the U.S. government bails out bankers, brokers and lenders who created and profited from the predatory lending practice that targeted Africans for subprime and adjustable rate mortgages, hundreds of thousands of African families have lost our homes.
Meanwhile, the U.S. government continues to imprison more and more Africans to feed its failing economy. The current situation where one out of every nine African men of childbearing age is in prison in the U.S. is but a continuation of the brutally vicious convict leasing system established immediately after the emancipation proclamation supposedly “freed” enslaved Africans, the establishment of slavery as a means of punishment in the 13th Amendment to the U.S. Constitution and the development of designer laws to drag masses of African people to prisons to provide free labor.
The so-called education system violates our children on a daily basis. As if an anti-African curriculum were not enough, the schools brutalize our children. Small children, like five-year-old Ja’eshia Scott in St. Petersburg, Florida or six-year-old Desire’e Watson in Avon Park, Florida, are handcuffed and imprisoned by police for so-called “temper tantrums.” Sixteen-year-old Pleajhai Mervin had her arm broken in Palmdale, California by one of the many cops who function in schools as military forces just because the cop said she didn’t clean up a dropped cake to his liking. Then there is Shaquanda Cotton who was locked up and sentenced to seven years in prison in Texas for allegedly pushing a hall monitor.
Lynch mob fervor continues to rise, be it from mobs of white workers or mobs of State military agents in the form of the police. The Jena Six case is but one example. Another example can be found in the case of Sean Bell who New York police decided to massacre with 50 bullets just hours before his wedding. Then there is the case of 92-year-old Kathryn Johnson of Atlanta, Georgia, who was shot down like a dog by a unit of police who kicked down the door of her home. Cases like these of vicious attacks against the African community can be found throughout the U.S.
Then again, no one can forget the Katrina situation in the Gulf Region, where the U.S. government not only left Africans to die with no access to food or clean water, but contained the African community of New Orleans with armed police and sent in troops from private contracting firms like those found in Iraq to murder African people. Even now, the government-imposed Katrina crisis continues as a fierce gentrification process is making it impossible for African people to return to our homes.
Amid this sea of colonial misery stands Barack Obama. Charming and articulate, Obama beckons us to follow him.
Obama is being presented to African people in this time of extreme crisis — when Africans would be looking for solutions other than through the system that has created all of our problems — as the solution. We are told that he brings “change we can believe in.” Never mind that he is the U.S. presidential candidate who has received the most funds from Wall Street. Nevermind that his advisors include Penny Pritzker, who made riches through the subprime crisis that is making Africans homeless now, and Zbigniew Brzezinski, who as former U.S. president James Earl Carter’s national security advisor created the modern jihad to destroy the Soviet Union.
But does Obama actually represent a solution to the conditions of African people? Up to now, Barack Obama has refused to speak to the conditions African people face. The one time he was forced to mention African people — following statements made by his pastor, Rev. Jeremiah Wright — he only glossed over them, equating the experience of African people, who exist as a domestic colony within U.S. borders, with that of working-class white people who feel “anger over welfare and affirmative action.”
So what solution would Barack Obama’s election as U.S. president mean for Africans suffering under unbearable conditions in what is being called a “post-racial” society?
Malcolm X raised the question of “the Ballot or the Bullet” back in the 1960s, another time when African masses were looking for our own solutions of Black Power independent of the Democratic and Republican parties. During that time, one response by white power, in addition to a massive military assault against the African community and our organizations, was to put forward as our representatives people who look like us but who actually served white power.
Come to African Liberation Day in Washington, D.C. on May 25, 2008 and participate in a symposium to discuss the question: “Is Barack Obama Black Power?”
Speakers participating include:
(MxGM) Every year thousands of people are improperly stopped, detained, arrested, brutalized and even murdered by the police. Young people of Afrikan descent are frequent targets of the cops. Although most cops don't respect them, you do have legal rights.
IF THE COPS STOP YOU...
- .Ask if you are free to go.
- Stay calm; don't physically resist or run - you might get shot!
- Try to remember the badge number, name, and physical description of the cop(s) who stopped you.
- Say as little as possible, and only answer their basic questions (name and address).Talking to police will NEVER help you.
.They can only LEGALLY search you if they think you are armed and dangerous.
IF THE COPS SEARCH YOU...
- They can only LEGALLY search you for weapons, NOT for drugs.
-.Say loudly "I DO NOT CONSENT to this search" so that others around can hear you.
- Cops may search you illegally, but your lawyer might be able to get the evidence thrown out in court if the search was illegal.
IF THE COPS ARREST YOU...
- Don't say ANYTHING - Just ask for a lawyer! Don't talk to the police, speak on videotape, talk to a District Attorney, or other inmates about anything that has to do with the crime you may have been arrested for.
- You will be handcuffed, searched, photographed, and fingerprinted.
- Do not sign anything!! Cops are trained to trick you.
IF THE COPS INTERROGATE YOU...
- Cops have to read you your rights before they interrogate you.
- You should ask to speak to a lawyer - it will never help you to talk to the cops.
- If you decide to talk to the cops anyway, you can decide to stop talking at ANY time and ask for a lawyer - the cops then MUST stop interrogating you.
IF YOU ARE IN A CAR...
- If cops legally stop you and see something illegal in "plain view", they can search your car without warrant.
- If cops legally stop you, they can can frisk the driver and serarch the passenger compartment - they CANNOT search your trunk. Even if they arrest you - they CANNOT search your trunk on the scene.
- BUT if cops have probably cause that something in your trunk contains illegal contraband OR the car is impounded, cops can search the ENTIRE car (including the trunk).
- Never consent yo a search of your car - even if you have nothing illegal.
IF YOU ARE UNDER THE AGE OF 16...
- Cops have to make a "reasonable effort" to reach your parent/guardian before they can start interrogating you. Your parent/guardian is allowed to sit in the room with you while you're being interrogated.
- Remember that even if your parent/guardian is there, you should still ALWAYS ask to speak to a lawyer before answering questions.
- Cops can stop you if you are hanging out during school time or if they suspect you are a runaway.
Need info on a friend/relative who's been arrested? Call Central Booking in that borough:
Bronx: 718/590-2817
Brooklyn: 718/935-9210
Manhattan: 212/374-5818
Queens: 718/520-9311
Staten Island: 718/876-8493
If you need legal representation or advice on a police abuse or brutality case please call one of the following organizations:
Malcolm X Grassroots Movement
718-254-8800
Neighborhood Defenders Service of Harlem (Harlem Residents Only)
212-876-550
National Lawyers Guild
212-679-5100
New York Civil Liberties Union
212-607-3300
Center for Constitutional Rights (CCR)
212-614-6464
NYPD Report 2006-2007
Total Number in New York City Population:
White: 3.6 million
Black: 2.2 million
Total Police Stops:
White: 94,530
Black: 453,042
Number of Stops That Did Not Result In An Arrest Or Summons
White: 83,452
Black: 402,943
Stops As Percentage of Population:
White: 2.6%
Black: 21.1%
The Malcolm X Grassroots Movement is an organization of Afrikans in America / New Afrikans whose mission is to defend the human rights of our people and promote self-determination in our community. In order to survive as a people, it is necessary that we not only UNDERSTAND OUR RIGHTS but also DEFEND THEM.
MXGM's People's Self-Defense Campaign (PSDC) observes, documents, and prevents incidents of police misconduct and brutality through educating and organizing our community and supporting survivors/victims of this misconduct.
The Goals of PSDC:
1 - Immediately convict all police officers guilty of misconduct in our community.
2 - Fire Police Commissioner Ray Kelly and make the role of Police Commissioner an elected position.
3 - Community Control: we determine how our community is policed.
4 - Independent investigations of ALL Police killings.
5 - End to militarized anti-crime programs such as Operation Impact.
This program is not intended to engage police in conflict. It is geared to see that we are protected from widespread abuses that have become commonplace and have largely gone without punishment.
Malcolm X Grassroots Movement (MXGM)
P.O. Box 471711
Brooklyn, New York 11247
www.mxgm.org
(718) 254-8800
"If we're going to talk about police brutality, it's because police brutality exists. Why does police brutality exist? Because our people in this particular society live in a police state"
- Malcolm X
May, 2008 – San Francisco, CA - Mastamind Productions LLC. announces that Hip hop filmmaker Kevin Epps' production on Current TV, "Popped in Oakland" has won a Silver Telly Award. "Popped in Oakland" shows the victims of street violence side of the story that's mostly discarded by the nightly news, says Current TV's Roberto C. Grijalva, also co-producer of "Popped in Oakland", 'Epps has done a great job making sure these stories are not ignored. "Popped in Oakland" won the Silver Telly Award in the Cultural category.
Information about the production
"Popped in Oakland" takes a deep look at gun-related violence and the affects it has on young black men. Here the testimony of those who've survived shootings and get a deeper look into what one doctor is calling "an epidemic of violent crime in the African-American community."
About Current TV Current TV is an Emmy award winning independent media company led by former U.S. Vice President Al Gore and businessman Joel Hyatt. Current features "pods", or short programs, of which a portion are created by viewers and users. Current TV is the first 24-hour network based around viewer-created content, which it dubs VC2. Users (called VC2 Producers) contribute three-to-seven- minute "pods", which are on a variety of subject matter. The content is filtered by registered users on Current's website through a voting process, but pods are ultimately approved or disapproved by Current's on-air programming department. VC2 makes up a portion of the material aired on the channel. Users can also create Viewer Created Ad Messages, or V-CAMs and Current TV promos which are small promotions for either Current TV or the general topic of VC2. The channel has exclusive broadcast rights in all medium for perpetuity on viewer-submitted pods, and in some cases outright ownership of the pod and its raw footage, although this is negotiated on a pod by pod basis.
About Telly Awards The Telly Awards recognizes distinction in creative work," honoring outstanding local and regional television commercials and productions, as well as non-broadcast video productions. The Telly Awards were founded in 1978 by David E. Carter, a past Emmy and Clio Award winner who has written several books on corporate branding and design. In recent years, the Telly Award has become a highly sought award and is recognized as a true accomplishment in the field of Commercials and Television Programs. www.tellyawards.com
About Kevin Epps Kevin Epps (2002) hardcore hip-hop documentary "Straight Outta Hunter's Point" won local and national acclaim, launched Epps into the spotlight, and pioneered a new genre, shot all digital it established him as a leader in digital, independent film and new media. Epps other work, Rap Dreams (2006) about the struggles of upcoming rappers receive recognition as well. Kevin is in the process of completing a new documentary feature, The Black Rock: The Untold story of the African-American experience at Alcatraz. His other most recent work ranging from gun violence to black fatherhood can be seen airing nationwide on Current TV, a network founded by former Vice President Al Gore. Epps sits on the board (DMAC), Digital Media Advisory Council, and is an advisory Board member, of the San Francisco Black Film Festival.
Press:
Kevin Epps
kevepps@gmail.com
SPEEDKNOT MOBSTAZ
MOBSTABILITY II: NATION BIZNESS
IN STORES MAY 27, 2008
New Video "Money To Blow" Playing on MTV Jams Now!
Chicago, IL (May 12, 2008) Multi-platinum rapper, Twista launches his Get Money Gang (GMG) Imprint via Koch Records, with yet another anticipated Speedknot Mobstaz album entitled MOBSTABILITY II: Nation Bizness, set to release Tuesday, May 27, 2008. With new single "Money To Blow" both radio and MTV Jams are strongly supporting group members Liffy Stokes, Mayz and Skooda. "No lie, this album is on some real street shit, none of that Ringtone shit. This music we're putting out is for the everyday Hustla on the grind. Its been a long time coming for me and the crew, now that everything is in place we can finally give the fans what they want," says Speedknot Mobstaz member Liffy Stokes.
Surrounding all of the hype in regards to the release of the new album, the Speedknot Mobstaz recently accepted the offer to perform on the Rock The Vote Tour scheduled to hit over 20 cities throughout the United States . In addition to that, the Speedknot Mobstaz will introduce their video "Money To Blow" on BET's Rap City next week. In 1998, the Mobstaz released their first album entitled MOBSTABILITY: Nation Bizness which ultimately certified them RIAA gold status with over 700,000 in sales. Strategically, prepped with a half a million copies sold from three compilations, the group feels they are ready and set to really jumpstart their career and never look back.
Rolling out the red carpet for the team he believes in, Twista is on a mission to expand his music and entrepreneurial vision with Get Money Gang. The Speedknot Mobstaz are just one of the many artists that will be unveiled from the GMG imprint through other label deals. "Expect to hear real music coming from the heart of the Chi. I am dedicated to making this GMG label a movement first in Chicago , then nationwide. If you got real talent and about getting money, then you got a spot at my label," says Twista. The release of this album promises to set summer radio on fire!
View "Money To Blow" Video Here:
Hi-Bandwidth: http://kochent.edgeboss.net/wmedia/kochent/twista/money2blow512k_stream.wvx
Brandon Moore
Echoing Soundz
Lifestyle Marketing | Public Relations | Event Production
www.echoingsoundz.com
www.myspace.com/buziness
818.787.7633 Office
818.787.8748 Fax
310.259.5973 Cell
thebiz@echoingsoundz.com
May 12th, 2008 Album hits streets June 24th on renowned indie Babygrande Records; first video premiered featuring Reef The Lost Cauze
Amidst critical fanfare and a rapidly expanding US profile, The Snowgoons, the renowned German production team of Det, DJ Illegal, Torben & DJ Waxwork, prepare their sophomore offering, "Black Snow," featuring a veritable who's who of the independent hip-hop scene.
Building off of the critical and commercial acclaim of their debut release, 2007's "German Lugers," The Snowgoons once again enlist the upper echelon of independent talent for "Black Snow," including Defari (Dilated Peoples), Killah Priest, Smif-N-Wessun, ILL Bill (Non Phixion & La Coka Nostra), Outerspace, C-Rayz Walz, R.A. The Rugged Man, Apathy, Edo G., Sabac Red (Non-Phixion), Doap Nixon, Reef The Lost Cauze, Sick Jacken, Rasul Allah (Lost Children of Babylon), Scheme (The Molemen), Main Flow, El Da Sensei, Block McCloud, Pace Won, Slaine & many more. With a line-up of features that rivals (and outshines) most independent labels' rosters, The Snowgoons once again storm the US shores with their distinctive blend of beats paired with the cream of the independent emcee crop.
In connection with the announcement of the release, The 'Goons unveil the first of multiple videos showcasing the gritty underground stylings that will define their sophomore entry "Black Snow:"
"This Is Where The Fun Stops" featuring Philly's own Reef The Lost Cauze.
Check for more videos in the ensuing weeks featuring guest emcees from the album...
WATCH "THIS IS WHERE THE FUN STOPS" FEATURING REEF THE LOST CAUZE:
www.hiphopcrack.com/viewVideo.hhc?videoId=1050
CHECK OUT THE WIDGET FOR MORE INFO AND TRACKS!!!
www.crackspace.com/snowgoons
SNOWGOONS
"BLACK SNOW"
IN STORES JUNE 24th!!!
www.crackspace.com/snowgoons
www.snowgoons.de
www.babygrande.com
Hidden in Plain Sight -Positive Messages in Mainstream Rap Songs courtesy of Rap & Rock confidential
rockrap@aol. com
"Hip-hop needs to find the next subject. Politics and social stuff—those are going to be the next real subjects groups get into.
"
—George Clinton-
, Detroit Free Press, summer 2007
Too many in the hip hop audience accept the big lie promoted by opportunist preachers and politicians that hip-hop is only about madness and misogyny. The truth is very different. There are many, many hip-hop songs reaching millions of people which carry a message of unity, songs whose protests and promise promote a vision of a world without war, poverty, and racism. The truth here should set us free, free of false divisions between mainstream and underground, between bling bling and backpack.
Let us know what we've missed.
"All of Me," 50 Cent featuring Mary J.
Blige—Two heavyweights talk about politics at square one, between a man and a woman in a relationship. Fifteen rounds of intense negotiation lead to the kind of "win win" outcome music manages best.
"Bendicion Mami," Fat Joe—A tribute to his mother and, just like Tupac, it resonates beyond the individual situation because our mothers are held up as subhuman by the media and by the masters of puppets in the White House. Here it's also about unconditional love for one's family and support in the face of physical illness and the sickness of the system.
"Black and Brown," Xzibit—"80% of inmates are black and Hispanic/They're trying to wipe us off of this planet/Dammit….That's why we've got to sit down/And talk about the black and the brown." A love song to brothers thrown against brothers in Los Angeles, nationwide and worldwide, with a dream of what could happen if we learned to focus on our real enemy.
"Buck the World," Young Buck—"My rent due/Baby need food and shoes/I'm flat broke/Still I refuse to lose." A song about reaching the breaking point and choosing life anyway, changing a "Fuck the World" goodbye to a "Buck the World" throwdown.
"Cold World," Xzibit—A rap that follows the money at the root of a young woman savaged by a dehumanizing job then by unemployment, of a kid locked into a losing street hustle and of an Iraqi family facing guns and bombs.
"Concrete Jungle," Jim Jones, featuring Max B, Rell, Dr.
Ben Chavis and Noe—There's power to Jones's shout out to his "political soldiers" behind bars—without romanticizing the streets, he's dreaming of the world that can come out of making the culture of those streets work for us.
"Do Your Time," Ludacris with Beanie Siegel and C-Murder—A roll call of friends and loved ones locked down by a justice system "fucked up," bolstered by details of life behind bars, suggestions for how to support these brothers and sisters and contemplating what MLK would think of how far we have to go.
"Dreams," The Game—King's dreams again, asking us to contemplate what they have in common with those of Huey Newton, Easy E, Marshall Mathers, Marvin Gaye, Curtis Jackson, Aaliyah and Left Eye Lopez.
"Gangsta Rap Made Me Do It," Ice Cube—Lays waste to the logic that blames rap for everything from selling crack to college shootings, in fact arguing that gangsta's the loudest voice against everyday violence. And the reason, Cube explains, "Lyrically I'm so lethal…Just to feed all my people.
"
"Georgia Bush," Lil' Wayne—Sums up the first year after Katrina, calling the President out for ongoing genocide. A sample of Ray Charles's "Georgia" not only emasculates the president but restores the power of that refrain free of nostalgia.
"Get Ya Hustle On," Juvenile—Life after Katrina's a lot like life before Katrina, "your mayor ain't your friend/he's the enemy," your friends are behind bars, and there's no government for the people just a hustle to stay alive. But this song's not about defeat—"It's crunch time," Juvenile declares, "It's the movement.
"
"Ghetto, Arab Remix," Ali B featuring Yes-R & Akon—This call for worldwide unity features Morrocan rappers Ali-B and Yes-R joined by R&B singer Akon, who has his own roots both in St. Louis and West Africa.
"Hangin' On (My Song)," Chingo Bling—Biggie rapped about contemplating suicide, here it's the terrorism of the immigration police that puts a man in that mind state.
"Hard Out Here for a Pimp," Three 6 Mafia—Oscar or not, this song stands strong on its own, deromanticizing the hustle of "seeing people killed and seeing people deal and seeing people live in poverty with no meal.
"
"Hate It or Love It," The Game and 50 Cent—"The underdog's on top, and I'm going to shine, homie, until my heart stop." Summons Rakim and Marvin Gaye to remind listeners that playa hatin' avoids the hard work of dealing with the power structure.
"Hip Hop Police," Chamillionaire featuring Slick Rick—Cites Snoop Dogg's "Murder Was the Case" to suggest hip hoppers not let themselves be turned against each other but, instead, stay focused on the real sources of injustice.
"Hope," Twista and Faith Evans—Twista wishes, "I could go deep in a zone/And lift the spirits of the world with the words within this song." He does just that and so much more, calling for his brother to get out of jail, his grandmother to get well, an end to drug dealing, war and poverty. Faith's refrains make it easy to "take this music and use it, let it take you away.
"
"Imagine," Snoop Dogg, Dr.
Dre and D'Angelo—In this world without hip hop, there's all the same poverty, sickness, madness and death except no music to bring people together to fight.
"Let's Get This Paper," Rich Boy—May be the angriest, hardest-hitting political statement anyone's made about the war against the poor, here at home and over in Iraq.
"Lighter's Up," Lil Kim—In English and in Spanish, Brooklyn's self-proclaimed queen of rap serves up this reggaeton-flavored rap for unity, "no matter where you from.
"
"Live Again," Yin Yang Twins—Dirty South bad boys contemplate the quiet agonies of women forced out of their homes and into the streets, taking off their clothes to feed their kids and hoping for a second chance at life. D-Roc bemoans the fact that the schools don't prepare these women for the world they face, and the preachers don't give them refuge, so their hopes and dreams only find voice in rap.
"Make Me Better," Fabolous and Ne-Yo—A Brooklyn rapper joins forces with a sweet voiced refrain to show just how much we need one another.
"Memphis," Eightball & MJG—A rally cry for unity among all the hoods of the Mid-South, calling upon the region's rich musical history and pointing toward a future where all the ghettos nationwide come together.
"My Hood," Young Jeezy—"Everytime I do it, I do it for my hood/And everytime I do it, I do it for your hood/and everytime I do it, I do it for they hood/It's understood….
"100 Years," Plies—Story after story indicting a justice system out to put every young man in the hood behind bars, asking such pointed questions as "how in the fuck can four birds get you a life sentence, but give a cracker seven years for money launderin' millions?"
"Over and Over," Nelly—Even without the video of a day in the parallel lives of Tim McGraw and Nelly, these blues suggest the strong ties that bind Nelly being "country" to country music.
"Pal Norte," Calle 13—This rap about the political vision of an immigrant to El Norte ran in heavy MTV rotation after its album knocked Jennifer Lopez off the top of the Latin pop charts in 2007.
"Ridin'," Chamillionaire—A tribute to the Undeground Kings's "Ridin' Dirty," this huge hit is the catchiest, boldest protest of racial profiling yet.
"Runaway Love," Ludacris with Mary J.
Blige—Just what it sounds like, a love song to children fleeing violence and a dream of a future those kids can live for.
"Slap," Ludacris—A working man's blues that runs through the details of a hard scrabble life, growls at the wealthy, tells the President to just shut up, and then stops and contemplates the abyss. "Troops gone and we still at war/Nobody even knows what for/Even more I'm scared to find what the world really has in store.
"
"Slippin'," Lil' Kim featuring Denaun Porter—"Fuck the law, the whole system's corrupt," Kim declares as she describes just what's universal about the dog-eat-dog situation that landed her in jail.
"Speaker," David Banner featuring Akon, Lil Wayne & Snoop Dogg—West Coast and Southern unity "busting out of your speakers," relishing a sense of power and self control that comes with others at your side.
"Stand Up," Eightball & MJG—A call to the South, East, West and Worldwide for rappers to talk straight, stay true, stand up for each other, go the distance and forget those who've got nothing better than do than hate on other artists.
"Sweetest Girl (Dollar Bill)," Wyclef Jean with Lil' Wayne and Akon—A redemption song for a high school sweetheart all but lost to that same mess that threatens to take us all down.
"The Message," Styles P—To each member of his family, to his hood, to his crew, to the poor, to the jail, to the kids, to the ladies, to the rich, to the world, the messages P leaves vary in specifics, but they're tied together by "one is all and all is one/I'm going to see us all rich before all is done.
"
"The Morning News," Chamillionaire—After the enormous success of his debut album, this Houston rapper opened his second album with this attack on the emptiness of television news, where Rosie debates the Donald and the latest gaffes by Paris Hilton and Michael Jackson are worth more time than the reality that your tax dollars just "pay for classes," CEO's are "slavemasters….and if you ain't upper class/then your opinion is irrelevant.
"
"The Way I Live," Baby Boy Da Prince—An appreciation of life in Marrero, one of the neighborhoods spared by Katrina's floodwaters but not New Orleans' neglect and devastation before or after.
"We Takin' Over," DJ Khaled (with Rick Ross, T.I.
, Lil' Wayne, Fat Joe and Akon)—Exactly what it sounds like, blasting off with tympani and some kind of outer space choral/keyboard part that says, think big and then think bigger. Arab-American, West African, Latino and African-American voices plan a takeover, "one city at a time….with enough work to feed the whole town." A manic Lil' Wayne vocal promises that those who polite society most fear will soon be heard.
"What's Going On," Remy Ma with Keisha Cole—A heartbroken prayer to an aborted child from a young mother, without money or even support from her family or the father of her child, waiting for an answer.
"Why We Thugs," Ice Cube—The original gangsta still standing spells out the tough questions gangsta's critics either don't think hard enough to ask or willfully dismiss.
"Call me an animal up in the system/But who's the animal that built this prison?/Who's the animal that invented lower living?
*****
"The turn to death themes in the spirituals was partly due to the execution of Nat Turner in 1831. Soon after, many songs included references to the coming 'Judgment Day' for the plantation regime and, later, for the Confederacy—'Can't stand the fire.' Turner's rebellion also sparked a movement that spread white Christian missionaries across the South in order to establish churches for African-Americans that used only approved songs. The battle over lyrics and music censorship, sacred and secular, has been fully engaged ever since. The day-to-day life of the plantation bloc was built around perpetual monitoring of the behavior of blacks and whites.
"— Clyde Powers, from Development Arrested: Race, Power, and the Blues in the Mississippi Delta
5:08 PM
Jamaican Author Tells Immigrant’s Story Written by GeorgeGraham on May 6th, 2008
Popular author George Graham, whose book, “Hill-an’-Gully Rider,” sparked widespread comment in the Caribbean, explores the life of a Jamaican immigrant in his new novel, “The Color of Ice: A Canadian Serenade.”
Born in Black River, Jamaica, Graham immigrated to Canada during the late 1950s and lived there for about 20 years, with two breaks to return to live and work in Jamaica. During one break he was Public Relations Director for the Jamaica Industrial Development Corporation, and during the other he was one of the founding editors of The Jamaica Daily News.
His Daily News columns created intense controversy, and when he declared he was “voting with his feet” to return to Canada in 1973, he was subjected to a torrent of abuse and even received threats on his life.
The episode that sparked his decision to leave Jamaica had nothing to do with his columns, however. It was sparked by a car-jacking during which an escaped prisoner held a pistol to his head for nearly half an hour before dumping him in the street and taking off.
The gunman was killed a few days later in a shoot-out with police, and the car was found wrecked and abandoned on a country road. The trunk was full of ganja (which, Graham hastened to make clear, was placed in the trunk by the car jacker).
“I didn’t think I was a coward,” Graham recalls. “But when I heard the click of the gun’s safety catch that night, every hair stood up straight on the back of my neck.”
In “Hill-an’-Gully Rider,” Graham attempted to reconstruct a Jamaica that might have been if the policies he deplored had been rejected by the island’s leaders.
In “The Color of Ice: A Canadian Serenade,” Graham sings a gentler tune. He tells the heartwarming and often-amusing story of a Jamaican country boy who immigrates to Toronto in the early 1960s and finds himself in a strange and hostile environment.
Alone and half-frozen, he longs for the sunshine and sensuality of his homeland.
The civil rights movement is at its height and the Vietnam War is raging. Catastrophic events in the United States have a profound effect on his perceptions – and on his life.
Early encounters with bigoted Canadians make him acutely self-conscious of his swarthy skin and Caribbean accent. And when he falls in love with a white Canadian girl, his mind is filled with self-doubt and mistrust.
But his talent for music and help from newfound friends open doors he never knew existed, and shape a destiny beyond his wildest imaginings.
“The Color of Ice: A Canadian Serenade” is available on the web at :http://www.publishamerica.com/shopping/index.htm
“Hill-an’-Gully Rider” is available at http://stores.lulu.com/georgeg
Mr. Draper added, “Tut’s own grandmother, the 18th dynasty Queen Tiye, is claimed by some to be of Nubian heritage.” He points to a bust of Queen Tiye and asks, “Did the powerful Queen Tiye, King Tut’s grandmother, have Nubian ancestry? This bust, made of wood that has darkened with age, has inspired claims that she did.” Dr. Asante scoffed at that notion. “Look at the lips! These days what we have to do is assume that these people will never accept it. They will never accept the truth ... that nothing like this was in Europe. Greece and Rome combined do not make Egypt.” Referring to Septimus Severus, a Black Emperor of Rome, Mr. Asante said, it would have been better to write an article called “The Black Emperors of Rome.” “That would of made sense since most of them are White. But to say ‘The Black Pharaohs of Egypt’ where most of them were Black, that doesn’t make sense,” he said. “I disagree with the article’s intent because the intent is to throw African people a bone. This article came as the result of the tremendous attempt on the part of Europeans to claim Egypt as not African. That was the attempt of the King Tutankhamen’s exhibit when it was first presented. So this is a long struggle.” National Geographic has a history, going back at least to the 1940s, of portraying the ancient Egyptians as anything other than Black. The June 2005 edition featured a Caucasian-looking King Tut on the cover. The same image was used on a King Tut exhibit that recently toured the country and featured on the cover of the February 2008 edition. Seemingly anticipating some backlash, the online edition of National Geographic provides a video of Dr. Zawi Hawas, head of the Supreme Council for Egyptian Antiquities, who said the race and the origin of the ancient Egyptians are difficult to ascertain. He attempted to explain away the Black statues. “If you look at the statues that were colored black, it doesn’t mean anything. Sometimes black can show the fertility of the land,” said Dr. Hawas. Another video provided is of Shomarka Omar Keita, a Black geneticist who postulates that modern Egyptians look similar to ancient Egyptians, i.e., light skinned Arabs or non-Black. “The idea that the Ancient Egyptians are like the current Egyptians is so far off that it is laughable. General Amr ibn al As was invited by the Black people of Egypt of the 7th century to come over to help throw out the Romans, when this was so he remained. This was the beginning of the large Arab presence in Egypt, 639 (B.C.) was the major movement of Arabs to Egypt. They found the Black people already there. “The presence of Arabs today in Egypt should not be read as an ancient presence just as a White presence in Australia should not be read as an ancient presence. The same for America. We have to take back the writing of our own history for it is absolutely essential,” Dr. Asante said. He pointed to ancient firsthand testimony from the 5th century Greek historian Herodotus who referred to the ancient Egyptians as “melanchroes” (Black-skinned). Dr. Asante argued if the ancient Egyptians were White, Herodotus would have used the term “leucochroes” and if brown or red skinned “phrenychroes” would have been used. Professor Asante debunks the notion that ancient Egyptians did not refer to themselves as Black as European Egyptologists suggest. The meaning of Egypt or Kemet is “Black nation,” “Black country,” “the Black City,” “Black land,” or “Land of the Black People,” Dr. Asante Source: http://www.playahata.com/hataforum/viewtopic.php?t=11543
An England Story: how Jamaica changed the voice of teenage Britain
In the US, Jamaican-style MCs created hip hop. In the UK, says Peter Lyle, their influence has been subtler but just as strong Listen to Tippa Irie's hit 'Complain Neighbour' It is one of the mysteries of modern life. 'Maddest comedian is Kenny Everett': Papa Levi, who took British MCing to number one in Jamaica How on earth did a peculiar kind of mockney patois become the default spoken English of a generation of British kids - white, black, Asian; rural, urban; posh, poor (and Ali G)? A new CD offers one solution. An England Story, a musical anthology that charts the impact of Jamaican reggae on British pop culture, is a fascinating survey of the musical scene in which that patois first took hold on these shores.Jamaican MCing - also known as toasting, chatting, and, confusingly, deejaying - has been around since the late Sixties. As Jamaica's DJs invested in ever grander and louder equipment, the sound systems sought to outdo each other with both raw power and exclusive material. This led not only to the invention of the modern remix, but also the rise of the live MC, whose job was to enliven the crowd and insult rivals.Jamaican expats in New York took these elements and turned them into something new: hip-hop. In Britain, though, their localisation was slower, more subtle, and truer to their roots.An England Story started life as a mix by the DJ duo the Heatwave (Gabriel Myddelton and Gervase de Wilde) who wanted to make an aural history of the British reggae MC. Over the 25 years that the compilation covers, the consistent thread, Myddelton says, is "a feeling that you're the underdog and up against it. It is to some extent anti-authority, kicking out at being poor and living in some s*** place." From Tippa Irie's Complain Neighbour ("Turn that noise down!") to Things Change, a new track by Warrior Queen ("London no bed o' rose…me have to wipe me runny nose"), the lyrics contain a lingering resentment of the law, the lifestyle and the weather that greeted Jamaican immigrants to this country. Crucially, there is always humour, too - this was Saturday night music; even when they wanted to moan, MCs had to make their listeners want to party. British dialects, particularly cockney, are a frequent source of comedy in the music, as are the delights of belonging to two cultures. "Sweetest singer is Sugar Minott/Maddest comedian is Kenny Everett," rhymes Papa Levi on My God My King, the 1984 single that put British MCs on the map. With its new, super-speedy style of MCing, it topped the British reggae charts, became the first Jamaican number one by a British MC, and had an audible influence on Jamaican stars. Soon after, Irie made the top 10, and fellow funnyman Smiley Culture won a cameo in Absolute Beginners.That was probably the scene's pop peak. Soon, American rap would muscle in and present music-making Britons of Caribbean descent with an alternative, angrier sound to aspire to, and a harder one to make their own. Rodney P - an MC who toured with Big Audio Dynamite when he was 15, and has since worked with Roots Manuva and Björk - found a way. In 1988, his London Posse released Money Mad, a record that crudely but brilliantly spliced rap, reggae and local observation into a gleefully noisy new sound that finally gave British rap an identity of its own. "We had been to New York by then," he recalls. "In New York, I became very nationalistic: I'm English, I'm not American. I was speaking more cockney." It's remarkably similar to the way Damon Albarn was later to define Blur's invention of Britpop as a response to US grunge. Britpop is long gone, but the comic, kitchen-sink vernacular of British MCs still has echoes in the storytelling style of Lily Allen and Mike Skinner. "You kind of forget, in England, that though reggae isn't really mainstream, it is all around," says Myddelton. "The places where reggae was really important - Southampton, Birmingham, London - are the places where things like garage and dubstep took off later." It's no coincidence: grime, jungle, and other dance scenes also owe the bulk of their DNA to the conventions of the reggae sound system. An England Story is available now from www.souljazz.co.uk
BET/MTV STUDY:The glaring truth on BET and MTV daytime programming is transparent.The limited selection of misogynistic, sex and violence themes label them as corporate predators. Almost half the audience are under age… Leaving your child watching BET is like trusting a klansmen to teach black
history.The facts speak for themselves!-Paul Porter http://www.parentstv.org/PTC/publications/reports/RapStudy/STUDYBET-MTV080410.pdf
Bolivarian Alternative for the Americas (ALBA) - a Viable Replacement to Globalization
Raleigh, NC – April 29th, 2007 – In his intellectual and timely re-examination of the scholarly works of two well-known Afro-Caribbeans in his dynamic book “In-Dependence from Bondage: Claude McKay and Michael Manley: Defying the Ideological Clash and Policy Gaps in African Diaspora Relations”(ISBN 978-1592214655, Africa World Press, 2007), author and former Jamaican public servant, Lloyd D. McCarthy makes the case that the Bolivarian Alternative for the Americas (ALBA) was a vision of these two men and, if successful, could well be the kind of initiative that shows the masses of the South, the African Diaspora and the world’s poor how to cooperate to achieve self-determination and deeper democracy.“McKay and Manley, through their art and politics demonstrated a firm belief in the inter-connections of the world, as well as preserving equality and justice for all people irrespective of race, color, or class,” says McCarthy. “They viewed international politics from a historical perspective; they shared a common vision of ordinary people asserting their democratic rights for liberty and equality; and they both expressed deep concerns with how power was distributed in society and between societies."
As such, McCarthy surmises that both Claude McKay and Michael Manley would have supported the political and economic initiative called the Bolivarian Alternative for the Americas (ALBA) with its plans for education scholarships for Latin America and the Caribbean, a Social Emergency Fund, Development Bank for the South, a Regional Petroleum Company and shipping, airlines and telecommunications plans. The ALBA is being led by Venezuela with first members being Bolivia, Cuba and Nicaragua. Through “In-Dependence” From Bondage”, McCarthy examines the impact of globalization (capitalism) on human development in the African Diaspora, as led by corporations, imperialism and the global elites. He differentiates the dominating political ideology of the developed nations of the North, with the oppressed and developing nations of the South, and the policy gaps that continue to undermine the struggle for self-determination of people in the African Diaspora.McCarthy successfully illustrates the historic crossroads of social change facing the entire global community and the corrective tactics currently being considered. He provides deep explorations into the writing of McKay and Manley and their well-documented common awareness despite differing historic periods, professional backgrounds and intellectual traditions. McKay and Manley’s strident call for an adherence to the continued struggle for self-determination echoes through the pages of “In- Dependence” from Bondage.” McCarthy has produced a significant contribution to broad studies